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Mestre
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A rising music producer lands a career-defining record deal with everything on the line — but as the deadline looms, so does the risk of losing his family. Caught between chasing his dreams and the chaos at home, he must choose what matters most before it all falls apart.
Go Ni suffers an incredible loss when his mother and stepfather die because of Young Min. He later ends up in jail where he meets people who will change his life forever. Go Ni learns from a top tazza player in hopes of getting revenge.
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Kekaiulu Hula Studio follows the Proclaimed Hula Halau of the same name, showcasing their twist on what the real reason for hula is and what life as a dancer in the halau is really like. Something previously unseen in the public eye.
The Snow Queen is Hans Abrahamsen's first opera, composed to a self-penned libretto, based on Hans Christian Andersen's eponymous fairy tale. Following an in-depth study of the topic of snow and a life-long obsession with Andersen's fairy tales, Abrahamsen composed the opera between 2014 and 2018. Hans Abrahamsen's music, with it's smooth transitions and subtly modified repeats, lends the lyrics both depth and lightness. He is keen to point out the range of avenues for interpretation available. " It's possible to read the fairy tale in a variety of ways. It contains many mysteries which are open to numerous interpretations." Accompanying Barbara Hannigan is a top-class ensemble of singers, including Peter Rose, Katarinya Dalayman and Rachael Wilson. Cornelius Meister is the musical director, currently general music director at the Staatsoper Stuttgart.
A poetic Jerusalem told through the eyes of Aaron, a simple Wailing Wall guard that follows a mysterious beautiful woman's notes in the holy stones of Jerusalem.
Ludwig van Beethoven, absorbed in his world, composes in the forest under the snowstorm. In the solitude of this place, his temple, he feels happy, full, fertile. Johanna, his sister-in-law, widow of his brother Caspar, approaches him by surprise and chases him through the trees, trying to reach an agreement with him about the guardianship of his son Karl. In his will, Caspar left his brother Ludwig as the sole guardian of his son Karl. But Ludwig was away for a few hours on Caspar's last night and when he returned in the morning the will had changed... Between them there is more than a hard fight for the child. They are two untamed, wild, asocial beings, fighting for their freedom.
A man caught in the past trying to get over his demons.
Gregorio cannot fend for himself, so he is under the care of his family. With no one understanding his true needs, his only option will be to escape into the world of mexican golden era cinema, where he will not only find comfort, but possibly also love.
Michael Adhikari is a poor man who tries to convince his wife to carry a sterile couple's baby in her womb for money. His desire to be wealthy in a short time leads to unexpected twists and turns, touching on ethical and emotional values.
An instructor sees his student's inability to drive is a block tied to his father. He devises a plan to mend their fractured relationship, unlocking the young man's potential behind the wheel and helping him finally move forward.
Nothing predisposed a rural commune in the Loiret region such as Beaune-la-Rolande to embody the height of the Holocaust in France. Yet it was there that a camp was set up where Jewish families were interned, separated, their children abandoned to their fate before being deported alone to their deaths. Long hidden from view, more than eighty years after the events, this tragedy remains a sensitive subject that can still divide opinion on what should or should not be done to ensure it is not forgotten. Following personal journeys and collective commitments, this film meets activists, elected officials, and teachers who are committed to helping a region recover its memory and reconnect with its history, however painful it may be.
A first feature based on sexual events. An actress undertakes her desire of directing her first movie, without a budget or any production company funding her project. She gathers a group of professional actors and actresses, and proposes a project based on a very particular experience: stepping on their fears through a metaphorical 'leap of faith'. As the project advances, individual conflicts will arise affecting the shoot, making the movie crew wonder whether or not they should go on. Will they take the leap of faith with all its consequences?
Emotionally wounded, blaming her father for the loss of her mother. Nozi navigates through life hurdles in search of healing and peace through music.
Like Handel’s Orlando (1732) and Ariodante (1734), Alcina derives from the narrative material in Ariosto’s Orlando furioso. The story of the sorceress Alcina, an initially hedonistic, manipulative woman who later finds herself a victim of love, fits into the genre of the ‘magical opera’ with numerous magical elements, but Handel achieved considerable emotional authenticity in his characterisations. This makes Alcina one of the most deeply felt and multifaceted operas. ‘You may despise what you like ; but you cannot contradict Handel,’ said the Irish playwright George Bernard Shaw. As in Tamerlano, Pierre Audi based this production on the stage at the baroque theatre at Drottningholm, for which he originally developed the directing concept. His set is thus based on the principles of perspective, with wings in the form of painted panels. The result is marvellous modern musical theatre in a historizing frame.
When a silver statue wakes up from his long nap, he starts to embark on a series of adventures…
