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Amina, Djeneba and Zineb are three inseparable teenagers who find themselves in hot water when they post a video on social networks identifying an assailant who attacked one of the three. The video draws a public outcry, and they will have to choose between continuing their fight or giving in to pressure.
Summer 2001: young Gregor works at the small Berlin video store "VILM". When he falls in love with the shy "Betty", he has to keep a clear head handling the major catalogue change from VHS to DVD, his disillusioned co-worker Beni, quirky customers and the upcoming shoot of his next big short film ...
To relieve the stress of the day, a man named Hasan puts one of his favourite films 'Happy Together' to DVD player however as He pushes the play button, He realizes, this film is different than his own memories. Is He Dreaming? or Is it a reference to a dimension of reality?
Florence by Mills by Millie Bobby Brown
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Nathan goes on a journey that challenges how he's lived before, which causes him to question if he is ready for such a change of pace.
In a sarcastic mood, EZTV's founder John Dorr makes fun of the extensive aspiring Los Angeles spoken word scene of the 1980s and the enormous number of people who routinely approached EZTV asking for free service in getting their project made
In a struggling and divided nation, the Macbeths see their chance to take the crown in this visceral and contemporary production of Shakespeare’s classic tragedy. Captured live at the Bristol Old Vic in 2024, the English Touring Theatre’s modern production was praised for its creative use of technology, including video projection, and its unique portrayal of the Witches.
A 3-minute short skate video filmed by Ian Ostrowski featuring skaters, Zion Wright, Louis Lopez, Dylan Clark, Romel Torres, Jasper Levine, Caden Smith, Darrian Williams, Tj Robinson & Apu
In Preparação I (Preparation I) Letícia Parente prepares herself to go out. In front of a bathroom mirror, she places bandages over her mouth and eyes, draws eyes and a mouth over the bandages, fixes her hair, takes her bag and leaves the room. This masquerade becomes a political commentary about the female gaze, voice, modes of interaction, sociality and corporeality in Brazilian society during the 1970s.
Arrancar los ojos is a project that proposes a constellation of works around the gaze and its political dimension. A reflection on the concepts of institutional violence, repression and collective trauma, focusing on the pattern of eye attacks by state security forces.
Repeating images of a boy running in the snow, an ocean, abstract shapes, and a man turning the crank of a giant machine all collide violently with one another as new video forms result. Technical details: 320x240 209kbps 3.3MB 11fps
Letícia lies on an ironing board in front of her maid who calmly irons her mistress, clothed, with the same attention to detail as someone who irons out a flat piece of clothing. The artist is calm like an empty suit; she doesn’t move, she doesn’t complain, she simply lies there. She is an ordinary piece of clothing, on any given day. There is no indifference, it is just another task accomplished. In the mistress maid relationship there is no tension, just silent complicity.
Letícia Parente was a pioneer of video in Brazil, and In is one of her earliest video works. It depicts the artist entering a closet, suspending herself from a hanger, and closing the door. Parente used video as a political tool to protest the military dictatorship in Brazil, and to comment on the mass torture committed by the government. Much of her work concerned domestic space and its association with conventional roles to which women were expected to conform. Several videos by Parente transform daily household tasks into forms of resistance.
A traumatized cheer captain races to stop a masked killer and the new tourist attraction aimed to exploit her tragedy from a year earlier.
Video parlour caretaker
