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The Dolls of Lisbon is NYC's Antagonist Art Movement's latest exploit inspired by the Zapatista Dolls of Mexico, a souvenir that traveled the world symbolizing a rebellion against the legacy of Andy Warhol's commodification of art.
Tony Silver and Henry Chalfant's PBS documentary tracks the rise and fall of subway graffiti in New York in the late 1970s and early 1980s.
A child who just loved to skate from the age of eight, Poppy Starr Olsen became the number one female bowl skater in Australia at 14 and went on to take out bronze at the XGames at 17 - the ultimate competition in the world of skateboarding. The same year, skateboarding was announced as an official additional sport category at the Tokyo 2020 Olympics. Now faced with the opportunity to represent Australia on the world stage Poppy grapples with the transition from skater to athlete and the pressure of competition mounts in a way it has never done before.
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From Brooklyn to the Bronx, Soho to Greenwich, Union Square to Wall Street... Join us and the friends, collaborators and gallery owners who supported Jean-Michel Basquiat throughout his life. The first ever recognized graffiti artist, who saw international success as a neo-expressionist painter in the 80s, Basquiat is a true contemporary hero who died at the peak of his career.
In Europe, road junctions have become public art galleries. A road trip across France, Switzerland, the Canary Islands, Greece and Germany exploring the glorious world of roundabout art.
On August 7th 1974, French tightrope walker Philippe Petit stepped out on a high wire, illegally rigged between New York's World Trade Center twin towers, then the world's tallest buildings. After nearly an hour of performing on the wire, 1,350 feet above the sidewalks of Manhattan, he was arrested. This fun and spellbinding documentary chronicles Philippe Petit's "highest" achievement.
Through interviews and guerilla footage of graffiti writers in action on five continents, the documentary tells the story of graffiti from its origins in prehistoric cave paintings thru its notorious explosion in New York City during the 70’s and 80’s, then follows the flames as they paint the globe.
The first Venezuelan graffiti documentary featuring the participation of the most important writers of national graffiti, either by style, quantity, quality, technique and their experience or the places where they write, these writers have set a milestone in what graffiti is today in Venezuela. In the graffiti: respect, strategy, intelligence, experience, agility, skill, boldness, competition, secrecy and illegality are key and determining issues captured in this documentary. Pinto con lata takes place in the Gran Caracas, and records the graffiti movement during the years 2008-2011. Gran Caracas and its contrast, its nights, its harshness, its people and graffiti are the main protagonists.
Filmmaker Jonas Mekas follows the surrealist artist around the streets of New York documenting staged public art events.
Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.
C1RCA Footwear presents it's full length video with team members Adrian Lopez, Jon Allie, Colt Cannon, Peter Ramondetta, and others.
This mini documentary features a rare interview with infamous graffiti artist Banksy, delving into how he started out as a graffiti writer up to his shift to gallery art, installations, CDs, and more. Til this day only a hand full of people know his real identity, such as friends appearing here: 3D of Massive Attack, Damien Hirst, and others.
"Graphic City" explores Lisbon's vibrant urban art scene through the unique eyes of artist Mariana Duarte Santos. Between murals and interventions that transform public space, the film delves into the streets of the Portuguese capital to reveal the artistic expression that arises from the city's walls. This documentary captures the creative spirit of Lisbon, where every corner becomes an open canvas for the imagination.
A year in the life of troubled Australian graffiti artist Justin Hughes.
Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.
Pasha and his mischievous friend Dan arrive from their provincial hometown to Moscow. Chasing a dream of a whole new adult life, they get to meet the city crew of graffiti writers. Being inspired by the coolest street artist of the city, Pasha starts naively dreaming of becoming a part of his crew. For the sake of achieving the goal, he's ready to make it as far as possible.
"I especially hope to inspire young women, because I often feel like so much emphasis is put on how beautiful you are, and how thin you are, and not a lot of emphasis is put on what you can do and how smart you are. I'd like to change the emphasis of what's important when looking at a woman." Filmed in San Francisco in 2000, Margaret Kilgallen (1967-2001) discusses the female figures she incorporated into many of her paintings and graffiti tags. Loosely based on women she discovered while listening to folk records, watching buck dance videos, or reading about the history of swimming, Kilgallen painted her heroines to inspire others and to change how society looks at women. Three of Kilgallen's heroines—Matokie Slaughter, Algia Mae Hinton, and Fanny Durack—are shown and heard through archival recordings. Kilgallen is shown tagging train cars with her husband, artist Barry McGee, in a Bay Area rail yard and painting in her studio at UC Berkeley (source: Art21).
The third and final episode of the Dirty Handz trilogy was released in 2006, but all events took place before 2001. This video symbolises the culmination of the controversial activity of the graffiti artists through a retrospective look at the actors. The film is entirely made by members of the SDK crew and follows a European tour of one of their members, tired of the monotony of the Parisian environment. There is an analysis of the different operational techniques writers use in each country.
