A girl reads during a bus ride
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Unconventional portrayal of mining in the Swedish Lapland ore fields, a powerful image and sound symphony that can be experienced both as a documentary and symbolic work.
An experimental study of nature through three stories and how we have destroyed it.
A short film on Chris Marker
A short documentary that begins with an experience of Uriel, a young trans man, and then draws an analogy with a part of human identity tied to the name we are given at birth.
An audio-visual experience through the perspective of an iPhone depicting a harmonious city during the day quickly descend into technological madness as night falls.
Filmed during Jonas Mekas’s visit to Assisi in 1967, this short documents his time in the city known for its spiritual associations. The footage was later incorporated into his 2003 compilation film Travel Songs (1967–1981).
Filmed during Jonas Mekas’s travels in 1981, this short captures scenes from Stockholm. The footage was later included in his 2003 compilation film Travel Songs (1967–1981).
Filmed during Jonas Mekas’s travels through Italy in 1967, this short captures scenes from the country’s cities and countryside. The footage was later included in his 2003 compilation film Travel Songs (1967–1981).
A parade highlights the Screen Actors Guild's Film Stars Frolic, hosted by Walter Winchell as Master of Ceremonies.
Jo; or The Act of Riding a Bike is Zefier's third film.
This film is shot to point out the flood of commercial messages in television program, on billboards and megaboards, messages that take over our subconscious mind. We Love Belgrade is a log-line that justifies huge investments. This shining out of advertisement messages is just a curtain that hides carelessness towards the environment and human lives. The whole Belgrade became a commercial to sell itself, by constantly sending ads to its citizens. Could a commercial have any influence on a young mother of two whose only source of money comes from trash cans?
Revolutionary French New Wave director Jean-Luc Godard conducts a twenty-five minute interview with influential and acclaimed American director Woody Allen on the cultural radiation, the ubiquity and significance of Television, and how Television compares with cinema as a medium and form of expression.
A behind-the-scenes look at the creation of Walt Disney Animation Studios' MOANA, as aided by the Oceanic Story Trust.
Outtakes, commentary from Zefier's third film: Jo; or The Act of Riding a Bike.
Javier Lopez is an actor. Like so many others. Like nobody else.
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The main committee is of the opinion that the rating "especially valuable" can be retained. The style of the film is appropriate to the subject of "Visiting Busch" in its concentrated limitation to the authentic living environment. The individual visual motifs are composed with great care. On the one hand, the small world appears endearingly portrayed, on the other hand, the film's allusions to the background of the Wilhelm Busch phenomenon are convincing. Above all, the Committee would like to uphold the rating because the film, made in 1961, sought out the people who still knew Busch and bear witness to them in the film in an impressively simple and not exaggerated manner.
Les Indes Galantes (The amorous indies), is an opera-ballet created by Jean Philippe Rameau in 1735. He was inspired for one of the dance by tribal Indian dances of Louisiana performed by Metchigaema chiefs, in Paris in 1723. Clément Cogitore adapts a short part of the ballet by mobilizing a group of Krump dancers, an art form born in Los Angeles black ghetto in the 1990s. Its birth occurred in the aftermath of the beating up of Rodney King and the riots, as well as police repression it triggered. Amidst this coercive atmosphere, young dancers started to embody the violent tensions of the physical, social and political body. Both the tribal dance performed in Paris in 1723, and the rebelious Krump dancers of the 1990s shape a reenactment of Rameau’s original libretto, staging young people dancing on the verge of a volcano.
Featuring ten-time world surfing champion Kelly Slater, The Ultimate Wave follows a quest to find the perfect wave-riding experience. Filmed in Tahiti and among the islands of French Polynesia, the film showcases dramatic giant screen surfing action in a unique Pacific paradise.
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