Lízal
Lízalka
Maryša
Vávra
Francek
Cyrano, a brilliant poet and swordsman, is secretly in love with his old friend Roxanne. However, his abnormally large nose gets in the way of telling her his feelings for her. De Guiche is a young officer from a noble family, and he is also in love with Roxanne, a young woman with a feisty and cheerful personality. De Guiche makes advances at her at every chance he gets, but he is constantly turned down. Roxanne falls in love with Christian, a soldier who recently joined Cyrano's regiment, and she ask Cyrano to watch over him. Instead of Christian, Cyrano writes beautiful love letters to Roxanne, and Roxanne who believes that the letters were written by Christian becomes certain of her love for him. A war breaks out, and De Guiche dispatches Christian and Cyrano to the frontline as a way of getting his revenge for being turned down by Roxanne. Cyrano promises distressed Roxanne that he’ll make sure Christian is safe…
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Physics professor Sophie and divorce lawyer Stefan have been living together as a couple for 15 years. Sophie would like to get married, but because of Stefan's experience with his clients, he doesn't believe in long, happy marriages. The two make a bet: If Sophie shows him a truly happy couple that has been married for more than five years, he will marry her.
Director Carrie Cracknell makes her Met debut, reinvigorating the classic story with a staging that moves the action to the modern day, in a contemporary American industrial town.
Cameo Kirby is a 1914 American drama silent film directed by Oscar Apfel and written by Clara Beranger and William C. deMille. The film stars Dustin Farnum, Fred Montague, James Neill, Jode Mullally, Winifred Kingston and Dick La Reno. It is based on the play Cameo Kirby by Booth Tarkington and Harry Leon Wilson. The film was released on December 24, 1914, by Paramount Pictures.
Lilla Gravert falls into the clutches of a master blackmailer, Eric Helsingor.
A modern telling of William Shakespeare's darkest drama set against the backdrop of a corporate Rome.
Puerto Rico: Young and pregnant, Wilma fears becoming absorbed by motherhood like her sister Luisa, losing both herself and her artistic aspirations. On this morning, her mother, a santera, presents her with a startling premonition: Life has other plans for her, her children and her family.
Madeline De Valette is betrothed to her father's cousin, Raoul De Valette, arrangements having been made when she was but a child. Valette requests his cousin's presence at his home to be presented to his fiancée. Raoul has been carrying on a love affair with L'Acadienne, a beautiful Creole who loves him devotedly. Much against his wishes, he is compelled to leave L'Acadienne. In spite of her pleadings and threats, he sets out for the Valette home.
Television film based on the classic Slovak drama by Ivan Stodola. The theme of the play is the return of a supposedly dead man. The Ondrej-Eva-Mišo relationship triangle will only be solved by the death of one of them.
The two people in their late thirties, Constanze and Jens, have a very stressful daily life. Their situation intensifies when their ten-year-old son Luis begins having problems at school. The parents now find themselves in conflict between fulfilling societal conventions and trying to protect their son. The existing values of both are put to a severe test. They underestimate how much Luis is being bullied at school and that he urgently needs help.
On August 12, 2015, Hasegawa proposed to Ichiko. Ichiko is moved by Hasegawa's proposal and sheds tears, but the next day, she suddenly leaves home, seemingly shocked after seeing the TV news. Where did Ichiko go? Hasegawa reports the disappearance to the police, and the detective in charge of the investigation tells an unexpected story.
Don Juan Tenorio makes a bet with a friend as to which of them will commit more outrages in a year. He wins, killing twirty-two men and seducing seventy-two women. In the end, however, he is saved from damnation through a return to true belief and the love of a saintly woman, Doña Inés.
Faithful TV adaptation of Sophocles' tragedy.
On the eve of the marriage of her daughter, Alita, Mrs. Allen, unhappily married for 25 years, advocates writer Fannie Hurst's widely publicized mode of living with her husband: only two breakfasts a week together and complete freedom otherwise.
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