Narrator
Peter LeDonne and Steve Kalafer chronicle the extraordinary life of Immaculée Ilibagiza, a young African woman who escaped genocide in Rwanda and ultimately found refuge in the United States. Seeking shelter with an Episcopalian minister, Immaculée hid from her attackers inside a bathroom for three long months but stayed centered through prayer and faith.
During April 1994, on quiet road in Kigali a group of neighbors in Rwanda were filmed. This was the opening days of the Rwandan Genocide, and even though almost one million people were slaughtered, remarkably there is only one known segment of footage showing any actual killing. This movie is about the extraordinary journey of that evidence as the original photographer returns to Rwanda, revisiting the people and events that he by chance caught on film. As the footage returns to the community, friends and family relive the tragic events as they work with the photographer to identify the victims, and then eventually the killers.
More than 15 years after leaving the country, Eugène Murangwa, the former goalkeeper of the most popular club in Rwanda and national team, returns to his native land to pass on the values of a sport which saved him in 1994 to the young people of an association that he created with former football players. Illustrated with previously unseen archives, the film throws a new light on the history of Rwanda through football, a sport which served the “civilizing” mission of the colonizer, allowed the Hutu Power to mobilize the youth and helped the reconstruction of the country after the genocide.
Rwanda. 14 years after the genocide that took the lives of more than 800,000 people. What situation is the country in now? What feelings reign in the hearts of the victims? Can victims and executioners coexist? What value does education have in a society that has experienced genocide? Can it happen again? Who should act when a genocide is taking place? Do we have any responsibility as individuals?
Valentine and Jean-Claude start a new life in Kigali with their newborn baby, Justice. Their country, already battered by racial propaganda and brutality, finally seems ready for peace and justice.
Childhood sweethearts Beatrice and Purudenci plan to wed until Beatrice becomes hunted by Purudenci's family during the 1994 genocide in Rwanda.
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The story of Canadian Lt. Gen. Roméo Dallaire and his controversial command of the United Nations mission to Rwanda during the 1994 genocide. The documentary was inspired by the book Shake Hands with the Devil: The Failure of Humanity in Rwanda which was published in 2003.
What is a socially acceptable conversation when your family's killer sits down to dinner? 'Unforgiven' explores the interactions between murderers, rapists, thieves and their victims in this documentary exploring the power of restorative justice, forgiveness and reconciliation 20 years after the Rwandan Genocide.
This 90-minute special presents the complex and riveting history of Rwanda, providing an in-depth look at the propaganda campaign that's crucial to understanding how genocide leaders got ordinary citizens to participate. In 1994, the small African country was awash in blood. An estimated 75 percent of the Tutsi minority was slaughtered, and in just 100 days, more than 800,000 were killed. And, at least 50,000 politically moderate Hutus also perished. We explore the 1994 genocide and post-genocide period, and grapple with the question: How does a country recover from its haunted past? Unfolding through firsthand experiences of Rwandans who lived through the genocide, we document stories of survivors, perpetrators, and government officials and sort through the difficulties of balancing justice with reconciliation.
A documentary about how Rwandans use personal and family photographs to remember and commemorate the loved ones they lost in the 1994 genocide.
Amani is 31. When he was an infant, he survived the genocide against Rwanda’s Tutsi population. Three decades later, Amani has set up an organisation in Nyamirambo, one of the more economically impoverished districts of the country’s capital, Kigali. It employs creativity, artistic practice and performance to grapple with poverty and generational trauma – acknowledging that deep-seated ideologies can easily foment prejudice and create an environment that proved so catastrophic in the past.
Their words had never been heard before. Co-directed by French-Rwandan musician and author Gaël Faye and director Michael Sztanke, this movie records with sensitivity and for the first time the testimonies of Prisca, Marie-Jeanne and Concessa about their lives during the genocide and after. The three Tutsi women tell the camera about their daily lives during the genocide and in the refugee camps of Murambi and Nyarushishi, where they lived a nightmare under the guard of the French soldiers of the Opération Turquoise who, under a UN mandate, where supposed to protect them. While the French army denies any rape accusation, the three women filed complaints with the French justice system in 2004 and 2012. The investigation is now at a standstill.
French documentary about genocide in Rwanda
Ghosts of Rwanda marks the 10th anniversary of the Rwandan genocide with a documentary chronicling one of the worst atrocities of the 20th century. In addition to interviews with key government officials and diplomats, this documentary offers eyewitness accounts of the genocide from those who experienced it firsthand. FRONTLINE illustrates the failures that enabled the slaughter of 800,000 people to occur unchallenged by the global community.
A documentary that examines whether a charity organized by Pat Robertson to aid Rwandan genocide refugees was a front for diamond mining.
Eliseé survived the Rwandan genocide as a child. Today he leads an orphan acrobat group in a country, which heavily relies on foreign aid. He cares for the orphaned children and wants them to be happy, to have some sense in their lives. Rosta Novák built a worldwide-acclaimed circus group in Prague, where he successfully rules with a firm, paternal hand, but has permanently dark under-eye circles from the workload. The majority of Rwandese think that all people in Europe are fairy rich. On the other hand, many Europeans think that it is necessary to help Africa with everything. What happens, if we merge these two worlds in a film, during the preparation of a joint circus performance? What are the true motivations of our protagonists and what does it tell us about the Africa-Europe relationship? And who actually helps whom, in the end?
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