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Don't Bring A Dog shows a part of the New York underground music scene - rooted in the early eighties - existing apart from MTV and billboard charts. Music, interviews, sounds and pictures of the city blend into a collage. Don't Bring A Dog works like a time capsule of people and music in NY at a particular moment
In the dilapidated industrial buildings in Upper Ladadika or in the wider area of Valaoritou in Thessaloniki, bands and creators flourished for over four decades. Rooftops, music studios and rehearsal halls with the decibels turned up created the space and time for a continuous explosion of cultural action, personal and collective expression. Through the eyes of the musicians and individuals who continue to shape the city's underground music scene, we see how all this creative expression is increasingly threatened by the ongoing process of displacement due to gentrification. We discuss Thessaloniki, music, the future and the resistance that can be born.
From the first camera to 45 billion cameras worldwide today, the visual sociologist filmmakers widen their lens to expose both humanity's unique obsession with the camera's image and the social consequences that lay ahead.
The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.
Jyire holds a motocross race in his hometown, where he must adhere to the park’s restrictions and drown out the public’s concern.
Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.
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One man, one camera, one goal...to capture the essence of adventure. An experimental, often abstract new type of filmmaking process creating color rich visuals combined with a lush soundtrack that grounds the project. A unique cinematic experience.
DFW Punk, covering the Dallas/Ft. Worth punk/new wave scene. If you thought Texas in the late ’70s was all about urban cowboys, country tunes and bible-thumping, get ready to be proved dead wrong. 2007, MiniDV.
On the edge of the 30th anniversary of punk rock, Punk's Not Dead takes you into the sweaty underground clubs, backyard parties, recording studios, shopping malls and stadiums where punk rock music and culture continue to thrive.
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
Marc with a C is the stage name of Orlando indie/DIY singer-songwriter Marc Sirdoreus and was formally a persona enacted on stage for over 20 years. This documentary covers their career using only filmed stage performances, interviews, and other video and audio releases published online by Marc or their audience. Made from a myriad of videos with view counts ranging from 15 to 30k, it chronicles their attempts to use music and lyrics to connect to and understand others, as well as their relationship to attention and performance as social media swallows up small artists to turn art into content.
From the immutable protocol of the Empire of Japan during Masako's wedding with Emperor Naruhito, to the marriage of Prince Harry and American actress Meghan Markle, very much anchored in the 21st century, Stéphane Bern reveals behind the scenes of princely weddings. With rare images and thanks to the greatest specialists of crowned heads, it tells the splendor of these timeless weddings, from exceptional wedding dresses to prestigious guests, from the preparations for these unique festivities to the day of the ceremony scrutinized by the cameras of the whole world.
Shadows of Light combines the loud and soft tones of life. The centerpiece is an Austrian mountain pasture where the summer solstice is celebrated with international artists and where tradition and zeitgeist are not contradictory.
A documentary feature film which aims to expand the usually one-sided conversation between students and teachers. During its runtime, raw experiences heard from all sides of the conversation are laid bare during its 77 minute runtime. From all of these interviewees, including a student, a school psychiatrist, and five teachers, the viewer shouldn't expect to be confronted with a narrow perspective but rather a question: "where do I stand?"
Containing never-before-seen footage spanning 20 years, this monumental documentary tells the definitive story of the rise and fall of Chinese freestyle battle rap.
Pata Seca (1828), a man whose back bore the whip marks of his enslavers , whose eyes held the haunted memory of being forced to breed over 200 slave children in order to sustain his master’s plantation. Men broken but unbowed, transformed from field hands into soldiers from the civil war to Vietnam. This documentary weaves together authentic narratives from the 1800s, accompanied by original images and footage, highlighting the significant influence that Black men in uniform had in Hollywood and addressing ongoing relevant issues to date.
A visual documentary of Einstürzende Neubauten, the German underground band, by Japanese cult director Sogo Ishii, made during their 1985 tour of Japan. The band makes an elaborate and remarkably choreographed appearance in the ruins of an old ironworks which was scheduled for demolition; footage of same was incorporated into the movie and a brief appearance on stage.
A documentary filmed between 2016 - 2018 about the Boston DIY music scene, and part of the community that keeps it going.
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