No Masks from Theatre Royal Stratford East and Moonshine Features present a new work based on the real-life experiences and testimonies of key workers from East London.
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Set in Sarajevo in May 2021, the city's famous Old Town tries to recover after a difficult pandemic year. When a visitor from Zagreb comes looking for the best kebabs in town, a harmless gesture causes the disintegration of the business and private lives of several people.
Despite the rising stakes between losing healthcare workers and insufficient wage, a female nurse is determined to aid the victims of COVID-19 until she reaches her breaking point when a survivor is disillusioned about the recent news headlines.
After having to quarantine together during COVID-19, a mother and daughter are forced to confront their personal obstacles and relationship tensions.
Follows two couples meeting together for the first time after months of being on lockdown due to the coronavirus pandemic.
A schoolteacher's reputation is at risk when a video of her speaking up against injustice goes viral on the internet and is misinterpreted.
an adaptation of a play by Federico Garcia Lorca. After her husband's death, Bernarda Alba imposes eight years mourning period upon her household as the tradition runs in her family. In a household of 5 girls their mother and their grandma the tension and the deprivation arise as the mourning period isolate them from the rest of the village and deprive them of any male contact.
Paris, summer 2020. Actors from “la Comédie-Française”, France’s most prestigious theater, rehearse Christophe Honoré’s new play, an adaptation of Marcel Proust’s “The Guermantes Way”. When the show is suddenly canceled, the drama group decides to go ahead with it anyway, in the name of art and for the joy of acting together.
The painter Lili Elbe was the first person to have gender confirmation surgery in the 1930s. The homonymous opera is a glimpse into the life of Lili Elbe and her wife Gerda Wegener (also a famous painter) through Lili's transition at a time when such surgery was still completely uncharted territory.
A film crew gathers in a hotel near Wuhan to resume production of a film that was interrupted ten years earlier, but an unexpected event once again disrupts the preparations.
8 hours, complete lockdown in the whole of India, movement shut and state borders sealed. Thousands of migrants without food, water and mode of transport were forced to return to their homes. A crisis that shook the whole nation, a time when borders of disparity divided the people and one man stood for humanity.
In March, 2017, at a small town, six boys and girls are selected through auditions. They work hard to prepare for a play, but the play is suddenly cancelled. These young people are disappointed at the news. One girl says "let's practice." The six boys and girls want to stand on stage no matter what.
On the wild west coast of Auckland in New Zealand we follow one man's enforced isolation. Pacing the beach, he wonders if those dear to him will ever be seen again.
A female Basque virologist spends lockdown in a state-of-the-art laboratory to try to find a coronavirus vaccination.
A tragedy by Gotthold Ephraim Lessing.
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Lucien de Rubempré, a young, lower-class poet, leaves his family's printing house for Paris. Soon, he learns the dark side of the arts business as he tries to stay true to his dreams.
A college freshman takes advantage of a rumor, straining the relationships with those around him.
In May 2014, just months after Dan died, the DSM Foundation commissioned award-winning playwright Mark Wheeller to write a verbatim play that told his story, so other young people could learn the lessons he sadly no longer could, and make choices that would keep them safe. The title takes Dan’s joking last words to his mum, Fiona, before he left home for what turned out to be the last time: ‘I Love You, Mum – I Promise I Won’t Die’. Mark worked on the very first production with his talented youth theatre company in Southampton, Oasis Youth Theatre, and the play had its first public performances in March 2016, with previews in Southampton and its premiere at the BRIT school, just a mile from Dan’s home in Croydon, South London.
Eleri has been caring for her mum, Luned, since she was a child. But both have become so invested in their reversed roles of parent and child, that they’ve lost sight of one another and the true connection between them.
