Aurelio
Julia
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“After So Long // बरसों बाद” is a visual poetry set in Mumbai (India) and voiced by Simha and their parents to symbolise their connection with each other; a walkabout through time and memories. Directed by Varsha Panikar, the film takes inspiration from vintage-home-movie culture to create a contemplative and nostalgic vignette of an artist’s spiritual journey out of the darkness and into the light.
In a sarcastic mood, EZTV's founder John Dorr makes fun of the extensive aspiring Los Angeles spoken word scene of the 1980s and the enormous number of people who routinely approached EZTV asking for free service in getting their project made
Relationship issues arise between a researcher with a theory to explain away all his failed dating experiments, a player who wants out of the game, a deejay whose head spins with thoughts of God, a hoodrat with no street cred, a poet not-so-well-versed in the art of love, and a womanipulator of men.
Poems by some of the greatest writers of all time are brought to life through lyrical animation and readings by some of today’s most respected performers.
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After Tsutomu Tamaki graduated from high school, he has worked at his family farm and raises ume (plum). He becomes interested in a class for “poetry boxing” and decides to take the class. There, he meets a female high school student who has her own problem.
Over the course of a hot summer day in Los Angeles, the lives of 25 young Angelinos intersect. A skating guitarist, a tagger, two wannabe rappers, an exasperated fast-food worker, a limo driver—they all weave in and out of each other's stories. Through poetry they express life, love, heartache, family, home, and fear. One of them just wants to find someplace that still serves good cheeseburgers.
In the wake of a freak accident, Lance suffers the worst tragedy and the greatest opportunity of his life. He is suddenly faced with the possibility of fame, fortune and popularity, if he can only live with the knowledge of how he got there.
With £2.50 in their bank accounts, two friends Saoirse and Emma vow to have the greatest night of their lives at a punk poetry party. They discuss the current state of their lives while determined to keep the little riots inside of them alive.
Hum lives in a refugee camp near Hamburg. He loves films and finances his visits to the cinema by selling lost properties from cinema visits in the refugee camp. One day he meets Anna and her friend Ida. At a dinner together in the shared flat of the two, they find out that they all share a love of music. Anna and Ida can sing great together and Hum shares the contact with his friends who play in a band. A timid and touching love story develops between Hum and Anna. Both are looking forward to the first performance of the band, in which Anna now sings. But shortly before the performance, Hum is to be deported. Neither his love for Anna and music nor his imagination can save him from the everyday life of a refugee.
Seeking US citizenship, a Viennese refugee arranges a marriage of convenience with a struggling writer.
Zach and Matt Walk to School is a rough pilot for a potential series on YouTube. It’s an illustrated comedy using real paper and pencil drawings to emulate the style of stick figure comics. Zach and Matt are best friends. On their walk to school they start getting into a small disagreement. Due to a series of misunderstandings, word quickly spreads amongst the entire school that Zach and Matt are on the verge of a one-on-one showdown. Now, they both need to figure out how they're going to avoid the impending fight.
Xristos is married to the rich Rena. In fact the rich is his mother-in-law, who has big business abroad. In Greece the mother-in-law gives the hotel's managment to Xristos but also loads to him all the work. Desperate, he decides to slam the yoke and kill her ...
Starring Vehicle for Free Kitten. Kim Gordon, Julie Cafritz, & Mark Ibold lounge on suburban lawns, jamming a guitar effects box & Japanese beat boxes. Thurston reads lyrics off Public Service (early 80's L.A. hardcore compilation), and Saccharine Trust's "Pagan Icons". Mark, in English accent, reads bio penned by Byron Coley.
Oliveiro is a young poet living in Buenos Aires where sometimes he has to sell his ideas to an advertising agency to make a living or exchange his poems for a steak. In Montevideo, he meets a prostitute, Ana, with whom he falls in love. Back in Buenos Aires, he accepts a contract with a publicity agency to get the money for three days of love with her. Will he get what he's searching for when his ideal of love's pleasure is literally going in levitation while making love?
A diary of a boy grappling with identity, love and belonging while exploring our fragile journey through a chaotic world.
Nama Tamago was a 2002 movie featuring Iida Kaori, Yaguchi Mari, Tsuji Nozomi and Goto Maki. The VHS was released in March 15, 2002 and later on DVD format on April 15, 2002. The story centers around four young girls who want to make it as table-tennis players. However, no matter how much each girl practices and tries her hardest, none of them improve, that is until one of the girls suggest they make a wager as to who can become the best, then the competition is on!
The story of Muhammad Iqbal, a turn of the century poet/philosopher from South Asia. Through Iqbal's work we open a dialog between the East and West, refute the notion of a class of civilizations and discover our shared humanity.
Ismail Merchant's feature directorial debut addresses a subject close to his heart: the expressive Urdu language of Northern India, in danger of extinction as political trends and modernization obscure its contributions to Indian culture. Merchant 's treatment is wry and good humored , as his characters - an aging Urdu poet (Shashi Kapoor) and a worshipful young college lecturer - clash despite their shared passion for the beauty of words.
Mourning his past relationship, heartbroken college senior Austin Caldwell becomes obsessed with the "Big Break" song competition, convinced that the only way he'll be able to move on, is if he wins.
