Madre
Padre / Self
Historiador del recorrido / Self
Hijo / Narrador
Self
In the mountains of Colombia's Coffee Triangle, a family faces the shadow of armed conflict. Years later, a son reconstructs the inherited fear, amidst echoes of the past and invisible scars. A sensory journey into memory, where the unspoken still resonates.
After collecting multiple records related to a painful family tragedy, Victor dives into the archive in search of answers about what really happened on January 26, 1983
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Cinema is an art that brings joy to millions of people around the world. However, it is difficult to create and produce, but there is an organization that teaches children how to make films so they can create the stories they dream of.
A story that explores the role of women in the Malvinas War. The protagonist, leader of a group of veteran nurses, commits suicide while this documentary is being filmed. Her companions took on her legacy and continue the fight for recognition in the face of the silence of history and the Argentine Navy.
A documentary about the sea and memory. Its movement is its form. Its strength.
In Cañete there was a large movie theater in the center of town until the 1980s. At that time many things still worked. From a child's point of view, the short film transports us to an ordinary afternoon in Cañete, when people still happily went to the movies despite how difficult life was.
A voice says, “Start the car, I killed him!”, and a car speeds away. A basketball court, a family table, a school, and a public plaza begin as ordinary, empty spaces, gradually filling with life—though always marked by an absence. This short film retraces the life of Franco Castro López, a 16-year-old who enjoyed everyday life with his family and friends, doing what he loved and moving through the places he called his own. As national news outlets begin reporting on the deaths of several young people whose families are demanding justice, Franco’s case resurfaces. Through news footage, home videos, testimonies, voices, and photographs, a story once silenced becomes visible again. More than ten years after his killing, his face still covers the walls of Mar del Plata—carrying the hope that he was the last.
A personal exploration by the director, who uses cinema for a social, architectural, and artistic tour of San Luis Potosí, scattered with passages from the filmmaker´s own past.
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