After a near-death experience, a person floats in a mysterious space, gradually being reborn by reconnecting with the sensations of their body.
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Diane is a young dancer whose quiet life is disrupted by the presence of a mysterious and unsettling gardener. As strange and sinister events unfold, Diane faces growing fear and uncertainty in a world that feels increasingly threatening. “The Butterfly Dance” is a psychological short film centered on tension, fear, and the unknown.
A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.
God is now a Power Plant. On a misty night cows escape, a child is chosen, and a girl tries to find freedom.
Abby and Luca are circus acrobats, travelling from town to town to perform their duet. Their love relationship is falling apart. As they are driving in their small camping-car to the next theater, they have to confront their problems to regain trust in each other.
Following a near-fatal traffic accident, Lizzie's moving out of her mum's care and back to London (or as Mum calls it, the city of death). But Lizzie's going to live.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Five women in their thirties examine their own power in life.
The van finally stops, the doors open and Ben comes out alive. A few more fights and he will be able to pay his way out of Albania, and hopefully, take his father with him.
Living in war-torn Eastern Ukraine Anna is an aging single mother who is desperate for a change. Lured by a radio advertisement, she goes to party with a group of American men who are touring the country, searching for love.
Night, national road. Two strangers meet for the first time at an old gas station. One has stopped to gas up his bike, while the other is just stranded. Lacking the 22 euros he needs to get home, he will try to sell him the distance that separates them from the sky.
Kalervo, a bullied, downtrodden white-collar man whom nobody takes seriously, receives an unexpected gift from Annukka. A gift which Kalervo soon realizes has the power to change his life. The bill is due, and payback never tasted sweeter.
Caught on opposing sides of a debate about a proposed centre for refugee children, two parents try to navigate the turbulent tides of public opinion.
When a boy’s close bond with his mother is imperiled one night by the arrival of a mysterious stranger, matters of nature and nurture collide.
Tilly, Miah and Safa are three young women who endure debilitating period pain. Following an adolescence with little menstrual education, support or relief, they navigate the physical and emotional toll of intensely painful periods while trying to maintain a normal life.
Eight woman, one life. Short animation by Sumito Sakakibara. The 9th Japan Media Art Festival Animation Division Grand Prize Winner
Miser Ebenezer Scrooge is awakened on Christmas Eve by spirits who reveal to him his own miserable existence, what opportunities he wasted in his youth, his current cruelties, and the dire fate that awaits him if he does not change his ways. Scrooge is faced with his own story of growing bitterness and meanness, and must decide what his own future will hold: death or redemption.
Containing interviews with Coleman’s family, teachers, coaches, and teammates, SEAMUS tells the story of how the Irish right-back became an Everton legend in his own right.
A Black man attends a white friend's Southern plantation wedding, and becomes haunted by its history.
