No Trailers found.
Léon
madre
nadia
Sofia
Stories about life and death during the Day of the Dead season.
No overview available.
A ghost with addiction issues is doomed to wander forever around the apartment where he once was happy. From there, he gently shares with us the stories of those who lived there after him — the ones he tried to touch.
Laura and Mari are meeting with a medium in the candlelit living room of their new house. The woman asks them about the reason for their call and the girls put her in context. They then begin to explain to her the paranormal events they have experienced since moving into the house: they hear a hissing sound through electrical appliances, a sound they believe to be coming from a hostile and threatening spirit, as they have already suffered attacks from the entity. The woman listens to them attentively before conducting a séance to contact the spirits and find out what is happening in that place.
Alone in her home overnight, a young influencer's solitude is interrupted by an unexpected visitor.
A man wakes up disoriented in his own apartment, and soon realizes that he is locked up and has no way out.
In trouble with the local authorities, Mabel Simmons, notoriously known as Madea, is on the run from the law. With no place to turn, she moves in with her friend Bam who is recovering from surgery. Unbeknownst to Bam however, Madea is only using the "concerned friend" gag as a way to hide out from the police.
Lightning streaks through the skies as Dalila declares her love to Samson in one of the finest arias of romantic opera. “My heart awakens to your voice like a flower to the kiss of dawn.” An enchanting yet treacherous beauty… When the thunder at last rumbles, Dalila betrays Samson and offers him up to his enemies: “Come up, for this time he has shown me all his heart”, she whispers to them in the night (The Old Testament, Book of Judges). Based on a violent and erotic biblical story, Saint-Saëns’s opera – composed in 1877, much to Liszt’s insistence – would not be performed at the Palais Garnier until fifteen years later. This first Parisian performance in 1892 included the hitherto unperformed “Dance Of The Priestesses”. Nevertheless, it became one of the most performed French operas in the world, together with Faust and Carmen. Conducted by Philippe Jordan, this new production brings back a repertoire masterpiece that has not been performed at the Paris Opera for twenty-five years.
A quiet and put-upon house cleaner breaks her silence.
A short film about love, told backwards.
Anna is a surgeon and, like her husband Gunnar, works at the hospital in a small town in the Mecklenburg Lake District. They have built a good life here with their son. Anna is torn out of her usual routine when a child suddenly suffers an allergic shock after a routine operation, which was triggered by an antibiotic that Anna had not been given. A medical mystery for Anna until she finds out that the clinic has a massive hygiene problem. The more unpleasant truths Anna uncovers, the more hostile she becomes. Anna is faced with decisions of conscience that could bring down everything she has built up so far.
Kostja, the German-Russian, and Beatrice, the German-African, have a big argument at night. Beatrice leaves the apartment and leaves Kostja behind with the baby, reinventing herself as an architect and psychologist, as an actress and screenwriter, while Kostja, the bicycle messenger, tries in vain to find somewhere to put his child. At some point he loses it. All three experience their odyssey through a Berlin summer day.
A coming-of-age tale with a difference about the grumpy doctor Annebarbel Buschhaus donning her ice skates again at the age of 58 after an absence of 40 years. Back on the ice, she tries to revive long suppressed childhood dreams – and makes a new friend, Jolina Kuhn, Berlin’s youth figure skating champion. Through her new friend, Annebarbel begins to open up and break away from her dominant mother.
After 10 years separation from his wife, a film director (Jean-Louis Trintignant), imagines he can make up with her by giving her a part in his next film, an adaptation of Tshekov's "Three Sisters". He goes location scouting and stays in Bex, a Spa near Lake Leman, together with the three actresses : Julie, his ex-wife (Delphine Seyrig), the mysterious Cecilia, that his producer wants him to take (Lea Massari), and Esther (Valérie Mairesse), a teenager. They all stay in an old decaying hotel. In this isolated mansion the four of them will fight but also discover each other.
