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Two women discuss the roles and problems of women, education, and shopping on Fogo Island.
The mother of animation director Rebecca Blöcher didn’t want to live an ordinary life. She wanted “something more,” she explains in this stop-motion film. The people around her didn’t understand—in a letter written in 1968, a girlfriend criticizes her for going out on her own and making men jealous, while advising her to dress in a more “feminine” way and to join a cooking course. Blöcher’s mother brushed aside the advice. Years later still, she divorced her husband and stepped into the big wide world.
12-year-old Conor encounters an ancient tree monster who proceeds to help him cope with his mother's terminal illness and being bullied in school.
Gerry Rogers' latest film features Leida and Ken, another Pleasant Street resident and cancer patient, on a journey that is by turns harrowing, funny, gut-wrenching and inspiring. "Pleasant Street" is not just a follow up to "My Left Breast" - it is a powerful depiction of a two people learning how to navigate the struggles of a terrible illness while witnessing first hand the powerful love of community.
An eccentric scientist in the Amazon jungle rejects his research assistant for being a woman, but as bulldozers threaten their work on a potential cancer cure, they learn to collaborate and begin to fall in love.
With her camera in tow, filmmaker Annekatrin Hendel settles into a hotel by the sea for four weeks; with her is her old friend Ines Rastig who, after her divorce and alimony battle, is now homeless. Room service may deliver fresh fruit every day, but it’s the moment of truth for these two women as they humorously and unsparingly scrutinise practical problems after the end of a long marriage.
Naomi Kawase's documentary about Nishii Kazuo, a photo critic. He is the last chief editor for the Camera Mainichi magazine, rushing through his time with Araki Nobuyoshi and Moriyama Daido as provocative artists in the photograph world.
In the wig studio three women are sitting in front of a mirror. Their hair is about to fall off and they have to choose a wig. Grey, black and yellow wigs are placed on their heads and new faces emerge. The women look in the mirror and we look at them.
August 29, 1979, Talavera Bruce Penal Institute, Bangu, Rio de Janeiro. After serving eight years in prison, Inês Etienne Romeu, the only survivor of the "House of Death" in Petrópolis and the first political prisoner sentenced to life in prison in Brazil, left prison benefiting from Amnesty. Norma Bengell filmed this moment: from the prison door to her home with her family, Inês was welcomed by family, friends and members of the Brazilian Amnesty Committee, in what marked the first act of the historic denunciation that Inês would carry out against her tormentors and the Military Regime.
A 90-minute special reuniting the main cast of the American sitcom, "The Golden Girls", where they share their favorite moments from the show, behind-the-scenes footage, and plenty of laughs
Throughout his life Edward Bloom has always been a man of big appetites, enormous passions and tall tales. In his later years, he remains a huge mystery to his son, William. Now, to get to know the real man, Will begins piecing together a true picture of his father from flashbacks of his amazing adventures.
When the U.S. trade embargo left Cuba isolated from medical resources, Cuban scientists were forced to get creative. Now they've developed lung cancer vaccines that show so much promise, some Americans are defying the embargo and traveling to Cuba for treatment. In an unprecedented move, Cuban researchers are working with U.S. partners to make the medicines more widely available.
Rafaela, an 80-year-old woman, has a long conversation with her grandson, going over his path from childhood to old age. Now that she has been diagnosed with chronic breast cancer, faith is more present in her life than ever, which coexists with Rafaela's fear of death, and her grandson's fear of dying.
An intimate look at the Oscar-nominated actor’s incomparable artistry, and the acting process which informed his transformative performances. Viola Davis, Denzel Washington, Spike Lee, George C. Wolfe, Branford Marsalis, Phylicia Rashad and more take us behind the scenes to explore Boseman's extraordinary commitment to his craft.
The cinema of Pernambuco is considered one of the most complex components of Brazilian cinema, particularly for its potency and creative style. The presence of women in filmmaking seldom holds the same historical notoriety as that of men, and the Pernambuco scene is no exception. In the context of "Amor, Plástico e Barulho" (Love, Plastic, and Noise), we find a film that serves as a testament to the marginalization of women in the creative industry, intertwining themes of consumption and the production of brega music. Hence, we use "Feminino e Barulho" (Feminine and Noise) as a means to share what we've learned. Renata Pinheiro has inspired us to craft a narrative that gives voice to those who need to be heard. We are here to showcase a glimpse of them and what they represent. "Feminino e Barulho" is a short film about love, femininity, sisterhood, and empowerment.
Documents the true story of the final weeks of rehearsal for the Young at Heart Chorus in Northampton, MA, and many of whom must overcome health adversities to participate. Their music goes against the stereotype of their age group. Although they have toured Europe and sang for royalty, this account focuses on preparing new songs for a concert in their hometown.
The Common Touch tells the story of Jake Bailey, viral sensation and student of Christchurch Boys High School, who was told one week before his graduation speech about his diagnosis of life-threatening cancer.
In a tide oblivious to diversity, pearl oysters live under attack for not fitting into the standards and sizes. This is the story of how their pearls are born.
In a Parisian public hospital, Claire Simon questions what it means to live in women’s bodies, filming their diversity, singularity and their beauty in all stages throughout life. Unique stories of desires, fears and struggles unfold, including the one of the filmmaker herself.
Herself
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