How were the giant stone heads of Rapa Nui – also known as Easter Island – carved and raised, and why? Since Europeans arrived on this remote Pacific island over 300 years ago, controversy has swirled around the iconic ancient statues and the history of the people who created them. Now, a new generation of researchers is overturning old theories, revealing the rich history, innovation, and resilience of the Rapanui people, and uncovering intriguing new evidence about where they – and their practice of monumental stone building – came from.
The contrast between the majestic statues of Easter Island and the desolation of their surroundings is stark. For decades Easter Island, or Rapa Nui as the islanders call it, has been seen as a warning from history for the planet as a whole - willfully expend natural resources and the collapse of civilization is inevitable.
This is a tiny island, lost in the middle of the Pacific Ocean. But it stirs up passions: the Easter Island. Because it owns one of the most precious treasures of humanity: the famous stone statues called moai. Who was this Rapa Nui people who created such a masterpiece? Where did these men and women come from? How did they disappear ?
A simple, carved figure bought at an auction in New York leads David Attenborough on a global journey from Russia to Australia, from England back to the Pacific. On the way he delves into a history of the stunning stones on Easter Island.
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Easter Island has long been the subject of curiosity and speculation. A triangle of volcanic rock in the South Pacific, Easter Island is over 2000 miles away from the nearest population center, making it one of the most isolated spots on Earth. It is best known for the giant stone statues, known as the Moai, that dot the coastline.
Inter-tribal rivalry leads to a competition to erect a huge Maoi statue in record time before Make can take part in the race to retrieve the egg of a Sooty Tern. The reward for winning this race is to rule the island for one year.
Summoned into life by a god-like deity, two Easter Island statues engage in a fierce battle in outer space.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.
Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Louis Ortiz, a down on his luck 40-something Puerto Rican resident of the Bronx, looks in the mirror one day and believes he’s found gold—he’s a dead ringer for Barack Obama. With visions of finally living the American Dream, the charismatic Ortiz launches a complete makeover. He dons Obama’s trademark suit, adopts his mannerisms, mimics his voice and steps out onto the street as a presidential impersonator. Taken on by a casting agent, Ortiz and a gang of other political impersonators, including a Bill Clinton and a Mitt Romney, hit the road during the run-up to the 2012 presidential election to perform satirical debates for mostly Republican conventions, throwing Ortiz into conflict with his personal political beliefs. As Ortiz struggles to make ends meet, the distance between the White House and the Bronx becomes increasingly acute. The life of a president isn’t always as easy as it looks.
Successful British band Japan filmed live in concert at the Hammersmith Odeon, London on 16th November 1982.
The film explores the journeys and philosophies of a select group of experimental musicians including Keith Rowe, Evan Parker, Eddie Prevost, Otomo Yoshihide, Toshimaru Nakamura and Christian Fennesz.
20 minute music documentary shot in two days of November 1984 in, and around the outskirts of, Tokyo, Japan. A large part of the music was completed during that same month and recorded over a period of three days.
The duo caught on film during their Road To Graceland '93 tour.
A new "groundbreaking" broadcast television special/home video that educates homeowners, business owners and educators on earthquake hazards unique to the Cascadia region and how to effectively prepare for and survive them.
Self
Self (archival footage)
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