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The deconstruction of the Avatar scenes and sets
Filmed in part in front of a live audience at The New Amsterdam Theater in New York City, this Stan Lee tribute takes viewers on an action-packed journey throughout the life of Lee and across the Marvel Universe, sharing never-before-seen interviews and archive footage with Lee himself from deep within the Marvel and ABC News archives.
Elijah Jamal Balbed grew up in Washington DC in the midst of one of its most difficult eras, as its identity was being tested. As the city changed around him, his budding career as a musician exposed him to the people and music providing a voice and an outlet to the people of DC. Now tasked with preserving and sharing that tradition, Balbed reflects on balancing that responsibility with creating a musical identity of his own.
Chris Jiménez follows Sanae Nagashima with his camera in her journey from the crowded streets of Asakusa to the ancient castle of Tsuchiura.
In the awe-inspiring Teatro Olimpico,Vicenza, Cecilia Bartoli, recognised as one of the best singers of our time, gives the most outstanding recital of work from a variety of composers such as Caccini, Schubert, Handel, Vivaldi, Bellini, Donizetti,Mozart, Rossini, Viardot and Bizet.
The last concert of Gazoline at Ritz PDB.
Götterdämmerung, the final instalment of Wagner’s Ring of the Nibelung, is a story of human passions. Two essentially benevolent creatures, involved with and possibly doomed by their traffic with the gods, find treachery and evil in the world of the humans, and are ruined by the dark side of humanity. Iréne Theorin, acclaimed worldwide for her portrayal of Wagner’s heroines, stars as Brünnhilde opposite Lance Ryan, who continues his radiant portrayal of the tragic hero Siegfried. The strong cast also includes Mikhail Petrenko as the dark antagonist Hagen and Johannes Martin Kränzle, who once again shines as his father Alberich. Waltraud Meier has a memorable appearance as Brünnhilde’s sister Waltraute. With this 2013 recording of Götterdämmerung, the musically and visually compelling Scala Ring Cycle by Daniel Barenboim and Guy Cassiers was completed and proved to be one of the highlights of the Richard Wagner bicentenary.
In Siegfried, the “Second Day” or third evening of the Ring Cycle, we meet the pivotal hero of the epic tale. The energetic drive from Die Walküre is pursued here while Siegfried finally recaptures the mighty ring from Fafner the Dragon and awakens Brünnhilde from her penal sleep on the great rock. Lance Ryan, having interpreted this role on the greatest stages of the world including the Bayreuth Festival, portrays the naïve hero. His antagonists are Peter Bronder, great and agile as Mime, Terje Stensvold, an experienced Wanderer and Johannes Martin Kränzle, who continues his mean and deceitful depiction of Alberich. The leading ladies are Nina Stemme, once again unrivalled as Brünnhilde and Anna Larsson, moving as the God-mother Erda.
The film goes behind the scenes of the 1999 sci-fi movie The Matrix.
A short documentary about the exhibition The Art of Animation and the conception of creative ideas.
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A humorous documentary about the search for a great composer who managed to overcome his depression by spelling his own name wrong.
A return to its roots for Castor et Pollux, Jean-Philippe Rameau’s lyric tragedy first performed in 1737 at the Académie royale and inspired by the mythological episode of the Gemini. Rarely performed in its original version – the score was reworked by Rameau himself in 1754 –, this daring work plays on contrasts and expressiveness, as in the famous “Tristes apprêts”. The aria is sung by Télaïre mourning the death of her fiancé Castor, killed in battle, before his twin brother Pollux descends into the Underworld to ask his father, Jupiter, to bring him back to life. While this opera celebrates brotherly love, its prologue poses an essential question for director Peter Sellars: how do you stop a war and its attendant hatred and resentment?
Discover Caleb Shomo's odyssey in 'Below the Surface.' Uncover how the pandemic inspired Beartooth's 'Below,' and how 'The Surface' reflects his journey towards self-improvement and positive change.
Inspired by one of the twentieth century's greatest novels, composer Lorin Maazel evokes Orwell's totalitarian nightmare, where "Big Brother" is always watching, and those guilty of "thoughtcrime" are condemned to face their worst fears in the infamous "Room 101". Filmed during world premiere performances of Robert Lepage's spectacular and psychologically gripping Royal Opera production and conducted by the composer, an international cast brings George Orwell's dark vision to shattering operatic life.
The creation of Iannis Xenakis’ « Persephassa » at the Shiraz-Persepolis Art Festival. There are only a few archives left of this piece, for its ring-like disposition around the audience made it difficult for people to record it or take pictures of it. When it was created in Persepolis, each percussionist was settled on the stump of a column of the Palace of Darius. The distance between them could go as far as 164 feet (50 metres).
Documentary about the making of director Steven Spielberg's film Empire of the Sun
A documentary crew films heavy metal band Bad News as they have trouble starting their van, pick up a schoolgirl groupie, and meet up with rock journalist Sally at a motorway service station where they argue about the cost of sausage and chips.
What happened to Figaro and his friends after the events told in Rossini’s and Mozart’s operas? One possible sequel is told in John Corigliano’s “grand opera buffa” The Ghosts of Versailles—an uproariously funny and deeply moving work inspired by Beaumarchais’s third Figaro play, La Mère Coupable, and commissioned by the Met to celebrate its 100th anniversary. This telecast captures its world premiere run, conducted by James Levine. Håkan Hagegård is Beaumarchais, Figaro’s creator, who is deeply in love with Marie Antoinette (Teresa Stratas in a heart-searing performance) and determined to rewrite history and save her from the guillotine. A young Renée Fleming, at the beginning of her international career, sings the unfaithful Rosina. Gino Quilico is the wily Figaro who tries to take matters in his own hands, and Marilyn Horne stops the show as the exotic entertainer Samira.
