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A shadow puppet film inspired by the story of an extinct Hawaiian tree snail (pūpū kani oe) named Lonely George.
We’re travelling from luxury kitchen to luxury kitchen with Agnes, from Bergisch Gladbach via Barcelona to the Faroe Islands. The cook’s luggage always includes her backpack containing various knives, cleavers and tweezers. The camera watches over the inquisitive young woman’s shoulder as delicacies are being prepared. Our mouths water. At the same time, we get insights into the different ways of running a restaurant. It’s about team spirit and equality at the stove.
Dania is 21 years old and grew up in a Christian community in the Faroe Islands’ Bible belt. She has just moved to Tórshavn and is seeing Trygvi, a hip-hop artist and poet locally known as Silvurdrongur (Silver Kid). He comes from a secular family and writes poems and texts about the shadow sides of humanity. Dania herself sings in a Christian band but is fascinated by Trygvi’s courage to write brutally honest lyrics. As she tries to find her place in the world and understand herself, she starts to write more personal texts. Her writings develop into a collection of critical poems called ‘Skál’ (‘Cheers’), about the double life that she and other youths must live in the conservative Christian world.
A short film about the award ceremony at Berlinale '21 and then also about a snail.
In the Faroe Islands, hundreds of pilot whales are slaughtered each year in a hunt known as the “Grind.” This gruesome tradition has drawn outrage from activists, most notably the international conservation group Sea Shepherd, who routinely sail to the islands to try to block whaling boats. Yet the Faroese are equally determined to maintain their tradition, defending the practice as more sustainable and less cruel than getting meat from slaughterhouses. Director Vincent Kelner spends time with both Faroese hunters and Sea Shepherd crusaders, building to a nuanced look at a disturbing event with much larger implications for the way humans relate to other creatures.
The whale hunters of the Faroe Islands believe that hunting is vital to their way of life, but, when a local professor makes a grim discovery about the effects of marine pollution, environmental changes threaten their way of life forever.
"Without leaving his own garden, a man may know the world" - an abstract study of the wildlife found in every garden.
A documentary about The Faroe Islands' relationship to Denmark and the negotiations about further Faroese self-government.
The film depicts life in the Faroe Islands in the 1960s. It's a small society that has maintained its connection to the past, with old customs and ways of life, despite significant developments in trade and industry. Here, fishing remains one of the fundamental pillars of the Faroese economy. The film follows five men, crew members on the same trawler, from the moment they leave their homes in five different places in the Faroe Islands until they meet in the capital, Tórshavn, after long and difficult journeys to set sail on the trawler.
Pilot whales are one of the least known of all small whales, and in spite of their name they are one of the largest species of dolphins. Pity the Pilot Whales takes us on an ocean journey, revealing many facets of pilot whale lore that few knew anything about. Why do these highly-intelligent marine mammals strand by the hundreds in certain regions of their known habitat? How do they communicate with one another? How do they find food in the deep dark ocean realm. This film is also a window on how two modern island nations treat these animals, and a statement on humanity and ethics.
Forcibly separated from her twin brother when they are orphaned, a melancholic misfit learns how to find confidence within herself amid the clutter of misfortunes and everyday life.
A half hour animated film for all the family based on the much-loved book written by Julia Donaldson and illustrated by Axel Scheffler. The Snail and the Whale is the much loved classic that shows us a restless young snail who has ambitions to travel the world. The other snails think she should stay put, but she puts out a call for a “Lift wanted around the world”. Eventually her call is answered by a great big grey-blue humpback whale! She sets off with him across the seas. On their journey the snail and the whale discover towering icebergs and far-off lands, fiery mountains and golden sands. The snail is delighted by the wonderful world around her, until she realises how small it makes her feel.
A veterinarian who can communicate with animals travels abroad to search for a giant sea snail.
An adorable candy-loving mutt goes on a mission to save the world.
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Águst Guðmundsson directed this Icelandic period drama, adapted from the short story We Must Dance by William Heinesen, and set on an island in 1913. Pétur (Gunnar Helgason) narrates, recalling the days when mainlanders arrived for a wedding. Flirtatious Sirsa (Pálína Jónsdottir) marries Harald (Dofri Hermannsson), son of a wealthy landowner on the island. Offshore, a ship is sinking, so the men form a rescue party, returning with the captain, the engineer, and several sailors. With a storm gathering, the engineer dies. The clergyman requests an end to the festivities as a mark of respect. Sirsa protests, but her new husband brings the celebration to a halt. The group then fragments into different activities, drunken or otherwise, and the sensual Sirsa directs her attention toward the handsome Ívar (Baldur Trausti Hreinsson). The film's score features traditional folk music.
At an all time low in her personal and professional life, young architect Charlotte stumbles upon a mysterious structure in her backyard.
A world of childhood relationships from the perspective of garden animals. With their way of life, their relationships, their games, their conflicts and adventures. Through some protagonists, with a predetermined and precise psychology, and who also embody types, they weave this complex and interrelated world.
Cut-out animated parody of Hamlet by pioneering British animator Anson Dyer.
A forest full of animated animals encourage a pair of snails, who are fully clad in black because they are in mourning for a dead leaf, to celebrate the new spring and reclaim the colors of life. Based on the children's poem by Jacques Prévert entitled "Chanson des escargots qui font à l'enterrement" ("Song of the snails who are on their way to a funeral").
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