A Bar on Borrowed Time
A short Documentary following a beloved local pub faced by threats of demolition.
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Oasis Knebworth 1996 - the eagerly anticipated feature length documentary telling the story of the special relationship between Oasis and their fans that made the largest concert of the 90's possible, directed by Grammy Award-winner Jake Scott. It is told entirely in the moment through the eyes of the fans who were there, built around extensive and never before seen archive concert and backstage footage from the event, with additional interviews with the band and concert organisers. Also included are the full concerts from both nights, edited by Dick Carruthers with audio mixed by Will Shapland in 5.1 surround sound.
A documentary that goes inside the dark, witty, surreal world of cult English singer/songwriter Robyn Hitchcock.
Quiet towns across rural Australia are in the grip of an Ice epidemic. Major international drug cartels are working with local outlawed motorcycle gangs to push crystal meth to a captive market of children.
A film about the Tibetan Freedom Concert in San Francisco in 1996.
Follows the deadly Australian bushfires of 2019-2020, known as ‘Black Summer’. Burning is an exploration of what happened as told from the perspective of victims of the fires, activists and scientists.
Minor Threat played one of its last shows at Washington DC's 930 Club in June of 1983; they would only play once more in DC. Two years later, the tapes from the 930 show were edited together and Dischord Records released them as the Minor Threat Live VHS video in 1986. Along with the 40 minute 930 performance, the DVD includes a 1982 Minor Threat show in Camden, NJ, a clip of Minor Threat's 2nd ever show at DC Space in December 1980, and excerpts from a 1983 interview with vocalist, Ian MacKaye.
Documentary using archival footage, newsreels and contemporary interviews with women of the WW2 Australian Women's Land Army.
God's Girls describes life in a Sisters of Mercy convent in country New South Wales from the 1940's to present day. This courageous and clever film investigates the subtle complexities of change within a society that has been surrounded by mystery for hundreds of years. The stories from the women in the film reflect the often intricate paths of social, political and religious history, not only in Australia but also in the rest of the world.
Eight men escape from the most isolated prison on earth. Only one man survives and the story he recounts shocks the British establishment to the core. This story is the last confession of Alexander Pearce.
Charles Schumann is a bartender par excellence—known the world over for his iconic Munich-based Schumann's Bar— and best-selling author of a cocktail guide the New York Times called "the drink-mixer's bible." Here Schumann is your tour guide through some of the finest bars the world has to offer, traveling from New York to Tokyo with numerous stops in between to explore the fascinating history and rich culture behind these monuments to social imbibing, a pursuit all Milwaukeeans agree is in need of extensive documentary study.
The Australians call the endless deserts in the interior of the continent the "dead heart". Here lies the town of Birdsville, 23 houses and a bar with a liquor license. The long-awaited telephone connection arrived in 1979, 90 years after it had been applied for. For one weekend, this place at the end of the world turns into a cauldron when 5,000 Australians, tired of civilization, invade for the annual horse race, the "Birdsville Cup". They come in buses, off-road vehicles, motorcycles and sports planes and have become a veritable plague. Because here, everyone can do what they've always wanted to do: for example, get drunk until they drop and never get up again. The collective mass drinking reaches its peak on Saturday night. By Monday morning, the fun is over. What remains is a village with 23 houses, a bar and a street littered with 80,000 empty beer cans.
To cool the heat on the asylum debate - the biggest 'hot potato' in Australian politics, we took a hot potato food van around the country in the lead up to the 2013 Federal Election. The mission? To see what Australia really thinks asylum seekers. This is an account of this journey.
Australia: Land Beyond Time takes viewers on a breathtaking journey back in time to witness the birth and evolution of a mysterious land that harbors remnants of Earth's earliest life and many of it's strangest creatures that exist nowhere else on the planet.
Stories and music of Black artists who relied on an underground travel guide to navigate the injustices of racial segregation while on the road. The Negro Travelers’ Green Book was a directory of lodgings, restaurants, and entertainment venues where African Americans were welcomed. Features performances and interviews with vocalists, musicians, activists, historians, and others.
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A place of biological superlatives with a flora and fauna that have only just begun to be researched: Lord Howe Island, between Australia and New Zealand. This is the first documentary on what may be the most isolated nature reserve on the planet.
A year in the life of troubled Australian graffiti artist Justin Hughes.
David Markey's documentary of life on the road with Sonic Youth and Nirvana during their tour of Europe in late 1991. Also featuring live performances by Dinosaur Jr, Babes in Toyland, The Ramones and Gumball.
The Lesbian Bar Project: FLINTA documents the complex and triumphant stories of the FLINTA communities in Cologne & Berlin; a reflection of where the queer community is headed internationally. Despite Lesbian Bars disappearing in Germany, there’s a growing FLINTA movement that epitomizes the evolution of queer culture. Featuring Boize Bar owner Payman Neziri, comedian Ricarda Hofmann, human rights activist Anbid Zaman, politician Tessa Ganserer, and party collectives Bebex and Girlstown.
British progressive rock band Pink Floyd perform at the ancient Roman Amphitheater in the ruins of Pompeii, Italy in 1971. Although the band perform a typical live set from the era, there is no audience beyond the basic film crew.
