A documentary on the Kirov School of Ballet in Russia, narrated by Princess Grace of Monaco.
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At the peak of Perestroika, in 1987, in the village of Gorki, where Lenin spent his last years, after a long construction, the last and most grandiose museum of the Leader was opened. Soon after the opening, the ideology changed, and the flow of pilgrims gradually dried up. Despite this, the museum still works and the management is looking for ways to attract visitors. Faithful to the Lenin keepers of the museum as they can resist the onset of commercialization. The film tells about the modern life of this amazing museum-reserve and its employees.
Ballet Boys takes you through disappointments, victories, forging of friendship, first loves, doubt, faith, growing apart from each other, finding your own way and own ambitions, all mixed with the beautiful expression of ballet.
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
After 20 years of living in Berlin, the director Olga Delane goes back to her roots in a small Siberian village, where she is confronted with traditional views of relationships, life and love. The man is the master in the home; the woman’s task is to beget children and take care of the household (and everything else, too). Siberian Love provides unrivaled insights into the (love) life of a Siberian village and seeks the truth around the universal value of traditional relationships.
The lifestyle, self-styling and political opinions of Chechen dictator Ramsan Kadyrov are examined in this documentary.
The Moscow Case is a 52 minute documentary with never-before-seen footage of Michael Jackson in Moscow during the "Dangerous" tour. This film tells the behind the scenes story of Jackson's ill fated concert in September 1993. It includes unique archival footage showing Michael close up and personal while meeting fans and playing with orphan children.
This film was broadcast on La Sept in October 1990 as a part of Hélène Mochiri's Cinéma de poche program devoted to Soviet cinema. The documentary was produced in-house at La Sept and based on an exclusive interview with Alexei Guerman in May of that year. It has not been seen since.
Margarita Mamun, an elite Russian rhythmic gymnast, is struggling to become an Olympic champion. It is the most important year of her career and her last chance to achieve the ultimate goal, the gold Olympic medal. The film creates a captivating portrait of a young woman who is desperately trying to handle her own ambitions and meet the expectations of the official Russian training system.
The attempt to accompany the creative process (with the inevitable difficulties and silences) of five women-dancers-choreographers, in their experience of creating a work of dance theater.
Choreographed by Frederick Ashton in honor of William Shakespeare's 400th birthday, this magical production -- based on the Bard's play "A Midsummer Night's Dream" -- features Felix Mendelssohn's famed score and sublime sets that add to the charm. Ethan Stiefel delivers an impressive performance as the lordly Oberon, Alessandra Ferri shines as fairy queen Titania, and Herman Cornejo is pitch-perfect as the impish Puck.
This recording of all six cantatas from the Salle Henry Le Bœuf in the Palais des Beaux-Arts in Brussels, Belgium, in December 2012 features internationally renowned Bach expert Philippe Herreweghe and the Collegium Vocale Gent.
Stephen Dwoskin brings together members of the Ballet Negres dance company, founded in London in 1946.
Moscow, January 1996. Boris Yeltsin gets ready to run for a second mandate of the presidency of the young Russian Federation. Polls are in the single digits. A painful economic transition, war in Chechnya, and the rise of criminal groups have left the majority of Russians dissatisfied with Yeltsin… and willing to vote for the communist leader Gennady Zyuganov. Yet six months later, Yeltsin won the election with nearly 54% of the vote. How did that happen?
In 2013, Dima Ilukhin, the cousin of the film’s director and a soldier in the Russian army, died on duty in the Republic of Dagestan in the North Caucasus. He was 21 years old. This incident marks the starting point for Abaturov’s reflection on the military. He films the training of new recruits in Siberia, as they bid farewell to their mothers and girlfriends, learn the mechanics of a Kalashnikov, or how to throw a hand grenade and administer first aid. While his parents try to cope with their loss, Dima’s former fellow recruits have to return to battle.
Stories about young Ukrainian dancers and their hasty flight to the Netherlands. You see their new life as refugees. The former conservatory in The Hague is a shelter for them where they collect their lives and find refuge in their profession: dance. The formation of a new ballet company, The United Ukrainian Ballet, is an important foothold in winning back their lives. They find comfort in each other and close friendships develop. In addition, there is the great love for ballet, for the dancers the best way to express themselves.
A documentary charting the rigors of the Russian space program, where the symbol of national pride would justify the most demanding training conditions.
A behind-the-scenes look at Moscow's prestigious Bolshoi Theatre as it's rocked by an acid-attack scandal in 2013.
For the first time, this documentary includes two exclusive interviews with Vladimir Putin and full details about actions in Crimea during spring 2014. These events determined the history of modern Russia. The President talks frankly and openly about the challenges and risks that Russia faced during that time. This film provides the Russian view of the situation. It is impossible to form a complete picture of the world without it.
The Russian filmmaker, Pavel Klusjantsev, has had an extraordinary influence on an entire genre of films. Throughout his career at the film studio in St. Petersburg, Klushantsev pioneered and invented legendary techniques for filming the planets, stars and weightnessless - long before anyone else. He went on to redefine the science fiction genre and influence the way Hollywood made their science fiction films, including the Academy Award-winning Visual Effects Master, Robert Skotak, a man who spent years trying to track Klushantsev down
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Narrator
Self