This title was completed in 1984 and opened in 2014.
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Dorthea Gordon comes to a fishing village with her ill-tempered brother, Walter. She rows out to a rock to sketch the seals, but her boat drifts away and the rising tide sweeps her into the water. Her predicament is seen by Jack Livingston, the fisherman son of the village minister, and he rescues her. The pair begin seeing one another, but Walter thoroughly disapproves. When a gossip implies that Livingston's attentions are less than honorable, Walter confronts him and is killed in the ensuing struggle.
After her mother runs away from home, Tomoko is raised to be a geisha. One day Tomoko meets her mother in a red-light district in Tokyo and her life deeply gets in trouble.
In 1987 Tokyo, a quirky and sensitive 11-year-old girl copes with a terminally ill father and stressed-out working mother while encountering various adults dealing with their own struggles.
The people of a fishing village is about to witness a miracle thanks to the new mysterious friend of a young, lonely boy.
Shinji (Shinichi Tsutsumi) steps out of a train station to find himself transported back to 1964.
Summoned by his dying father, Miyagi returns to his homeland of Okinawa, with Daniel, after a 40-year exile. There he must confront Yukie, the love of his youth, and Sato, his former best friend turned vengeful rival. Sato is bent on a fight to the death, even if it means the destruction of their village. Daniel finds his own love in Yukia's niece, Kumiko, and his own enemy in Sato's nephew, the vicious Chozen. Now, far away from the tournaments, cheering crowds and safety of home, Daniel will face his greatest challenge ever when the cost of honor is life itself.
An aging foundry patriarch, gripped by terror of nuclear annihilation, tries to uproot his family to Brazil. When they petition to have him declared incompetent, a family-court counselor witnesses his obsession slide into ruin—and asks whether ignoring the atomic threat is any saner.
A woman and her daughter are each forced to contend with an increasing pressure to marry, particularly from three men who knew her late husband.
In 1958 postwar Tokyo, the residents of a humble Third Street neighbourhood struggle, dream, and grow together as rapid modernisation transforms their lives beneath the shadow of the newly rising Tokyo Tower.
Juan, a seventy-year-old man with senile dementia, shares a room with Manuel, a young sparrow.
This is the sixth film in the Brutal Tales of Chivalry series
The ninth and final film in the Contemporary Tales of Chivalry series.
Wataru's outwardly liberal views on marriage are severely tested when his daughter declares her love for a coworker and is adamant to live her own way, instead of agreeing to an arranged marriage. Outwitted by his female relatives, Hirayama stubbornly refuses to admit defeat.
The family of an older man who runs a small sake brewery become concerned with his finances and his health after they discover him visiting an old mistress from his youth.
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
The story is set in 1970 during the time of the first EXPO in Japan. The film’s main figure is a miner who suddenly becomes unemployed because the mine he worked in was shut down. He decides to resettle with his whole family to Hokkaido in northern Japan and start a new life as a farmer.
A passionate telling of the story of Sada Abe, a woman whose affair with her master led to an obsessive and ultimately destructive sexual relationship.
The elderly Shukishi and his wife, Tomi, take the long journey from their small seaside village to visit their adult children in Tokyo. Their elder son, Koichi, a doctor, and their daughter, Shige, a hairdresser, don't have much time to spend with their aged parents, and so it falls to Noriko, the widow of their younger son who was killed in the war, to keep her in-laws company.
Two brothers start working as benshi narrators of silent films in a cinema in the early 20th century. This premise is the jumping-off point for an epic family saga that follows the protagonists and their descendants through wars and technological developments.
An old woman has died and her widower with dementia confesses to killing her. After this, the story goes back in time to show the events leading up to her death.
