A self-portrait in the form of a video essay that explores her identity, her relationship with the places she has lived, and her present.
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Self
Father
Mother
An audio-visual experience through the perspective of an iPhone depicting a harmonious city during the day quickly descend into technological madness as night falls.
At once a journey and a reckoning, this film follows 19 year old Koen's ascent of Mount Rinjani—often regarded as Indonesia’s toughest summit. What begins as a test of endurance gradually transforms into something more intimate: a dialogue between self and nature. Shot as a reflective video diary, the film holds not just the view from the summit, but the moments of insight and introspection discovered along the way.
A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?
On February 6, 2023, an earthquake on the border of Turkey and Syria claims more than 55,000 lives. On this day, I am in an oncology center, 6 days since having my tumor removed, and in the afternoon my partner ends our relationships. Blending memory and theory, this autofiction documentary unfolds the relationships between love(s) and catastrophes.
How Montreal is transformed from winter to spring. Inspired by Berlin: Symphony of a great city, Printemps Now! is a cinematographic poem, an audiovisual symphony of the city of Montreal transitioning from winter to spring.
We observe the daily routines of an elderly couple. Within the quiet flow of time, a longing for youth and irretrievable memories begin to surface. This piece reflects the sorrow hidden in the stillness of old age and the deep yearning for the past.
Joan Crawford's close-up in Humoresque. Michelangelo's David and Boticelli's "Birth of Venus". Stendhal was overwhelmed by the cultural overstimulation in Florence, which Graziella Magherini described scientifically in 1979 as Stendhal syndrome. Mark Rappaport describes his fascination for the Austrian actor Turhan Bey, who made a career in exotic roles in Hollywood in the 1940s. A very personal essay about the effect of close-ups, the canvas idols of the dream factory and the role of their admirers and fans.
A short experimental film that explores one filmmaker’s journey to preserve fleeting moments before they fade. Created as a heartfelt introduction into Koen's film making journey, the film blends nostalgic visuals with inventive storytelling techniques, exploring childhood dreams, the fear of forgetting, and the impulse to document life as it unfolds. This marks Koen’s first true dive into editing and cinematography, born from years of unfinished projects, it stands as a heartfelt introduction to a lifelong pursuit of storytelling, dedicated to the child in all of us who once dreamed.
An experimental short where a character sends a series of progressively desperate emails asking for a job.
Dream and deficiency, a letter without recipient.
"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."
A hearse cruises the streets of Medellín, while a young director tells his story in this city marked by conflicts, violence and paradoxes. He remembers his childhood and the discovery of his sexuality.
A dialogue and home video about belonging, from young people living in modern colonial society.
Jan receives the group patch at the campfire, Herkules brews up some tea in the workshop and Sidney gets a mohawk haircut done by his father. The film shows fragments from an Oberhausen subculture in which symbols and practices of the outlaw motorbiker scene are transferred to cycling.
A housekeeper received a film made by her daughter. It's a film that combines found footages of Thailand during the Cold War with the present days images of Bangkok. Through these images she tells a story of the house owner and her own story of coming to the capital.
A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).
Two instants separated by 99 days conflict with each other.
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Jonas Mekas recites poems of his, both in English and Lithuanian. Exclusive Mekas interview by the poet Sparrow. The legendary poet-film critic and film diarist waxes philosophical in rare extended setting exhibiting his transcendental poetic humor. Jonas attacks the crass world of TV advertising and sell-out commercial filmmakers. Contributes zen anecdotes and filmmaking advice. Choice clips include Mekas' Film Diaries with deceivingly formalist amateur "home movie" style, but in small bursts of expression in a quick collage. Footage from Jonas' homeland as well as clips of famed pop figures John Lennon, Yoko Ono and Tiny Tim.
