An ethnographic treasure that documents with visual bravado the harsh conditions of life in the isolated mountain village of Ushkul.
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Like the best USIA films, The Wall distills political events into an emotionally clear and compelling ideological "story". In 1962 Walter de Hoog gathered footage from U.S. and German newsreel sources and crafted this taut short film about the first year of the Berlin Wall. Straightforward, keenly balanced narration portrays Berliners as "accepting the wall but never resigned to it". The extraordinary footage of the first escapes was propaganda enough-- His challenge was to make the politics human.
A student is held up in the library while a riot rages outside. As SDS protesters head to burn the library down, he has to fend them off with his baseball bat. This film opens with actual footage of civil disturbances in the 1960s, and moves on to images of historical American figures.
Vladimir Ilyich Ulyanov, better known as Lenin, is remembered as the instigator of the October Revolution of 1917 and, therefore, as one of the men who changed the shape of the world at that time and forever, but perhaps the actual events happened in a way different from that narrated in the history books…
Cinecitta is today known as the center of the Italian film industry. But there is a dark past. The film city was solemnly inaugurated in 1937 by Mussolini. Here, propaganda films would be produced to strengthen the dictator's position.
Tommy Robinson goes on the offensive by documenting how his own “hit piece” on his character was being constructed by the taxpayer-funded BBC for their popular investigative news special “Panorama.” In the film he manages to capture footage of the blackmailing of his former employees to invent stories, along with an organization—known as “Hope not Hate”—on set with the BBC, intimidating ex-employees of Robinson during interviews. The host of “Panorama” at the time of filming is caught on camera casually using racist and homophobic slurs during a £220 champagne lunch with the same ex-employee they had planned to coach for a fake interview in which the BBC would possibly edit in which to make it appear as, “a gender, a sexual thing against Tommy Robinson,” according to the host. Within 24 hours of releasing the film, social media giant Facebook made a public statement of their own and removed Tommy Robinson’s accounts permanently.
Over the past few years, Israel's ongoing military occupation of Palestinian territory and repeated invasions of the Gaza strip have triggered a fierce backlash against Israeli policies virtually everywhere in the world—except the United States. This documentary takes an eye-opening look at this critical exception, zeroing in on pro-Israel public relations efforts within the U.S.
A revolutionary film about the cinematic genius of North Korea's late Dear Leader Kim Jung-IL, with a groundbreaking experiment at its heart - a propaganda film, made according to the rules of his 1987 manifesto. Through the shared love of cinema, AIM HIGH IN CREATION! forges an astonishing new bond between the hidden filmmakers of North Korea and their Free World collaborators. Revealing an unexpected truth about the most isolated nation on earth: filmmakers, no matter where they live, are family.
Propaganda short film depicting the rise of Nazism in Germany and how political propaganda is similarly used in the United States. The film was made to make the case for the desegregation of the United States armed forces.
This short film in support of the war effort focuses on the training and missions of Army Air Corps Captain Hewitt T. Wheless just after the U.S. entry into World War II.
Wehrhafte Schweiz is a Swiss Army propaganda film, made for the Expo 64 national exhibition in the then-prevailing spirit of geistige Landesverteidigung, "cultural national defense". It portrays the Swiss Army fighting against an unnamed, unseen enemy, using heavy weapons such as flamethrowers, artillery, tanks and bomber aircraft. After the enemy is repelled, the film closes with idyllic shots of beautiful Swiss landscapes. The 20-minute film was shot using the latest action film techniques in the Cinerama format on expensive MCS-70 Super Panorama 70mm stock. (Wikipedia)
Documentary of an Imperial Japanese Army regiment's advance from Shanghai to Wuhan in 1938. This film was shelved before submission to Home Ministry censors amid rumors that Fumio was a Communist.
A historical analysis of how groups such as the Nazi’s may use language, symbols, and religious connotation in order to come to power. It raises questions that deserve in depth analysis and consideration. Questions include: Where do legends expand our thinking and where do they bury it? When does spiritual pursuit suddenly turn into fanaticism and violence? Last, have we as a society learned from our past, and if so have forgotten the lessons of the 20th Century? Are we now embarking on a new level only to learn the same old lessons about humanity again? In addressing these questions we are taken into the back drop of the history of Germany beginning in the late 1800’s through the late 20th Century at the eve of the 21st. “A society that does not take archetypes, myths, and symbols seriously will possibly be jumped by them from behind.”
The story of how newspapers were distributed during the Blitz, stressing the importance of an accurate and objective press on the home front.
A collection of television celebrities pitch United States Savings bonds.
Nazi propaganda film contrasting Germany in the days before Adolf Hitler became Chancellor with the Germany of "today" and how much better it is.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.
Documentary made by the U.S. Army Signal Corps after the North African campaign.
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A film about the noted American linguist/political dissident and his warning about corporate media's role in modern propaganda.
