A girl is faced with the feeling of losing someone she once loved and the need for this person to try to make amends for the mess that remains after severing a bond.
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"All sounds travel in waves much the same as ripples in water." Educational film produced by Bray Studios New York, which was the dominant animation studio based in the United States in the years surrounding World War I.
A lone passenger is reflected in the windows of a train crawling through layers of textures towards Minsk. During his absence, the city has not changed: all the streets are frozen, long-gone voices can be heard in the empty rooms and around the corner you can find yourself in a video game from your childhood.
Suppressed memories reach a boiling point. An animated tale of longing. “The Experimental section saw Non Films’ Dull Hope scoop the premier place as category winner. Half animation and half movie footage, this hybrid resonated very much with the judging panel who deemed it to be a sad dirge on personal memories and heartbreak.” – The Guardian Directed & Animated by Brian Ratigan Music & Sound Design by Nick Punch (R.I.P.) Produced by Non Films
In EIN TRAUM DER LIEBENDEN [A DREAM OF LOVERS], Monk meanders through a maze of Minoan bull-leaping, satyrs and revelatory rainbows.
A police officer has a fever dream after having too much sugar.
A parlor full of bon vivants pass around an enchanted pair of spectacles that “reveal the personality and pleasures of the one who wears them.”
Len Lye usually timed his films with great care to match their soundtracks, but for All Souls Carnival, he and composer Henry Brant worked separately, preferring to see if the score and visual track would synchronise by chance. Lye also experimented with a new Direct Film technique, drenching the filmstrip in colourful paint and marker pen.
This visual poetry is a celebration of the full spectrum of womanhood, from the complex vulnerability to the hidden power.
The enduring romance of the lines. A visual exploration of Dave Brubeck's jazz classic "Take Five".
Utilizing super 8mm and an economical shooting method of quick, short shots building idiosyncratic rhythms via rapid editing techniques, time, nature, and even the body folds in on itself. Everybody Dies (2020) is a poetic journey into the desert. It’s a reflection on the nature of death as something not to be feared, but embraced as a part of a personal and universal human experience. Super 8mm.
In a nightmarish world, dominated by the decline and degradation of Man , Christ resurrected wandering, across three different eras of human history.
Beckett created a significant number of animation loops which display his playfulness and also evidence his process as many are variations of ideas and images that he used in his animations. Thirty-one loops are included, selected to show the variety of approaches as well as his intriguing results. - Pamela Turner
Short experimental video art by Barbara Sykes.
A film inspired by a visual representation of trauma and the journey towards healing. It delves into the symbolic language of the cosmos and the natural world to express the complex emotions associated with trauma.
The film explores girlhood, the positives, the negatives and how that binds us together as women. A feminist film which will give an insight of how precious it is to be a woman and how we build safe environments within our female friendships which allow us to explore our femininity.
The film is based on a Canadian NRI Punjabi, who goes far away from his religion. Due to his busy work schedule he fails to give time to his family and teach his child about his culture and Sikh religion. He comes to Fatehgarh Sahib in Punjab along with his family to reconnect with his ancestral roots, culture, tradition. His grandmother tells about the entire history of martyrdom of Chote Sahibzadas and Mata Gujri.
3-D is a hand-painted experimental short film by Riley Hogan. Acrylic paint, ink and scratching were used to animate on clear Super 8mm film leader.
Iwasaki’s ink oscillates like an evil lava lamp that might actually be alive and its progression into more and more disturbing images create an impressive sense of dread in a film that is basically just some pencil drawings on a blank background. (Film School Rejects)
One of Rimmer's early 2000s video works which he made by hand-painting 35mm film, running it on a flatbed viewer, and shooting it off the screen with a video camera to then subject it to further manipulation.
An abstract animation. Preserved by the Academy Film Archive, in partnership with the iotaCenter, in 2007.
