A poetized chronicle of the events taking place in one of the Georgian villages in the late 19th century, when, to save a forest, the innumerous intelligentsia could rally the people and oppose the industrialists…
No Trailers found.
The director dedicated this lyrical, epic film-confession to the memory of his father who was a doctor. The film’s protagonist, an ambulance doctor, conducts dangerous experiments in search of a vitally important vaccine. His wife believes in his work, though his daughter would not understand him. His son, who is absolutely unlike his father in character, is trying to protect him. But self-denial in the name of science proves too high a price. Just when he is on the verge of discovery, the doctor loses everything he has gathered as a result of his twenty-year-long work. This loss brings him even closer to his son. The shooting of the film continued for seven years (1985-1992), making it a metaphorical culmination of the Soviet cinematography and the Soviet way of life as a whole.
Anthim the Iberian - Antimoz Iverieli, a Georgian theologian, scholar, calligrapher, philosopher and one of the greatest ecclesiastic figures of Wallachia, led the printing press of the prince of Wallachia, and was Metropolitan of Bucharest in 1708-1715.
13 year old Lili fights to protect her dog Hagen, and is devastated when her father sets Hagen free on the streets. Still innocently believing love can conquer any difficulty, Lili sets out to save her dog. Failing in his desperate efforts to find his beloved owner, Hagen joins a canine revolt leading a revolution against their human abusers.
The war is over. Once a young sculptor, and now a soldier, he returned home. Married, there were children. In search of work, he was hired to make grave monuments. Time passed... At one time, visiting a cemetery with friends, he saw with different eyes all his work done over the years...
The film is set in southern Georgia during Ottoman control, where inhabitants, who were driven from their homes due to enemy invasions, try to return home through different means. One of these inhabitants is the young scholar Antimoz.
Two monks on a mission choose very different paths
The film is based on a real story. Climbers found the purse of a military postman killed during World War II, letters sent 30 years later.
In this dreamlike film, a nameless father and his son, Aleksei, live together in an apartment in St. Petersburg. Aleksei's mother has died and consequently the two have a very close relationship. When Aleksei acquires a girlfriend, she refuses to take a back seat to his bond with his dad, and breaks up with him. Aleksei is also experiencing nightmares, dreading separation from his father to be a part of the military as his father was.
When Imeda’s father is killed in a blood revenge accident, the family moves him to the city where he is sheltered at his father’s friend. After fifteen year he gets back to Khevsureti. A talented painter, he spends most of his time doing sketches of nature and people. There he meets a local beauty, Mzekala and fells in love with her but finds out that Torghva is also in love with her. Enraged by Imeda’s impudence Torghva calls him for a sword fight and is killed by Imeda. To avoid another round of blood revenge, the villagers let Imeda and Mzekala out of the village but someone who wants Imeda’s blood finds it out and follows them.
This film ballad is dedicated to those who never returned home from WW2. A group of retreating Soviet soldiers, crossing a lunar terrain in a desperate attempt to escape death, is attacked by a German fighter plane that appears like a bolt from the blue. One by one they are killed. Then suddenly, in an unlikely denouement bordering on the mystical, the attacker is shot down with a simple rifle. For ideological reasons that defy understanding this film, one of Viktor Hres’ earliest works, was shelved in 1967 by Soviet censors. In 2010, it was restored by the Debut Studio of the Oleksander Dovzhenko Film Studio with the support of the Ministry of Culture and Tourism of Ukraine.
A group of geologists discover oil under the fields where Sosana, the aged and anachronistic father, raises his herd with his unhappy wife, her friend and his growing boy with whom he displays a wonderful rapport. The land is invaded by big machinery that feels remarkably alien to the serene and natural aesthetic of the valley. The family all enjoys the pleasures and storytelling capacity a slide projector grants them, but it too feels distinctly out of place in a town with no plumbing.
A full-blooded, interesting life has long eluded the house where a mother, father, son and daughter live. Trivial household matters, conversation at dinner about duty — that's all that connects them. The situation changes when it becomes known that the family inherited the village house, and that it will probably be necessary to enter into a struggle with the joint heirs. From the bottom of chests, old albums and documents confirming the priority of the family are extracted, and intrigues begin ...
Banned in the Soviet Union for its "negative" content and never released, Kalatozov was forced to retreat from filmmaking for seven years because of this film. The film sets out to illustrate the old adage, "For want of a nail, the battle was lost," showing how the inferior quality of something so trivial as a nail in a soldier's boot leads inexorably to the capture of an armored train. Kalatozov had intended to demonstrate the crucial and universal importance of efficiency in Soviet industry, but the government decided that his fable gave a negative impression of the Red Army's capabilities.
Christine, a village girl, raped by Jason Uqmadze, a local aristocrat, decides to take her own life but the villagers spot her body in the river and manage to save her. After the suicide fiasco, Christine befriends Sona, her alleged well-wisher in hope to start her life anew. Instead of helping her, as promised, Sona takes Christine to the brothel.
DEVOUT reveals an archaic utopia, a timeless spiritual sphere that is as beautiful and harsh as the mountain terrain of the Caucasus, tempting but unforgiving, a riddle like God and faith as mysterious as the human condition.
Directed by Zaza Khalvashi.
The film describes the spiritual quest of a young hero whose prototype is georgian writer Guram Rcheulishvili.
A weary traveler, Tariq, visits an old sage in an old house, seeking justice for past wrongs. He gains everything he bargained for - and more.
The film continues the story of " Loma, The Forgotten Friend" and tells about the fate of the dog after he lost his owner.
Directed by Zulfikar Musakov.
Nico
