A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
The T.N.P., the Théâtre National Populaire, an important experimental theater directed by Jean Vilar. Franju combines sequences from theatrical performances with documentary images, creating links and confrontations between theater and the real world.
Voices in Wartime is a 2004 documentary that explores the human experience of war through poetry. Combining interviews with soldiers, journalists, and historians, it reveals how war affects individuals and societies across time and place. The film features poets from around the world – from Homer and Wilfred Owen to Shoda Shinoe and modern writers in Iraq and Nigeria – showing how poetry expresses the pain, trauma, and truth of conflict. By linking verse with real-life accounts, Voices in Wartime highlights how poetry helps us understand the emotional and moral impact of war.
Explore the tragic truth about the massacre at the 1972 Olympic Games in Germany. Through interviews with key people such as the families of slain Olympians, German investigators and an anonymous perpetrator.
The 5th anniversary of the inner-German wall to West Germany and West Berlin is on the agenda. The necessity of erecting the border is illustrated by comparing the situation in 1939 and the situation in the summer of 1961 with regard to the "threat of intervention" by the Western powers. Berlin people and GDR border guards are interviewed.
Bandera, Texas (THE COWBOY CAPITAL OF THE WORLD) is a captivating documentary that explores the vibrant history, unique culture, and enduring values of the small town of Bandera, Texas.
Filmed in IMAX, a young Mayan boy who lives close to the ruins becomes acquainted with an archaeologist (Guerra) and asks her to tell him about his ancestors. The crew travelled to over 15 locations in Mexico and Guatemala, including Tulum and Chichén Itzá.
A team of scientists search for the lost island of Testerep in front of the Belgian coast, venturing into artificial landscapes and virtual realities.
Allonias decides that enough is enough. He works 12-13 hours driving his taxi every day and still has no money left to pay for rent and clothes for their three children. He begins a battle against Sweden’s largest taxi company owned by billionaire Rolf Karlsson. It leads to Rolf Karlsson selling the entire empire for around 2-3 billion SEK. But for Allonias it has a high price…
The Spruce Forest explores one of the darkest pages in Romanian history. Inspired by the drama of Fântâna Albă on April 1, 1941, the film reconstructs the fate of a Romanian community in Bessarabia, massacred in a desperate attempt to find refuge from the Soviet occupation. The testimony of a survivor of this genocide becomes the backdrop against which archival images and his wife's memories of Siberia are superimposed, in a dizzying game of mirrors that questions the notion of historical truth and reveals forgotten traumas with potentially devastating consequences in the present.
Hilversum in Black and White portrays Hilversum in the period 1924-1974. Using amateur footage and excerpts from Polygoon newsreels from that period, the film shows how the town grew from its five hundredth anniversary in 1924 to a city of one hundred thousand inhabitants. 'Hilversum in Black and White' is a production of the Hilversum Historical Circle Albertus Perk for the occasion of Hilversum's six-hundredth anniversary. They previously produced "Hilversum Occupied and Liberated, 1940-1945."
Documentary on Antoine de Caunes, a French television presenter, comedian, actor, journalist, writer and film director.
Benedict Arnold is not the villain of American history most people were taught to believe. New facts and never before presented material illuminate his heroic contributions to the American Revolution and explains his later change of allegiance.
Two well-known Quebec artists (filmmaker Jacques Godbout and playwright René-Daniel Dubois) look at the Battle of the Plains of Abraham. Whose version of this historic event should prevail? Is history best served by documentary or fiction? We also meet Baron Georges Savarin de Marestan and Andrew Wolfe-Burroughs, direct descendants of Montcalm and Wolfe, both of whom died in the battle that would give birth to Canada and to the province of Quebec.
Affectionate portrait of Timothy "Speed" Levitch, a tour guide for Manhattan's Gray Line double-decker buses.
Who is missing in our history? Hayashi Studio investigates the hidden history of BC, as documented by a Japanese photographer, Senjiro Hayashi.
This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastover's refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.
This documentary uncovers the facts behind the tragedy of the RMS Titanic, a British passenger liner that sank on April 15th, 1912. Directed by: Top5sMedia
Between February and April 2025, filmmakers Bernard-Henri Lévy and Marc Roussel filmed the Pokrovsk and Soumy fronts in eastern Ukraine, following the fighters of the Anne de Kyiv Brigade, armed by France. They filmed the daily lives of the inhabitants, bombarded by Russian forces terrorizing civilians on the eve of possible negotiations. They interview President Zelenskyy, who is reluctant to travel to Washington, and then watch the rebroadcast of the meeting with Ukrainian soldiers in a bunker. For the real heroes are the anonymous fighters and civilians who hold their heads high in the face of adversity and suffering, and who are filmed on a daily basis. The final part of Lévy’s “Ukrainian Quartet”, Our War is a diary, peppered with flashbacks in which the author recalls the high points of this war that began in 2014.
However impressive the site is, however bossy the guides are, the visitors of the Musée Napoléon listen only absent-mindedly. Does this young lady really care about the tragic destiny of emperor Napoleon or Europe's changing face or isn't she more interested in her won reflection in a window case? And isn't the camera operator more prone to film the cornet wimples of visiting nuns than the fossilized remains of Napoleon's fallen grandeur...?
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Lambert-Ribot
délégué ouvrier
un ouvrier
Self
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