First part of "La trilogía de las frutas" and the first short film belonging to the "Manifiesto Helsinki" film movement.
Él
Ella
No Trailers found.
A young girl turns into an A-List celebrity over night when her private journal is accidently published and becomes a best-seller.
Nanni Moretti recalls in his diary three slice of life stories characterized by a sharply ironic look: in the first one he wanders through a deserted Rome, in the second he visits a reclusive friend on an island, and in the last he has to grapple with an unknown illness.
Two teen boys living in an isolated house in the mountains contemplate their existence while maintaining a video diary of their daily lives.
This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.
It has been a year since Juliette’s sister has passed and she hasn’t been doing so well since that day, but she must learn how to be kind to herself.
A diaristic exploration of masculinity after experiencing a schizophrenic breakdown. Static memories recur and dissolve in a search for understanding and quiet liberation.
An old man comes across a fascinating archive, then meets a woman who introduces him to the life of a banker, patron and philanthropist. A moving essay that is part documentary, part film diary.
A passionate foodie loses his beloved hawker stalls to corporate pressure, he reluctantly turns to processed food he calls 'trash' in a moment of deep sorrow and disappointment as he grieves the loss of his favourite food stalls.
For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.
Raphael, Yervant Gianikian's father, survived the Armenian genocide in 1915 in Eastern Turkey. In April 1988, while living in Venice, he sat for his son's camera and read an excerpt from his memoirs, translated from Armenian into Italian.
Through phone call conversations, an aspiring Ilocano filmmaker relates to his mother working in Italy about his dreams and struggles while documenting the invisible betweenness of their language and distance.
An experimental coming-of-age odyssey through someone's troubled mind, going from country to country, landscape to landscape, growing up in the process. A documentary, travelogue, vlog, dream and self-portrait. A reflection on life, death and history.
Reminiscences of a trip to Čáslav
A short documentary project that attempts to encapsulate what it looks and feels like to be an American Teenager in 2022.
A personal documentary questioning the ways in which family imposed narratives force us into roles that we spend our lives either rebelling against or conforming to.
Sara and Alberto spend their days at home. They look out the window and watch: spring is approaching and the sun is setting later and later. Alberto entertains himself by playing with the light, the shadows and the nooks and crannies they leave on the living room. Sara goes out on the balcony in the evenings and examines the neighborhood with her camera. When they are in bed, they talk about what worries them. About job expectations. About being creative and why keep trying, if someone else has done it before you. About living in confinement, but at the same time, realizing that things haven't changed as much as they seem.
Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.
One fine morning it stopped working and I realized my little compact camera was dying. So I started taking as many photos as possible with it before it dies. These photos were taken in 2018 and 2019. A time I spent in oblivion. It was dark. It was blurry. This silent film is my tribute to my beloved camera.
A filmed diary which chronicles two visits to the Olivas, a family of Spanish beekeepers from Salamanca, at the time of the honey harvest, in August and September. Their work and their itinerant life are seen from a friend's point of view.
'Eigi Sylhet' is a journey of my self-discovery. With no narrative, this two-minute diary film paints a portrait of my resilience and artistic awakening, weaving together my self-portraits and cityscapes captured in 2018, a year I spent in oblivion, solitude and contemplation. It's a letter I wrote to my future self.
