You're the only one who deserves to stay
David Bain is accused of killing his family in Dunedin, New Zealand.
Trailer
David Bain / Blake Adams
Officer Dempsey
Officer Turnhout
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
A contemporary story of love, rejection, and triumph as a young Maori girl fights to fulfill a destiny her grandfather refuses to recognize.
War journalist Paul Prior returns to his New Zealand hometown after his father’s death, rekindling strained relationships with his brother and memories of a troubled past. He befriends Celia, a curious and aspiring writer, who shares a fascination with his world. When Celia mysteriously disappears, Paul becomes the prime suspect, forcing him to confront buried secrets and uncover the dark truths of his family and community.
A baby is washed up on a Pacific Island and is adopted by a childless woman. The tribal priest takes an instant dislike to the child, proclaiming him a demon. The child is deaf and mute and therefore excluded from hunting with the other young men. Out of loneliness, he befriends a white turtle. When a drought befalls the island, the priest blames the silent one. When the chief protects the boy, the priest plots the chiefs' downfall.
A trio of accidental outlaws travel the length of New Zealand, protesting conformity and chasing lost love, with a posse of cops and a media frenzy in pursuit.
Ordinary people find extraordinary courage in the face of madness. On 13–14 November 1990 that madness came to Aramoana, a small New Zealand seaside town, in the form of a lone gunman with a high-powered semi-automatic rifle. As he stalked his victims the terrified and confused residents were trapped for 24 hours while a handful of under-resourced and under-armed local policemen risked their lives trying to find him and save the survivors. Based on true events.
The life story of New Zealander Burt Munro, who spent years building a 1920 Indian motorcycle—a bike which helped him set the land-speed world record at Utah's Bonneville Salt Flats in 1967.
Constance is a bored, movie-loving schoolteacher in post-WW2 New Zealand who begins to fantasize that she's a Hollywood star - with tragic consequences.
In a sweeping tale that spans 1000 years and multiple generations – from the distant past to the 19th century, the present day and a strange, dystopian future – this landmark collection traces the collective histories of Indigenous peoples across Australia, New Zealand and the South Pacific. Diverse in perspective, content and form, traversing the terrain of grief, love and dispossession, they each bear witness to these cultures’ ongoing struggles against patriarchy, colonialism and racism.
This short follows Joe Warbrick (Calvin Tuteao), captain of the New Zealand Natives rugby team, as he tries to rouse his battle-weary players to head unto the breach once more, for a test against England. It’s midwinter during the trailblazing 1888-89 tour (17 months and a staggering 107 matches) that left a black jersey and silver fern legacy. In a changing room that resembles a casualty ward, Warbrick draws breath and leads a stirring haka. Made by brothers Pere and Meihana Durie, Warbrick inspired the All Blacks the day before a 33-6 demolition of Australia in 2009.
The Pa Boys is an energetic, uplifting road movie capturing the best of New Zealand's culture, beauty, talent and music, whilst exploring themes of identity, friendship and discovering your roots.
When a young fakaleiti falls in love at St Valentine’s Highschool, she must navigate her way through a world of intolerance and bigotry to find happiness - in an unexpected place.
The father of a deeply troubled household that endured tragedy both from without and within, seeks to reconcile with his youngest daughter by making a journey to both symbolically and culturally lay the family "ghosts" to rest.
The film told the Māori legend of Hinemoa and Tutanekai. It is the first dramatic feature film produced in New Zealand.
Munkie follows a vengeful daughter whose violent plan of revenge against her domineering "tiger parents" spins out of control.
Based on the autobiographical work of New Zealand writer Janet Frame, this production depicts the author at various stage of her life. Afflicted with mental and emotional issues, Frame grows up in an impoverished family and experiences numerous tragedies while still in her youth, including the deaths of two of her siblings. Portrayed as an adult by Kerry Fox, Frame finds acclaim for her writing while still in a mental institution, and her success helps her move on with her life.
Gallipoli from Above: The Untold Story is the true story of how a team of Australian officers used aerial intelligence, emerging technology and innovative tactics to plan the landing at Anzac Cove. It is now nearly 100 years since the landing and hundreds of books, movies and documentaries have failed to grasp the significance of the ANZAC achievement. Instead, the mythology has clouded the real story of how these two influential Australian officers took control of the landing using every innovation they could muster to safely land their men on Z beach.
A drama about a Maori family living in Auckland, New Zealand. Lee Tamahori tells the story of Beth Heke’s strong will to keep her family together during times of unemployment and abuse from her violent and alcoholic husband.
Set in 1965, a true story of one man’s struggle to bring rock music to a nation, an iconic New Zealand story with a universal ‘David and Goliath’ theme. The youth will find it incredible this actually happened and existed as part of New Zealand society in the 1960′s. It’s a titanic struggle for freedom and ‘the choice to choose’.
This 1981 NFU film is a tour of the contemporary world of Aotearoa’s tangata whenua. It won headlines over claims that its portrayal of Māori had been sanitised for overseas viewers. Debate and a recut ensued. Writer Witi Ihimaera felt that mentions of contentious issues (Bastion Point, the land march) in his original script were ignored or elided in the final film, and withdrew from the project. He later told journalists that the controversy showed that educated members of minority groups were no longer prepared to let the majority interpret the minority view.
