Marjetka is living ten years with Maks, who is a painter, and an uncompromising conceptual artist. At first, it seemed different: Max was witty, charming, talented and promising, so he hired Marjetka to reach fame and success. "Well, it is funny today, but fame and money is not coming out of nowhere". The film has a poet, Srecko, Max's mother, an opera singer, and Vilma, Marjetka's friend. In short, the artists themselves, or as Max says from his point of view: "Slovenian - Country artists". And when Marjetka a few days after her 30th birthday, full of doubts about this way of life, which is not to her liking, she realizes that Maks is not only an irreversible bohemian, but also a slacker and sarcastic, she decides to change her life. And this is very radical. Rather than leave it to him.
A theater director struggles with his work, and the women in his life, as he attempts to create a life-size replica of New York inside a warehouse as part of his new play.
As a patriarchal family yearns for the birth of a son to continue their family line, their youngest son secretly joins an erotic dance theatre and falls for its transgender starlet.
An exiled magician finds an opportunity for revenge against his enemies muted when his daughter and the son of his chief enemy fall in love in this uniquely structured retelling of the 'The Tempest'.
In 17th-century Tuscany, a church play is performed for the benefit of young aristocrat Cosimo. In the play, a grotesque old woman gives birth to a beautiful baby boy. The child's older sister is quick to exploit the situation, selling blessings from the baby, and even claiming she's the true mother by virgin birth. However, when she attempts to seduce the bishop's son, the Church exacts a terrible revenge.
Between two Thanksgivings, Hannah's husband falls in love with her sister Lee, while her hypochondriac ex-husband rekindles his relationship with her sister Holly.
Step back into the imaginative and frankly terrifying world of Becky & Joe with Don’t Hug Me I’m Scared. In this episode: Some things change over Time.
Gino, a drifter, begins an affair with inn-owner Giovanna as they plan to get rid of her older husband.
Visionary artist Matthew Barney returns to cinema with this 3-part epic, a radical reinvention of Norman Mailer’s novel Ancient Evenings. In collaboration with composer Jonathan Bepler, Barney combines traditional modes of narrative cinema with filmed elements of performance, sculpture, and opera, reconstructing Mailer’s hypersexual story of Egyptian gods and the seven stages of reincarnation, alongside the rise and fall of the American car industry.
The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.
In a small border town, a sheriff and his 'associate', involved in an operation in which they divert marijuana through the border, must kill another smuggler who has gone into business for himself.
In an isolated world, one man pursues the woman of his dreams. Alone reveals the story of Peter Shipke, a quiet man with a haunted past who earns his living evicting tenants from their New York apartments. It's a satisfying job until he meets the beautiful Anya. She literally dives into his life at the local pool and becomes the focus of his fantasies. But when reality comes knocking at his door, Peter is forced to choose between the woman he loves and the job he can't escape.
A fairy godmother helps a princess disguise herself so she won't have to marry her father.
In a small, poor village leaning over high rocky mountains, the villagers are simple and diligent people who struggle to cope with a harsh nature. They earn their living off the earth and a few animals they feed. Fathers always prefer one of their sons. Mothers command their daughters ruthlessly. Ömer, the son of the imam, wishes hopelessly for the death of his father. When he understands that wishful thinking does not have any concrete results, he begins to search for childish ways to kill his father. Yakup is in love with his teacher, and one day after seeing his father spying on the teacher he dreams too, like Ömer, of killing his father. Yıldız studies and tries to manage the household chores imposed by her mother. She learns with irritation about the secrets of the relationship between men and women.
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Members of the Camorra on the run and actors seeking for authority meet after a shipwreck on an island-prison. The theatre turns into a free zone where everyone may not be able to recover their social role but for sure their humanity. Somebody can even get love back. Shakespeare and Eduardo De Filippo blend together in a picaresque comedy full of coup de théâtre.
A man is haunted successively by seven women who have lost their keys. He reacts to the request that he be allowed to use the toilet with increasing helplessness and despair, which is discharged in violence.
When Barbe-bleue loses his fifth wife, the turbulent Boulotte is selected at random to be the next one. But Barbe-Bleue falls in love with Hermia – who loves the shepherd Saphir – and soon wearies of Boulotte. So, he asks his alchemist to concoct for him an “anti-wife” philtre. But, as on the previous occasions, it is merely a sleeping potion and Boulotte wakes up the other five “dead” wives. They reappear, dressed up as gypsies and bring the truth to light.
An unknown future. A boy confesses to the murder of another in an all-boy juvenile detention facility. More an exercise in style than storytelling, the story follows two detectives trying to uncover the case. Homosexual tension and explosive violence drives the story which delivers some weird and fascinating visuals.
A shy Greenwich Village book clerk is discovered by a fashion photographer and whisked off to Paris where she becomes a reluctant model.
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