For a year, the women working at the Grandin factory in Montreuil, France occupy the place and lead numerous actions.
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I have been pretty satisfied with my life before I got on the bus. When I do in June 2011, my whole life turns upside down. I am just a regular passenger at first. Like other people I was sorry, and felt obliged to help and care for other passengers. Then I begin to film these common heroes with my camera. Those who speak about hope, who provide it and get on the bus, Ms. Kim Jin-suk, and other crane laborers who risk their safety while demonstrating for their rights on high. She, while stationed insecurely on high, begins interacting with the world through Twitter and makes friends. Then I realize I really love her. Will we have her back safely?
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
In 1992 – 500 years after the beginning of Spain's global empire with the discovery of America – Spain proudly presented itself to the international community as a modern, developed, dynamic country through the Olympic Games in Barcelona and the Expo in Seville. But for filmmaker Luis López Carrasco (1981, Murcia), 1992 was also the year in which the regional parliament building in Cartagena was razed during furious protests against the threatened closure of various local industries. El año del descubrimiento revives this almost forgotten history in a typical Spanish bar in Cartagena, where different generations come together to drink, eat, smoke and talk. Stories from witnesses, demonstrators and strikers from back then and discussions among younger café visitors on themes such as class consciousness, the economic crisis and the role of unions percolate to the surface amidst talk of other life issues.
When workers at the Hormel meatpacking plant in Austin, Minnesota are asked to take a substantial pay cut in a highly profitable year, the local labor union decides to go on strike and fight for a wage they believe is fair. But as the work stoppage drags on and the strikers face losing everything, friends become enemies, families are divided and the very future of this typical mid American town is threatened.
A cinema verite study of the world of the blue-collar worker and the economic and psychological bind in which he is caught.
Documentary following some stoner friends over the course of roughly a day. Featured here is Bill, a guy who got kicked out of the Marines for doing dope steadily for six years (I'm not gonna do it forever--or maybe I will, who knows?) and Barry, a forklift-driving doper who wins the Employee of the Month plaque while stoned (Live for yourself--live today and then worry about tomorrow when it gets here--that's the way I go).
A forgotten history of Northern Ireland is unveiled through a journey into Ulster Television’s archives, and the rediscovery of the first locally-produced network drama, Boatman Do Not Tarry.
A portrait of Santos Port, its geography, workers and the life that surrounds it, including the poor, prostitutes and the night life inhabitants.
Film from Andrew Morgan. The True Cost is a documentary film exploring the impact of fashion on people and the planet.
A portrait of Chicagoland ICU nurse Jeanette Alvarez-Basem captured through the perspective of her son Ben Basem. Between her night shifts and Illinois Nurses Association union meetings, Jeanette navigates what it means to be a nurse and a human during the first year of the COVID-19 pandemic.
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In post-industrial Ohio, a Chinese billionaire opens a new factory in the husk of an abandoned General Motors plant, hiring two thousand blue-collar Americans. Early days of hope and optimism give way to setbacks as high-tech China clashes with working-class America.
The drastic economic development in South Korea once surprised the rest of the world. However, behind of it was an oppression the marginalized female laborers had to endure. The film invites us to the lives of the working class women engaged in the textile industry of the 1960s, all the way through the stories of flight attendants, cashiers, and non-regular workers of today. As we encounter the vista of female factory workers in Cambodia that poignantly resembles the labor history of Korea, the form of labor changes its appearance but the essence of the bread-and-butter question remains still.
A detailed look at the gradual decline of Shenyang’s industrial Tiexi district, an area that was once a vibrant example of China’s socialist economy. But industry is changing, and the factories of Tiexi are closing. Director Wang Bing introduces us to some of the workers affected by the closures, and to their families.
The story of the factory worker Pietro Perotti, who worked at Fiat Mirafiori from 1969 to 1985 and participated in the workers’ protests by overseeing communications inside the factory, making stickers, wall posters, texts and drawings in the bathrooms, figures out of papier-mâché and foam rubber, and turning the protest marches into “street theatre.” With his movie camera, Perotti immortalized the situations and workers’ protests at Mirafiori until 1974. Thanks to this unpublished material, the movie paints a fresco of factory life in what used to be Europe’s biggest metalworking factory.
A mixture of documentary and fiction examines the new god of Capitalism offered to the Serbs with the ending of state socialism. We look at a number of strikes in Belgrade during the late 2000s and these introduce us to several characters playing themselves. Employees dressed in American football helmets and pads square up with employers' heavies in their bullet-proof vests, resulting in explosive situations. A visit from the Russian tycoon's representative and vice president Joe Biden's arrival further complicates the proceedings.
Portrait of a community in the heart of South Wales almost one year into the miners' strike of the 1980s.
The film is a reportage showing the help of workers from the GDR in the industrial reconstruction of Syria. We witness the friendly relationship between workers from both countries, who are jointly involved in the construction of the cotton spinning mill in Homs. In impressive pictures the exoticism of the environment and the mentality of the Syrian hosts is shown. At the same time it becomes clear that the workers from the GDR become 'ambassadors of the GDR' through their collegial behaviour and good work.
It's been more than 1,000 days since the workers of Cort/Cortek Guitar begun a struggle after the company abruptly closed down. Meanwhile, musicians performed for the workers so many people are aware of the company's injustice, but the company has yet to respond. The workers visit international instrument expositions all around the world, meet other guitar companies such as Fender and Ibanez who subcontract with Cort, and share the struggle with them. The workers also align with musicians in Japan and the USA. They achieve international solidarity through music.
A movie follows a regular working day of a woman who works in a factory. She wakes up at 3am and goes to sleep at 10pm.
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