The Arizona Kid

Sep 28, 1939

0h 54m

★ 5.8

ROY MUST CHOOSE BETWEEN FRIENDSHIP AND JUSTICE!

Overview

Roy is a Confederate officer stationed in Missouri during the Civil War. He must put an end to outlaw gangs working under the pretense of service to the Confederacy.

Genres

Western

Production Companies

Republic Pictures

The Arizona Kid Trailers

No Trailers found.

Cast

Roy Rogers

Gabby Whittaker

George 'Gabby' Hayes

Laura Radford

Sally March

Val McBride

Stuart Hamblen

Bess Warren

Dorothy Sebastian

General Stark

Robert Middlemass

Dr. Jason Radford

Earl Dwire

Dave Allen

David Kerwin

Henchman Sheldon

Peter Fargo

Melton - Volunteer

Fred Burns

Burned-Out Rancher

Ed Brady

Banker Morrison

Ed Cassidy

Imprisoned for a murder he did not commit, John Brant escapes and ends up out west where, after giving the local lawmen the slip, he joins up with an outlaw gang. Brant finds out that 'Jones', one of the outlaws he has become friends with, committed the murder that Brant was sent up for, but has no knowledge that anyone was ever put in jail for his crime. Willing to forgive and forget, Brant doesn't realize that 'Jones' has not only fallen for the same pretty shopgirl Brant has, but begins to suspect that Brant is not truly an outlaw.

6.0

Black Eagle

Sep 16, 1948

Black Eagle is based on The Passing of Black Eagle, a short story by O. Henry. William Bishop stars as Jason Bond, who stays out of trouble by the simple expedient of avoiding other people. Unfortunately, the plot dictates that Bond must come into contact with several characters, all of whom end up fleecing our hero in one way or another. Even so, Jason manages to enjoy a brief romance with pretty Ginny Long (Virginia Patton) before returning to his life of carefree vagabondage. A very minor film, The Black Eagle makes the most of its excellent supporting cast, including Gordon Jones, Trevor Bardette, Will Wright and stuntman extraordinaire Richard Talmadge.

5.0

The Legend of the Golden Gun

Jul 5, 1979

In Kansas during the middle of the Civil War, John Golden is left for dead and his family has been killed by the ruthless Confederate outlaw William Quantrill. Rescued by runaway slave Joshua Brown, Golden is determined to get revenge. With the help of a legendary gunfighter and a special gun, Golden must not only deal with Quantrill and his men, but has to dodge General Custer and his army, as well.

8.5

The Good, the Bad and the Ugly

Dec 22, 1966

While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.

6.6

Green Grass of Wyoming

Jun 3, 1948

The romance of a rancher's niece and a rival rancher's son parallels that of a stallion and a mare.

6.0

My Friend Flicka

May 26, 1943

Ken McLaughlin is a precocious 10-year-old who lives with his family on a remote Wyoming ranch. When Ken returns home from school with failing grades, his father, Rob, blames the boy's lack of personal responsibility. At the suggestion of his wife, Nell, Rob allows Ken to choose a single colt from the herd to raise as his own. Much to his father's dismay, Ken chooses a fiery mustang filly -- but the two soon become fast friends.

5.0

Stallion Road

Apr 12, 1947

A veterinarian and a novelist compete for the heart of a lady rancher.

5.5

American Mustang

Nov 7, 2013

Fueled by stunning footage, this stirring documentary considers wild horses' role in the American psyche and their dwindling numbers in today's West. In an artful blend of exquisite nature documentary and character-driven narrative, the majestic wild horses of the American West are revealed in stereoscopic 3D as never before. The wonder in a girl’s eye pulls us into the drama that unfolds on hundreds of millions of acres of public land. The battle lines have long been carved into the landscape, and the players are deeply entrenched. Yet as the subtle choreography that has evolved over thousands of years begins, we are captivated. The intricate dance between a man and a wild horse presents lessons for us all, even the battle-hardened special interest groups fighting for the place of the AMERICAN MUSTANG.

4.8

South of Heaven, West of Hell

Jan 28, 2000

Valentine Casey is a Marshal in the desolate Tucson territory of the early 1900s. On Christmas Eve, his outlaw family pays him a disturbing visit. He must confront the sins of his past. He and his partner, U.S. Christmas, journey through the desert to a small town that the ruthless Henry Clan has hit in order to save Casey's love, Adelyne.

0.0

The Red Stallion

Aug 16, 1947

Family film about an elderly rancher, her young grandson, and the horse that the child raises from a colt.

5.6

The Rounders

Jan 8, 1965

Ben (Glenn Ford) and Marion (Henry Fonda) are two cowboys who make a meager living breaking wild horses. Their frequent employer Jim (Chill Wills), who always gets the better of them, talks them into taking a nondescript horse in lieu of some of their wages. Ben finds that the horse is un-rideable, he comes up with the idea of taking it to a rodeo and betting other cowhands they cannot ride it.

6.2

The Shakiest Gun in the West

Jul 10, 1968

Jesse W. Haywood (Don Knotts) graduates from dental school in Philadelphia in 1870 and goes west to become a frontier dentist. Penelope "Bad Penny" Cushing (Barbara Rhoades) is offered a pardon if she will track down a ring of gun smugglers. She tricks Haywood into a sham marriage as a disguise. Haywood inadvertently becomes the legendary "Doc the Haywood" after he guns down "Arnold the Kid".

6.4

Cemetery Without Crosses

Jan 25, 1969

A melancholic gunfighter is drawn into a vengeful and tragic kidnapping plot by his widowed ex-lover.

5.5

Old Los Angeles

Apr 24, 1948

Also known as California Outpost, Old Los Angeles stars Bill Elliot in one of his expanded-budget Republic "specials." The film is set during the early statehood days of California, with Elliot keeping the peace and warding off plunderers and marauders. As always, Elliot is a "peaceable man"--until he beats the tar out of those who rile him. The problem with Elliot's more expensive Republic vehicles is that action invariably took a back seat to plot, romance, costumes and decor. Within a year of Old Los Angeles, Elliot started a more austere, less prettified and far superior western series.