Conquista Central Station - The 7 days of creation

May 1, 2002

0h 17m

★ 0.0

Registro exclusivo das filmagens de Central do Brasil em Vitória da Conquista em 1997

Overview

Exclusive record of the filming of Central do Brasil in Vitória da Conquista in 1997. The ProVídeo Uesb team had access to the backstage, testimonies from the team, actors and director Walter Sales, keeping unique moments from one of the most emblematic films of what came to be known as Cinema da Retomada. A project carefully thought out by cultural producer Jorge Melquisedeque, the video ended up not being produced by him - who would die in 2001. All the raw tapes were rescued in 2002 and edited with the script by Marcelo Lopes (based on Jorge's chronicles about the period) and directed by Esmon Primo for the tribute program to the 10 years of the Indiscreet Window Cine Vídeo Uesb Program.

Genres

Documentary

Production Companies

Provideo Uesb

Conquista Central Station - The 7 days of creation Trailers

No Trailers found.

Cast

Self

Fernanda Montenegro

Self

Walter Salles

Self

Matheus Nachtergaele

Self

Walter Carvalho

Self

Vinícius de Oliveira

Self

Caio Junqueira

A New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep the Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.

6.0

Filmmakers of Our Time: François Truffaut or the Critical Spirit

Dec 2, 1965

No overview available.

0.0

Ingmar Bergman: The Magic Lantern

May 24, 1988

The first of two documentaries about Ingmar Bergman produced to mark his 70th birthday. Includes behind the scenes "home movies" from Bergman's personal archive, interviews with Bergman recorded over his 40 years in the film industry and passages from his autobiography read by Max von Sydow and Bergman himself.

No Image Available

6.0

Icons

Jan 1, 1966

A film about Slovak icons painted in the period of the late 15th to the early 19th centuries, when original Byzantine icon was ending in Slovak folk art.

No Image Available

6.0

Keeping a Distance

Jan 1, 1966

Documentary illustrating the classic principles of Byzantine iconography on the examples of sixteen icons from a museum of ancient Greek art.

7.1

Nanook of the North

Jun 11, 1922

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

6.9

Olympia Part One: Festival of the Nations

Apr 21, 1938

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.

6.7

Olympia Part Two: Festival of Beauty

Jun 2, 1938

Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.

6.7

Workers Leaving the Lumière Factory

Mar 22, 1895

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

0.0

We're in Business Too!

Jan 1, 1964

Sets out to persuade businesspeople of the advantages of going from city to city by train. How it gives them time to relax, work or sleep in comfort.

Conquista Central Station - The 7 days of creation

Overview

Genres

Production Companies

Conquista Central Station - The 7 days of creation Trailers