Royal Opera House: The Marriage of Figaro

Feb 17, 2006

3h 4m

★ 8.5

Overview

David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.

Genres

Music

Production Companies

Royal Opera House

Royal Opera House: The Marriage of Figaro Trailers

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Cast

Figaro

Erwin Schrott

Susanna

Miah Persson

Comte Almaviva

Gerald Finley

Comtesse Almaviva

Dorothea Röschmann

Marcellina

Graciela Araya

Barbarina

Ana James

Cherubino

Rinat Shaham

Self - Orchestra

Orchestra of the Royal Opera House

Dr. Bartolo

Jonathan Veira

Self - Conductor

Antonio Pappano

Self - Chorus

Chorus of the Royal Opera House

Self - Composer

Wolfgang Amadeus Mozart

La traviata (Italian: [la traˈviaːta], "The Fallen Woman"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.[3]

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