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Using the camera as a weapon to defend their ancestral land in Brazil, three women of the Daje Kapap Eypi audiovisual collective lovingly record their Munduruku traditions and their mythology of humans transforming into forest plants and animals.
A making-of directed by Bodanzky himself, the documentary discusses the language of the film Iracema - Uma Transa Amazônica 30 years after it was made, gathering interviews with the authors, actors, critics and the filmmakers themselves.
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With a hybrid style blending political essay and road movie, this documentary by Santiago Bertolino takes us into the heart of the Amazonian reality. Following Marie-Josée Béliveau, an ecologist and ethnogeographer, they journey together along the 4000 km from the mouth of the Amazon River in Brazil to one of its sources in Ecuador where they meet with the guardians of the forest. As a result, we witness powerful and spontaneous testimonies from local communities who are doing everything to preserve what remains of their lands, which are disappearing due to the inexorable advance of Western modernity.
A journey through the Brazilian Amazon, guided by the eyes of Renato, a Carioca turned Amazorioca. A reflection on identity, the legacy of an ancestral territory, and the cost of progress. An ode to the forest and the fragility of what remains.
At the end of the 1940s, Lebanon is sliding towards a devastating conflict. Catholic siblings Emilie and Emir decide to leave for Brazil. Aboard the ship to their new home, Emilie falls in love with Omar, a Muslim merchant. For an enraged and jealous Emir, the relationship is intolerable. As the story unfolds against the backdrop of the majestic rainforest, Emir’s actions and the choice that Emilie subsequently makes lead to disastrous consequences.
In 1979, a revolution in Iran. In 1980, a revolution in Poland. The fall of the Shah, the “King of Kings,” in Iran. Mass strikes and the foundation of Solidarność (Solidarity) in Poland. What was in the minds of the young women and men who fomented revolution in their own country? What did they think when their revolution was quelled, or – as in Iran – an authoritarian regime was instituted under the name of an “Islamic Republic”?
Documentary about life and work of Serbian right-wing activist Miša Vacić.
Between 1942 and 1944 some 24,916 Jews were deported from Belgium to Auschwitz. The roundups and deportations were organized and carried out by the Nazis with the - not always conscious - cooperation of Belgian authorities. The attitude of the authorities here varied from outright resistance to voluntary or unwitting collaboration.
The rock-wild youth of the 1960s during the apparitions of their idols.
From ‘something completely different’ to icons of comedy and national treasures, this is a collection of rarely-seen Monty Python moments from the BBC archives, following the group’s encounters with ‘Auntie’ over the past 50 years.
Documentary filmed by young directors in Japan that was shaken by the US-Japan security pact struggles and student disputes. An illusionary image comes back to life for the first time in 34 years. (Produced in 1968 but unreleased until 2002).
An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.
Celebrate the opening of Toy Story Playland at the Walt Disney Studios Park.
Four people,in their struggle to improve the world during Occupy Amsterdam. The downfall of the encampment is part of their search for ways to bring about change. But why don't we want to hear their message?
The incredible life story of a Soviet soldier of Tatar descent who was captured by the Nazis during WWII. Today, his daughter Sana is tracing the path of her silent father, trying to understand what made him the man she knew as a child, through his diaries, as well as various personal and public archives and registries. As she accompanies Sana in her journey, filmmaker Aliona van der Horst excavates film archives, to find traces of those millions of Soviet soldiers who were caught in the crossfire of fighting between dictators, who were there but were easily left out of the narrative of the global war.
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