No overview available.
Christine is isolated at home with her newborn baby. New in the role as a mom, Christine feels the guilt from society of not connecting with her child. Only herself to blame, along with the fact that the baby doesn't like her.
The hero of the film Scrubs – a war veteran who works in a school for troubled teens. On the day of release from the special school his favorite pupil Viktor waited in vain for his mother – she did not come for her son, and went out to meet the swimming man, Vitya's stepfather. Then the teacher took home Vitya – Aleksey Ivanovich. But when Viktor saw the house merry company, his resentment prevailed, and the stubborn kid runs away from the bush, and the caretaker does not do anything but go in search of the fugitive
A melancholy, dreamy voyage back to cruel adolescence, which condemns us to live without the possibility of return.
Rae Ripple, a welder from the outskirts of West Texas transforms neglected metal into works of art and in the process finds healing from her traumatic past.
Lettre à un amant is the final chapter of Paradis’ video trilogy. It deals with a couple's break-up. It is both a letter and a reflection, and it concerns giving of one's self, sharing and exchanging. It is also a response to the other person's flight, the absence, the void. The images attempt to replace the fear and silence. A need sublimated in the exacerbation of pleasure conveyed by images and sounds, Lettre à un amant is a masterful conclusion to the series. At the same time, it poses several questions about the dichotomous love-image paradox present in love. This work also refers to an earlier work by Marc Paradis, La Cage, because of its erotic homosexual content and its many electronic applications. Richard Anger's original score was composed to emphasize the dramatic aspect while several processes proper to the video medium serve to peg the images in an aesthetic approach.
After a harsh break up, Renato and Sofia meet one last time to discuss what went wrong in their relationship.
Zhang Ziyi plays the youngest of three generations of women who leads lives in Shanghai. Joan Chen plays the great-grandmother, grandmother, and mother. The film recounts this family, the mistakes they make, and a cycle that the granddaughter breaks out of.
Zoë is a single mother who lives with her four children in Dartford. She is poor and can't afford to buy food. One day her old flame drives by and asks her to go on a date with him. Scared that he doesn't want to go out with her, she lies and tells him that she is just babysitting the kids. This will be her first date in years.
Filip tries to reconcile himself with his new life after his long-term boyfriend broke up with him.
A star athlete has to come to terms with her debilitating grief to regain her confidence and finish her race.
An old widower, Jasper, routinely makes coffee in two mugs and picks up trash around his community. Some of his more interesting finds speckle his home. His neighbors mostly disregard him. On one of his regular hunts, he chances upon an envelope. To his surprise, he finds old wedding photos and presumes the addressee, Angie, to be the bride. Determined to complete the delivery, Jasper follows a map to the address. When he finally arrives, his excitement is upended when Angie, now divorced, rebuffs him and the photos. He leaves her with an open invitation to his home, should she change her mind. The next morning, Jasper starts his routine-only to find Angie at his door. After a heart-to-heart on loss and new life, Jasper invites Angie to pick up trash with him. Together, they go.
Glória manages to get a divorce and moves away, taking her daughters and the desire to start over. As she tries to turn the new house into a home and her body into a place of belonging, she faces, on the factory floor, a delicate competition for a supervisor position between colleagues and her best friend. Courage takes shape as anguish seeps into the flesh.
It's 1975, and Martin is a teenager looking to break out of a stifling home environment ruled by his alcoholic father and long-suffering mother. When Martin's pal Micke suggests they get jobs together as waiters at a resort off the Swedish coast, Martin is all for it, but before long Micke finds better things to do and Martin is left on his own. The presence of pretty fellow server Jenny is a major consolation, but to his surprise, guileless Martin is soon chosen as the protégé of Gösta, the resort's short-tempered manager. Gösta clearly likes Martin and makes him his right hand man, which gives Martin a crash course in the seedy side of life when he discovers Gösta has a number of other business interests, not all of which are legal or ethical.
A few days in the life of a Czechoslovak teenager when he starts work.
Exploring the beauty and complexity of the human mind, a girl reflects her emotionals ups, downs and internal struggles that she often hides behind a smile.
The story of a delinquent eleven-year-old orphan in authoritarian Argentina.
No Trailers found.
Sofìa
Mamá
Perro
Tomas (en el teléfono)