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Alice
Edgar
Kurt
After thirty years, Nina decides to return to the seaside town where she grew up to confront the man who changed her life and to whom the town now pays homage. The reunion with her origins, with her memories and with Blas, a childhood friend, will make her question whether revenge is the only way.
Three stories intertwine to form a vision of war in a narrative kaleidoscope that transcends space and time. The seven characters of the play will face their own internal enemies and find the only way to escape in love.
A vast public works project in West Africa. Horn, the construction site manager, and Cal, a young engineer, share lodging behind the double gates of their compound. Leone, Horn’s recent bride, comes to join them the same night that a man appears at the fence. His name is Alboury. Like a specter in the darkness, he demands the body of his brother who died earlier that day on the site. He will hound the two men all night long until they return it, as Leone watches the disaster play out before her.
In the search for a single good person in the province of Sezuan, three gods finally find only poor street girl Shen Te, whom they reward with a large gift of money. Now wealthy, Shen Te is now so exploited by all men that she has no choice but to slip into the shoes of her hard-hearted cousin, Shui Ta. Accused of murdering the missing Shen Te, the supposed Shui Ta confesses his dual role and the gods avoid a conviction. But Shen Te aka Shui Ta is now abandoned by all humans and also by the gods – helpless in the world.
It's summer vacation, but two high schoolers have been instructed to clean the (empty) swimming pool. As they sweep the pool, they initially discuss school life, love and makeup. But it isn't long before their worries begin to overflow and their thoughts intersect.
Fifty years after Richard Wesley's original production of Black Terror, Richard Lawson directs a bi-coastal cast of revolutionaries on a daunting mission to free their people. As the Black Comrades Keusi, M'Balia, Geronimo, and Ahmed fight on the edge of life and death, the divide between them intensifies and widens.
A vaporwave psychological thriller about landmen traveling to North Dakota to obtain rights to undeveloped land, owned by a man who hates the oil industry.
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A successful businesswoman finds herself more interested in planning a wedding than dealing with marriage.
I Put a Spell on You was created by and stars Johnson. The annual show is a spoof of and tribute to the beloved cult classic movie Hocus Pocus. This year’s COVID-safe digital film is not your average stream: it’s complete with larger-than-life performances and choreography, over-the-top costumes and makeup, unmatched production value and a healthy dose of Broadway magic. This year, the beloved Hocus Pocus-inspired Sanderson Sisters break the internet and recruit some of pop culture’s most iconic villains (think Cruella de Vil, Gaston, The Joker, Maleficent and more) to fulfill their delightfully devious plot. Johnson returns as Winifred Sanderson with Allison Robinson and Amanda Williams Ware as sisters Sarah and Mary.
Aspiring young Scottish politician John Shand enters into an unusual agreement with the wealthy Wylie family -- if they fund his education, he must marry their daughter, Maggie. Staying true to his word, John weds Maggie and begins a successful career, thanks largely to his savvy wife. The couple's relationship is placed in jeopardy when John faces temptation in the form of the lovely aristocrat Lady Sybil Tenterden.
George elopes with Lou Ellen, a judge's daughter, against the wishes of both their families. Simultaneously, George's friend Jim is in love with Jackie, an actress who gets into trouble for punching a bumbling constable at a raided party. George foolishly allows Jackie to hide in his home, leading to a series of comedic complications as he tries to keep her presence a secret from his new wife, her parents (especially her strict judge father), and his Quaker aunt.
Two sisters reunite in Lapland for Christmas, but chaos erupts when one niece tells her cousin Santa isn't real. The revelation triggers a family clash over truth versus childhood magic, revealing hidden secrets.
Ran and Leela are passionately in love with each other. The only problem is that their respective clans have been enemies for 500 years.
Anna and Michailo grow up together, attracted to each other since their earliest days. When Anna's father dies, her brothers force her into marriage with the mean farmer Mikola. After years of absence, Michailo comes home, to get her back.
A domineering,reclusive, and ostentatiously pious widow in a small Spanish town keeps such close watch on her daughters that they are unable to have normal social lives. However, the eldest is allowed to become engaged to an unprincipled young man, primarily for the financial advantages it will bring the mother, Bernarda. Jealousy and envy ensues among the other daughters.
A TV film based on single act drama written by Miroslav Krleza, that belongs to his expressionist phase. It was first published in 1922, and then regularly as a part of collection of plays called "Legends". By giving them this primordial biblical names, in this drama Krleza speaks about the intricate relation between two lovers, while interweaving reality and unreality, giving wider context of human relations to everything.
The Marquise de Saint-Ange wants to marry her niece Nicole, but the young girl, put off by the chosen suitor, flees with her friend Jacques.
This film sticks very closely to the Edna Ferber novel, rather than the musical based on the novel. There are only two major changes from Ferber's book : *Julie in this version is a white woman, not a racially mixed one; therefore she and her husband are not unlawfully married. * Ravenal returns at the end, instead of dying as in the novel
