Maud Nycander has over one and a half years, filmed a psychiatric emergency ward at St. Göran's Hospital in Stockholm.
The actors of Avanzi reunite after 15 years in Su Pallosu, a small village in Sardinia. They have decided to put together a show to support the cause of the local fishermen who are having great difficulty because of fish depopulation.
The award-winning Old Believers (2001), made over a period of five years, documents the life of a strongly religious community in the Danube Delta where time seems to stand still.
K2 is widely seen as the world's harshest mountain. Yet many indigenous porters make a living in its extreme conditions, carrying provisions for foreign climbing expeditions. Often risking their lives, they receive minimal pay for their efforts. Against a backdrop of breathtaking natural beauty, this doc explores the courage and sacrifice of the men who call the 'Savage Mountain' their home.
This is a film about Christopher Kirk, an American IT guy who moves to Colombia after reading about Pablo Escobar’s hippopotamuses. It is also a film about the story of V., a story that Kirk obsessively tells and retells about his infatuation with a mysterious Japanese-columbian woman. A story that may or may not have to do with his arrest in 2009 in Brazil for international drug trafficking. Moreover, it is also a film about two directors.
People search for unspoken or even absolute truths when it comes to the notions of life and death. Fertility is associated with the miracle of creation, but for countless women around the world it is not necessarily a happy subject. MOTHER OF THE UNBORN looks compassionately at this deeply felt experience.
January 2011 in Egypt was marked by anti-government demonstrations. While tens of thousands of protesters gathered in Cairo, poor villagers in the country's south followed the tense situation on Tahrir Square on their TV screens and in the daily newspapers. It is from their perspective that this documentary captures the political changes in Egypt, from the toppling of President Mubarak to the election of Mohamed Morsi.
Lolita hates to smile. Kévin doesn't know how to sell himself. Hamid doesn't like bosses. They are twenty. They have no qualifications. They are looking for work. Over six months, the coaches of an employment consultancy firm are going to teach them the attitudes and language required to get a job in today's market. Through this apprenticeship, the film reveals the absurdity of these new rules of the game.
Flowing Stories is a documentary about change, migration of Hong Kong people and the unknowability of the future.
Arami Ullón must return to Paraguay to make an important decision: what will happen to her sick mother, Mirna? The heartfelt gaze of the camera reveals a relationship filled with love, but also unspoken and unresolved issues. A sensitive film which examines the inner turmoil of the daughter during the final stages of her mother’s degenerative illness.
This documentary was subjected to condemnation and attempts for institutional censorship as soon as it was done. The film observes how one man makes a career using another in the totalitarian society of Communist Bulgaria.
The Istituto Luce turned ninety in 2014, its decades-long history intertwined with that of Italy itself, through cinema and that unique treasure trove of images known to all as the Luce Archives. To celebrate its anniversary, some of the most acclaimed rising filmmakers in Italy were invited to make a small film, with each director selecting ten minutes of footage from the archives, out of the thousands of hours of footage to be found there. The result is an album full of different narratives.
Sweet Sweet Kink takes a sweet, sweet peek into the kinky world of bondage, dominance, and sadomasochism through stories of intimate connection, consensual exploration, and deep self-reflection.
Four girls living in the lonely vastness of the USA share one passion: The wild world of rodeo. Although they move about in the powerful imagery of the American prairie and the myths of the Wild West, they give it new resonance and break free of it. In a world which used to belong to their fathers and brothers, they prove that "you ride like a girl" is not an insult but a compliment.
In her second film, MY LIFE AS I LIVE IT (1993), Essie Coffey returns to her home in Dodge City where she and the A-Team are running in the shire elections. Inter-cutting between 1993 and 1978, the film presents the fascinating contrasts of a society in transition. Some of the kids we met in the earlier film now have families of their own and are involved in education, art and sports. Others are drifting, trying to cope with alcohol and depression. Most significantly, community programs offer the possibility of dignity and self-determination. In this film, Essie shows us the Community Development Employment Program (CDEP) making a real difference. Although the CDEP has now come under attack from the Federal government, MY LIFE AS I LIVE IT portrays the CDEP as providing meaningful work and services to an impoverished remote community.
Women from Turkey and Mecklenburg are working together side-by-side at a fish-processing factory in Lübeck. As they work, they share stories about their lives, including their sorrows, griefs, hopes, and dreams, while expressing their longing for home and feelings of being lost in a foreign place.
In this short documentary, five black women talk about their lives in rural and urban Canada between the 1920s and 1950s. What emerges is a unique history of Canada’s black people and the legacy of their community elders. Produced by the NFB’s iconic Studio D.
Everyone’s talking about it, but who can explain it? Paul G. Allen’s Vulcan Productions and Morgan Spurlock’s Cinelan have partnered to produce WE THE ECONOMY 20 Short Films You Can’t Afford to Miss. Each film is helmed by an acclaimed filmmaker, each with their own creative vision. The series aims to drive awareness and establish a better understanding of the U.S. economy. Told through animation, comedy, musical, non-fiction, and scripted films, WE THE ECONOMY seeks to demystify a complicated topic while empowering the public to take control of their own economic futures.
Yingying Zhang, a 26-year-old Chinese student, comes to the U.S. to study. In her detailed and beautiful diaries, the aspiring young scientist and teacher is full of optimism, hoping to also be married and a mother someday. Within weeks of her arrival, Yingying disappears from the campus. Through exclusive access to Yingying’s family and boyfriend, Finding Yingying closely follows their journey as they search to unravel the mystery of her disappearance and seek justice for their daughter while navigating a strange, foreign country. But most of all, Finding Yingying is the story of who Yingying was: a talented young woman loved by her family and friends.
A documentary about the fascinating and complicated process of the rebuilding of Holland's most famous museum, The Rijksmuseum. The film shows the people behind the scenes during the years of demolition, restoration, and political and financial debate. We witness their efforts, joys and struggles with one goal in common: the love of art.
"The Most Dangerous Man in America" is the story of what happens when a former Pentagon insider, armed only with his conscience, steadfast determination, and a file cabinet full of classified documents, decides to challenge an "imperial" presidency – answerable to neither Congress, the press, nor the people – in order to help end the Vietnam War.
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