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Chacal
Villano
Psicólogo
Hermana
Jorge, an Argentinian writer in the 40ʼs, and Luis, a Mexican game developer in the 2020ʼs, investigate a mysterious question: What is Tlön? What is Uqbar? As each of them finds new answers, Tlön’s mystery will unveil bit by bit, exposing them to a revelation that will change their lives...
Athens is transforming rapidly to absorb the tons of tourists who are flooding the city. The situation gets out of control, leading to big, stinky explosions in every corner of the city and then, all over the world!
On the anniversary of their mother's death, brothers Enzo and Franco find a box with many old photographs. As one of the brothers is blind, the other will tell him what is in the photographs.
A 3D dragon has become a 2D character. In his quest to recover, he discovers fragments of Argentine animation, new friends and teachings.
No overview available.
Vairitosky is an immortal artist. His act consists of dying in different ways, and then magically resurrected. The public is impatient, wants to see Vairitosky, who does not come into play. What will happen?
Animated Argentine film about a young girl turtle who gets lost on a balloon trip.
Leo San Juan, an insecure child of nine years old, lives eternally frightened by horror stories that Nando tells his older brother. Within these stories it is 'The Legend of Nahuala', according to which, an old abandoned Casona is possessed by the spirit of an evil witch known as the Nahuala.
Animated gags made by Quirino Cristiani, Argentina's foundational animator.
When Caro and Marce go on vacation they find a new friend, Buji, and just like Dibu, she is a cartoon animated kid. Abu, Pepe, Víctor, Leo and Dibu are left alone at home and they have quite an adventure when they decide to sign-up Dibu in a go-cart race.
El Mono relojero is a 1938 Argentine animated short film directed by Quirino Cristiani. It is the only film from this director that exists up to this day, since all his other productions (including the first two animated feature films, El Apóstol (1917) and Sin dejar rastros (1918), as well as the first animated film with sound, Peludópolis (1931)) were lost in a series of fires at the facilities where the negatives and copies were stored.
In a tall, abandoned, and oppressive house, Luz pursues Mira, her childhood friend who takes refuge in the darkness, terrified of being seen. Amidst labyrinths of books and interwoven memories, their reunion clashes with reality. Argentine psychological and surreal horror about destructive love and the cost of vulnerability in fiction.
