Endless images, flowing in and out, set to a collection of looped sounds. Shot and heard on a family trip.
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Himself
In this program video artist Gary Hill uses a number of his pieces to investigate otherness and ambiguity, dislocation of the senses, the boundary between words and comprehension, the physicality of text, and figurative interactivity.
8mm experimental film directed by Minoru Shinojima. Shot and edited by Kenji Onishi. For 40 years, Minoru Shinojima has been opposed to mining Mt. Buko and is striving to protect the natural environment and cultural ground that inhabit the local area. Idomu’s will / last request. Spiritual journey with Mt.Buko folklore and mountain Gods (Kami-sama). An important message that the director saw after surviving a near-death experience and depression. ...Why don’t the flowers grow in the right places? Where have all the cute children gone?...
8mm experimental film directed by Minoru Shinojima. Shot and edited by Kenji Onishi. For 40 years, Minoru Shinojima has been opposed to mining Mt. Buko and is striving to protect the natural environment and cultural ground that inhabit the local area. Idomu’s Testament - Sequel or IDOMU II. In Saitama prefecture Chichibu city there’s a mountain which was most loved by Tokugawa Ieyasu (founder of Tokugawa shogunate). It is Mount Buko, which rose 2 hundred million years ago when the pacific plate moved the underwater volcanoes around Hawaii. It is like the giant turtle shell where Myouken bodhisattva stood. A gentle mountain which heals people’s hearts and gives them the blessings of green and water.
A look at the evolution of life and finding our purpose.
What We Never Forget For Peace Here Now is a personal peace memorial produced in the United States, a country that does not have war memorials dedicated to peace. This video explores how we forget and how we remember memories of war. I think about who are my survivors and witnesses of war, and the deep impressions they've given me, becoming a part of me. Drawing inspiration from peace activists young and old, I ask viewers to join me in a practice of peace, here and now.
In the summer of 1998, the filmmaker went home to Takasaki to film the birth of his brother and sister-in-law's child. Days go by and the child is still to be born. With time on his hands and no one to talk to, the filmmaker finds the phone number for a telephone date club, and calls up with an earnest de- sire: I'd like to talk to a girl. While following the conventions of film-diary form, at some point the filmmaker falls into a times pace tunnel of false memory.
Peter Hutton's New York trilogy. An act of urban archaeology, a chronicle of indelible impressions of the city.
An embodied investigation into Britain's only named wind - The Helm - WHEN THE CROWS WALKS HOME takes the viewer on an immersive journey with (and by) the Helm Wind.
Fragments from Brussels, about the flow of the city, A cinema, A body, A film, and a wind that blows through the town. The film is a Schizomentry experience that blends real stories and fiction. After all, where is the border?
This film, which was shot on Super-8 and camcorder, is an exploration on forgotten and abandoned sacred sites in England, one of them being the Celtic cross that stands behind a church in Eastbourne.
An audiovisual snow storm in front of a black ground, a white horizontal line that divides the image, grid planes, unfolding and folding dimensions. Set to atonal, techno, and orchestral sounds; an abstract (non-)world beyond comprehension, a visual experience that one must intuitively sense. Lost in space and time – the big bang of consciousness
A young woman is fed up with the usual consumer's television and begins to make her own television, or more correctly, closevision. She is now a reporter who wanders around Berlin with her camera and 'telecasting apparatus' on her back. Her livingroom has been transformed into a studio and here the different programs are assembled and aired: statements, interviews, realistic and phantastic programs.
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This audio-visual tone poem uses the language of filmmaking to offer a first-hand evocation of the turbulent psychological effects one can experience due to prolonged lack of sunlight.
This is a newly restored version of documentation of the 1967 group performance Snows, which was built out of Schneemann's outrage and sorrows over the atrocities of the Vietnam War. An ethereal stage environment combining colored light panels, film projection, torn collage, hanging sacks of colored water, "snow," crusted branches, rope, foil and foam was the set and setting in which an audience-activated electronic switching system controlled elements of the performance/installation. Images from film, slide and live action propel silent, ghostly performers to become aggressor and victim, torturer and tortured, lover and beloved, as well as simply themselves in this breakthrough mixed-media film performance. (The film Viet-Flakes is a central element).
An experimental short featuring a young traveller and his exchange with a Peruvian spirit.
A short experimental film about dementia.
Developed from footage filmed during a road trip between São Paulo and Caraíva at the turn of 2008 to 2009, "coração-PALAVRA" grows from a domestic record into an essay film about memory, time, and plural forms of fatherhood. Drawing on a home archive accumulated over nearly two decades, the film moves between past and present to explore what endures and what changes in relationships between fathers and sons.
Presence narrates the journey of Thati, a woman determined to overcome her anxiety attacks through surfing. She finds refuge in the waves, where the surfboard becomes her ally and personal therapy.
