On Manhattan's jam-packed streets, NYC's most iconic driving instructor prepares students for the road ahead.
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Le chant du Styrène is a 1958 French documentary film directed by Alain Resnais. The film was an order by French industrial group Pechiney to highlight the merits of plastics.
A brief history of the emergence and artistic innovations of tango in 19th-century Argentina and Europe. The film offers a mosaic of tango melodies, art works, dance performances, historical footage, photographs of Buenos Aires at the turn of the 20th century, and texts by Celedonio Flores and Enrique Santos Discépolo.
A place with stairs, but that leads to walls. A place with lots of space, but no one fights for it. And a place with lots of owners, but so empty that no one wants to enter.
This short documentary shows the reactions of European immigrants as they land in Halifax at the beginning of the 1960s. From the port, we follow them on a snowy journey by train to Montreal.
People from different ethnic backgrounds with "difficult" names by Western standards share their experience with moving through the world with an identity that challenges others to simply just say their name. A short social docu-film by Mariam Meliksetyan, “Say My Name” is a meditation on identity, otherness, assimilation, community, and ancestral roots.
A 38 minute documentary that investigates why antisemitism exploded in Bay Area High Schools after Hamas attacked Israel on October 7. This comes after years of anti-Asian hate and anti-white hate.
Stanley Kubrick’s first color film, commissioned by the Seafarers International Union to promote the benefits of union membership. Shot inside the union’s Atlantic and Gulf Coast District facilities, it features scenes of ships, machinery, cafeteria life, and meetings, highlighting the daily routines and camaraderie of seafarers. Thought lost for decades, the film was rediscovered in 1973 and preserved by the Library of Congress.
Martin Scorsese’s electrifying concert documentary captures The Rolling Stones live at New York’s Beacon Theatre during their A Bigger Bang tour. Filmed over two nights in 2006 with an all-star team of cinematographers, the film combines dynamic performances with archival footage and rare glimpses behind the scenes, offering a vibrant portrait of the band’s enduring energy and legacy.
Coming back during Winter, Alex Powell explores both the places and personal connections found in his hometown and how they've changed. “Guide to a Midwest Hometown” explores what makes the barren places at home feel sentimental and special, and the good and bad feelings that come when being back home. Inspired by "How To With John Wilson".
Bryan Konietzko and Michael Dante DiMartino, co-creators of the hit television series, Avatar: The Last Airbender, reflect on the creation of the masterful series.
Kristina, a self-named Hungarian female lion tamer, arrives in New York to become a dance choreographer. Kristina, now a middle-class NYC artist concerned about the environment, has a sailor lover named Raoul. The film, a collage work, an essay film, a fictional narrative and a documentary all rolled into one, is one of the most important independent American feminists films made during the 1970's.
Follows the young people of Selma, Alabama's RATCo (Random Acts of Theatre Company) as they journey to New York City to share their story of hope, resilience, and overcoming.
World-renowned snowboarders Travis Rice and Elias Elhardt team up with legendary director Curt Morgan for a celebration of space and time filmed in the deep backcountry of Alaska, exclusively on location at Tordrillo Mountain Lodge.
"Smoke Signals" follows the volunteers at High Point Lookout, one of the last remaining fire lookout towers in California. Alternating between the daily duties of the fire lookouts, and a series of profiles on wildfires that have traced their history, "Smoke Signals" questions the role of the fire lookouts in the face of rapidly advancing technology and climate change.
On the 23rd of June 2016 Britain voted to leave the European Union. Who Are We? is a re-working of material from a BBC television debate transmitted a few weeks earlier.”The most provocative of the bunch is John Smith’s Who Are We?. Leading up to the Brexit vote, BBC’s Question Time became ever more vicious and confrontational. Who Are We? is a manipulation of one of those broadcasts, with David Dimbleby prompting “you, sir, up there on the far right” repeatedly.“Get our identity back – vote leave!” one audience member shouts, while another declares himself a veteran, followed by a swift manipulated cut to rapturous applause. It’s a heavily edited and remixed edition of Question Time, but by highlighting those in the audience with attitudes ranging from nationalistic to xenophobic, Smith’s short film shows the now normalised extremism within our society and our political discourse.” Scott Wilson, Common Space magazine, April 2017
Comedic behind-the-scenes film for the production of Mary and Max, originally released as webisodes.
Two Canadians, one Liberal and one Conservative, attend a U.S. convention focused on depolarizing politics, determined to engage in tough conversations for a healthier democracy.
A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.
Eleven-year-old New York City public school kids journey into the world of ballroom dancing and reveal pieces of themselves and their world along the way. Told from their candid, sometimes humorous perspectives, these kids are transformed, from reluctant participants to determined competitors, from typical urban kids to "ladies and gentlemen," on their way to try to compete in the final citywide competition.
In Prince Edward Island, Josée Gallant-Gordon is reinventing mental health care through her bilingual equine therapy centre, proving that with ideas, one person can transform their community.
Herself
