Horror transcends language.
Six sequences about Fascism and its segments throughout history.
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Self (archive footage)
The Golem (archive footage)
The story of Jewish counterfeiter Salomon Sorowitsch, who was coerced into assisting the Nazi operation of the Sachsenhausen concentration camp during World War II.
In 1941, the inhabitants of a small Jewish village in Central Europe organize a fake deportation train so that they can escape the Nazis and flee to Palestine.
A one minute short film showcasing the sights, sounds, and people that characterizes Singapore's nightlife.
An experimental film revolving around how an artist perceives a man and a woman.
The true, harrowing story of a young Jewish girl who, with her family and their friends, is forced into hiding in an attic in Nazi-occupied Amsterdam.
The story of the only three minutes of footage —a home movie shot by David Kurtz in 1938— showing images of the Jewish inhabitants of Nasielsk (Poland) before the beginning of the Shoah.
The commandant of Auschwitz, Rudolf Höss, and his wife Hedwig, strive to build a dream life for their family in a house and garden next to the camp.
Helke Sander interviews multiple German women who were raped in Berlin by Soviet soldiers in May 1945. Most women never spoke of their experience to anyone, due largely to the shame attached to rape in German culture at that time.
This Emmy Award-winning documentary traces the rise of Nazism in general and the career of Adolf Eichmann in particular by documenting the small incremental steps the Nazis took to introduce their ideology of anti-semitism in Germany and Nazi-occupied Europe during World War II.
An experimental half-documentary half-fiction about a young person’s routine of getting to sleep and waking up.
Birth growing and gathering of a family which is not even an average one
Born from steel and glass Kino Kopf is created by two inventors. They are assembled by their mother, a nurturing artist, and their Father a greedy entrepreneur. Kino Kopf is the first of its kind a sentient humanoid VHS camera. They are given a life by their mother but presented to the world by their father. Kino Kopf is the next big sensation and spurs a technological revolution. They are soon forgotten and alone as new models surpass them. Kino Kopf is left alone to contemplate if they ever had a soul, as visions of an electric cowboy dance through their dreams.
A bodybuilding fever dream fueled by childhood trauma, food porn and acid techno music.
A psychoanalyst helps a patient to achieve his ambitions.
In a country house a patriarch lords over his community made up of a tired woman and a boy in the midst of an economic-adolescent crisis. The guest of the facility is Dr. Girarda, a chemist extradited from Poland.
Fictional account of what might have happened if Hitler had won the war. It is now the 1960s and Germany's war crimes have so far been kept a secret. Hitler wants to talk peace with the US president. An American journalist and a German homicide cop stumble into a plot to destroy all evidence of the genocide.
A 16mm experimental film that analogizes the discourse of racialized criminality and the carceral apparatus, which surveils and delimits the movements of Black people’s bodies, with the conventions and mechanics of the cinematic apparatus which regulates and standardizes the movement of the filmstrip through the motion picture camera and projector. Equal parts essay and visual art, Speaking in Tongues embodies the cinematic Black ecstatic that simultaneously re-envisions resistance defiance in the face of anti-Black state violence and subverts the conventions of cinematic realism through a manually and optically altered collage of original documentary and archival film sourced from Hollywood movies, television commercials, educational films, cartoons, European art cinema and miscellaneous ephemera.
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
Here is an actor, one who has been asked to dwell in the perilous gap between text and image. In the voids where traces of the past have been erased by an unknown error, she begins to assemble her own script.
