Made in response to Brakhage’s The Act of Seeing with One’s Own Eyes, Devereaux turns his camera on the gardens of Loring Park in Minneapolis, attempting with reckless abandon to capture every flower in sight. The film emerges as an impressionistic study of color and form—fragments slipping out of frame, dissolving into blur, or flaring into pure surface. These fleeting images converge into unpredictable patterns of sensation and meaning.
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