A documentary on the Kirov School of Ballet in Russia, narrated by Princess Grace of Monaco.
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This short documentary describes the process and inspiration behind the creation and performance of a new Cuban ballet based on Afro-Cuban traditions and beliefs.
A candid, fly-on-the-wall BBC television documentary portrait of Russian Nationalist politician, Vladimir Zhirinovsky. The film shows the leader on a cruise surrounded by two hundred supporters getting plenty of media attention in New York. We are left with the nagging question: to what extent is Zhirinovsky really dangerous? To take that further, to what extent are populist politicians truly dangerous?
Discover Les Ballets Trockadero de Monte Carlo (The Trocks), an all-male company that for 45 years has offered audiences their passion for ballet classics mixed with exuberant comedy. With every step they poke fun at their strictly gendered art form.
Ballet Boys takes you through disappointments, victories, forging of friendship, first loves, doubt, faith, growing apart from each other, finding your own way and own ambitions, all mixed with the beautiful expression of ballet.
Only women, children and old people live in this Armenian village, while the men work in Russia. A life with a rhythm of its own, an independent daily life marked nonetheless by exile.
At the peak of Perestroika, in 1987, in the village of Gorki, where Lenin spent his last years, after a long construction, the last and most grandiose museum of the Leader was opened. Soon after the opening, the ideology changed, and the flow of pilgrims gradually dried up. Despite this, the museum still works and the management is looking for ways to attract visitors. Faithful to the Lenin keepers of the museum as they can resist the onset of commercialization. The film tells about the modern life of this amazing museum-reserve and its employees.
RHYTHM IS IT! records the first big educational project of the Berlin Philharmonic Orchestra under Sir Simon Rattle. The orchestra ventured out of the ivory tower of high culture into boroughs of low life for the sake of 250 youngsters. They had been strangers to classical music, but after arduous but thrilling preparation they danced to Stravinsky's 'Le Sacre du Printemps' ('The Rite of Spring'). Recorded with a breathtaking fidelity of sound, this film from Thomas Grube and Enrique Sánchez Lansch documents the stages of the Sacre project and offers deep insights into the rehearsals of the Berlin Philharmonic Orchestra.
The former principal ballerina tells her story, with historic performances from the BBC archives and candid interviews from throughout her career. Showing how she grew up in front of the camera and mastered television.
For months, the FBI have been investigating Russian interference in the American presidential elections. ZEMBLA is investigating another explosive dossier concerning Trump’s involvement with the Russians: Trump’s business and personal ties to oligarchs from the former Soviet Union. Powerful billionaires suspected of money laundering and fraud, and of having contacts in Moscow and with the mafia. What do these relationships say about Trump and why does he deny them? How compromising are these dubious business relationships for the 45th president of the United States? And are there connections with the Netherlands? ZEMBLA meets with one of Trump’s controversial cronies and speaks with a former CIA agent, fraud investigators, attorneys, and an American senator among others.
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
The Moscow Case is a 52 minute documentary with never-before-seen footage of Michael Jackson in Moscow during the "Dangerous" tour. This film tells the behind the scenes story of Jackson's ill fated concert in September 1993. It includes unique archival footage showing Michael close up and personal while meeting fans and playing with orphan children.
Margarita Mamun, an elite Russian rhythmic gymnast, is struggling to become an Olympic champion. It is the most important year of her career and her last chance to achieve the ultimate goal, the gold Olympic medal. The film creates a captivating portrait of a young woman who is desperately trying to handle her own ambitions and meet the expectations of the official Russian training system.
After 20 years of living in Berlin, the director Olga Delane goes back to her roots in a small Siberian village, where she is confronted with traditional views of relationships, life and love. The man is the master in the home; the woman’s task is to beget children and take care of the household (and everything else, too). Siberian Love provides unrivaled insights into the (love) life of a Siberian village and seeks the truth around the universal value of traditional relationships.
Traces the new Cold War between Russia and the West from the ban on American citizens adopting Russian children to the Kremlin’s anti-LGBTQ campaign, which positions the international marriage equality movement as a national threat.
In Northern Russia, a few dozen people still live in their traditional houses surrounded by water, stone, and sand. Cut off from vital infrastructure, almost forgotten by regional governance, these people have to cope with their everyday struggles.
Filippo returns to the Ticino dance school where the desire to dance was awakened in him as a child. He traces his relationship with dance, from childhood to adulthood.
Alexander Birgukov shot and killed his two commanding officers. He was sentenced to death but when it was alleged that one of his victims had sexually harassed him, his sentence was commuted to life in prison. Tenderly revealing two lives lived in limbo, this film bears witness to the first and final visit of his mother, Lubyov.
In 2013, Dima Ilukhin, the cousin of the film’s director and a soldier in the Russian army, died on duty in the Republic of Dagestan in the North Caucasus. He was 21 years old. This incident marks the starting point for Abaturov’s reflection on the military. He films the training of new recruits in Siberia, as they bid farewell to their mothers and girlfriends, learn the mechanics of a Kalashnikov, or how to throw a hand grenade and administer first aid. While his parents try to cope with their loss, Dima’s former fellow recruits have to return to battle.
