Xavier Arjona
Esther López
Irenegarry
Iria Rodríguez
Mario Tornero
Desirée Martínez
Carolina Espada
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After collecting multiple records related to a painful family tragedy, Victor dives into the archive in search of answers about what really happened on January 26, 1983
Film made with two photographs taken at the Unité d’Habitation, built by Le Corbusier in Marseille. For the editing the film are used a film adaptation of the rules of the Modulor, measurement system designed by Le Corbusier himself. Includes a tribute to Paul Sharits and another to Agnès Varda.
Two generations dialogue through the images they filmed of their children, a reflection of the emotional bond that arises from their involvement with what was shot.
Growth is beautiful, and often progress, too, but if it's not measured, growth can be predatory. Made using the principles of essay film, and using an anonymous character, this film chronicles and critiques how provincial cities grow, change, and gradually lose their identity.
Marcos was once a successful author of children's books. For years, his goal has been to finish his first "adult" and "serious" novel. But his lack of social interaction, his excessive ambitions, and the influence of the drugs he grows and sells for a living don't help him. He is about to give up when his friend Walter suggests another path: Marcos just has to live a more intense life. And write about it, like so many great writers...
Can an adolescent experience define our perception of love? Can or should everything be connected or have a reason? A character recounts to his niece or nephew, in the form of a confession, an event from his adolescence that defines his particular way of perceiving love. While this exercise serves to tell a story that, regardless of genre, has surely been experienced by more than one person, it expresses the director's idea that discourse can sustain a work on its own, even if what is depicted on screen appears to have no connection.
Héctor Vicario is an unhappy accountant who hasn't been able to make it in life, while his twin brother, Thiago, is the complete opposite: a highly successful musician. After their father's death, the two must reunite to plan the funeral and face what life has in store for them after a long period of separation.
Who is the definitive modern role model for mankind? Is it a politician? A writer? A scientist? Twelve remarkable children from around the world give their answers.
The film sketches the lives and tribulations of some of those kids the college girl on summer break, the boys from the neighbouring province who only want to do hip-hop and through them we get a real glimpse of what makes Shanghai today a promising big city.
Eschewing the glaringly color-blind format of many other documentaries interested in advocating for plant-based living, They’re Trying to Kill Us utilizes its specificity as an act of community care and offers up a new vision of what veganism might look like for communities of color who have been systematically targeted by nutritional and environmental racism.
