A Dialogue on Rastafarian Belief
A documentary on various Rastafarian belief
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Part film, part baptism, in BLACK MOTHER director Khalik Allah brings us on a spiritual journey through Jamaica. Soaking up its bustling metropolises and tranquil countryside, Allah introduces us to a succession of vividly rendered souls who call this island home. Their candid testimonies create a polyphonic symphony, set against a visual prayer of indelible portraiture. Thoroughly immersed between the sacred and profane, BLACK MOTHER channels rebellion and reverence into a deeply personal ode informed by Jamaica’s turbulent history but existing in the urgent present.
Going far beyond the standard imagery of Rasta—ganja, reggae, and dreadlocks—this cultural history offers an uncensored vision of a movement with complex roots and the exceptional journey of a man who taught an enslaved people how to be proud and impose their culture on the world. In the 1920s Leonard Percival Howell and the First Rastas had a revelation concerning the divinity of Haile Selassie, king of Ethiopia, that established the vision for the most popular mystical movement of the 20th century, Rastafarianism. Although jailed, ridiculed, and treated as insane, Howell, also known as the Gong, established a Rasta community of 4,500 members, the first agro-industrial enterprise devoted to producing marijuana. In the late 1950s the community was dispersed, disseminating Rasta teachings throughout the ghettos of the island. A young singer named Bob Marley adopted Howell's message, and through Marley's visions, reggae made its explosion in the music world.
A powerful portrait of the leaders of the reggae music Movement, and how Reggae has become a worldwide phenomenon. The film showcases performances by the best Reggae and Dance Hall artists ever assembled. From their native ghetto to international fame, "Made in Jamaica" is the story of the artists who represent the Jamaican Dream.
An East Coast community in Ruatōria, New Zealand attempts to live in autarchy according to the tenets of their movement. Bob Marley, a prophet of our electronic age, is the soundtrack to the everyday lives of these Māori who feel closer to their own roots by observing a blend of Afro-Carribean Rastafarianism and the Ringatū faith. Merata Mita's camera respectfully portrays this singular cultural dialogue. The outsider cultures of Jamaicans, Ethiopians and Māori have come together, vibrating to a common cosmic chord. They find an underground brotherhood, across continents and seas.
The film 3211 is a true story about Stefan Djuric, a successful musician who one day loses everything and goes to prison, where only his songs remain from his former life.
High up in the Northern California mountains there is a place, where not too many get to visit. Its called - The Emerald Triangle, real mecca of Americas cannabis game. Follow a ukrainian journalist Luka on a journey that explores lifes of real growers and hustlers and the dangers that come with it.
Brother Howie is a Jamaican Rastifari who dreams of the land of his ancestors: Africa. On a journey in search of his roots and his identity he travels through three continents and (with great humor and sensitivity) discovers the world and Africa.
A portrait of Rastafarians living in Tottenham at the start of the new millennium.
Documentary about reggae in Jamaica and its history. Filmed in 1979.
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Horsemouth, a drummer living in a ghetto of Kingston, plans to make money selling records. After his prized motorcycle is stolen, his plans fall through and he's forced to adapt.
Recorded in California at the Santa Barbara County Bowl, this live concert appearance from Bob Marley and the Wailers was filmed on November 25, 1979. One of the last shows to be recorded before Marley's untimely demise, the gig is a scintillating mix of reggae classics and provides a fitting epitaph to the influential musician. Tracks include "I Shot the Sheriff," "Exodus," "Is This Love" and many more.
Three teenage boys, curious about the effects of cannabis, encounter an unusual dealer. The story follows them as they consume drugs for the first time, leading to a transformation that alters their friendship forever.
Kassa a free-wheelin rasta man, falls for a straight laced gospel singer Serena, when they both meet as they enter a music contest. Serena's father the pastor forbids her to see him and wants her to marry one of his church members. Meanwhile the record boss organizing the contest, tries to get Kassa's band to sign to his label on his terms not theirs. By using heavy tactics, he pushes the band to fight back.
Roots Time is the story of "Jah Bull" and "Baboo", two Rastafarians that sell LP records in an old colorful car field for the villages within Jamaica. By chance "Farmer Roots," his favorite radio host makes them finger in an emergency by carrying his sick girlfriend to a hospital. "Jah Bull" and "Baboo" by their Rastafarian principles, do not believe in traditional medicine and convince "Farmer Roots" to take his sick girlfriend to a known herbal doctor called Bongo Hu. Getting to the herbal doctor is much more difficult than they expected and all kinds of adventures happen along the way
Jamaican singer-songwriter Bob Marley overcomes adversity to become the most famous reggae musician in the world.
Two rockers are getting married.They don't want wear proper suits and shoes at the wedding. Their family and friends are talking about different aspects in organizing the wedding. Everybody seems to know whats best for them.
Jordan Klepper is an enlightened, progressive, sartorially aware comedian who's determined to fix America's gun violence epidemic. As his quest takes him from the nation's capital to the deep woods home of the Georgia militia and beyond, one thing is clear: If Jordan can't solve guns, no one can. (Hopefully, this is not true.)
Go where no one has gone with Sports Illustrated Swimsuit Uncensored 2001. You'll be shocked to see what really goes on behind the scenes. Join the world's top models in the hottest suits from the 2001 Issue, shot in the world's most exotic locales.
