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Cinema of Transgression pioneers and participants (Lydia Lunch, Lung Leg, Nick Zedd, etc.) perform a series of acts as they submit to director Richard Kern's camera. Originally created for DTNY acid parties; Submit to Me was eventually edited down to 10 minutes and given an accompanying score.
An adaptation of the play "4.48 Psychosis" written by Sarah Kane. The movie consists of scenes that work as a fragmenteded voyage through the mind of a person on a deeply depressive state. Everything is shown in a raw and experimental manner to bring the feelings and emotions in the most pure form to screen.
After waking up with amnesia on the beach, the protagonist is pursued by the police to face the consequences of an unknown past. This soundscape uses tension as a tool to explore how uncertainty, anguish and urgency mobilize a body that would otherwise remain paralyzed in time.
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ĀTMAN is a visual tour-de-force based on the idea of the subject at the centre of the circle created by camera positions (480 such positions). Shooting frame-by-frame the filmmaker set up an increasingly rapid circular motion. ĀTMAN is an early Buddhist deity often connected with destruction; the Japanese aspect is stressed by the devil mask of Hangan, from the Noh, and by using both Noh music and the general principle of acceleration often associated with Noh drama.
An evil spirit that changes faces infiltrates one family placing one brother in danger while the other tries to save him.
Seeking power, a witch invades and manipulates realities by controlling other versions of herself.
When an unknown alien force threatens a high school, the teachers must team up, to fight back against the invaders, in an attempt to stop an otherworldly parasite from escaping, and taking over the world.
Trapped and alone, a young man must confront the pain he's ignored when he finds himself face-to-face with consequence.
Host Scott Forrest presents a curated compilation of eight independent short films in this rapid-fire science-fiction feature. Genres collide, narratives twist, aesthetics clash, and even humor, both campy and dystopian, showcase the vast creative possibilities of each story's individual world, offering the viewer a brief glimpse into the lives of every character's attempt to survive the otherworldly chaos around them. Released in 2001, the selected shorts span original creation dates of 1997 to 2001; most of the featured filmmakers also appear as themselves in short video interviews to talk about their inspirations, creative process and motivations while working on their individual shorts.
Archaeology students uncover a prehistoric manster… part man, part monster, and all bad attitude with a cheap costume. This film was completed in 1960 but the only theatrical release it received was in the director's hometown. The movie remained unreleased until 1975 when the director used the footage in Curse of Bigfoot.
A washed up actor performs night after night in a grimy theater to a nearly empty audience. However, everything changes when a clueless dog jumps on stage.
A young nurse downloads an app that tells her she only has three days to live. With time ticking away and a mysterious figure haunting her, she must find a way to save her life before time runs out.
Four friends leave Seattle for a weekend in a remote, rain-soaked corner of Washington State's rustic Skagit Valley. The foreboding October landscape begins to warp their minds, plunging each of them into alternate realities where they must grapple with personal demons, sexual tensions, and a sinister natural world as they claw their way back to sanity.
A group of graduate students and scientists uncover an ancient canister in an abandoned church, but when they open it, they inadvertently unleash a strange liquid and an evil force on all of humanity.
A disturbed young embalmer digs the grave of his recently deceased girlfriend and brings her body to his family villa with help from his strange housekeeper. But his bouts of insanity are just beginning.
When Ann, husband George, and son Georgie arrive at their holiday home they are visited by a pair of polite and seemingly pleasant young men. Armed with deceptively sweet smiles and some golf clubs, they proceed to terrorize and torture the tight-knit clan, giving them until the next day to survive.
An American man unwittingly gets involved with werewolves who have developed a serum allowing them to transform at will.
A Dublin lesbian home care worker leaves her pregnant Ukrainian fiancée behind to travel to a remote village and assist an elderly woman suffering from agoraphobia. As their relationship develops, the worker becomes increasingly entangled in the old woman’s paranoia, rituals, and superstitions, ultimately confronting her own traumatic past. Rich with mythical references and folk imagery, this modern reinterpretation of a classic supernatural chiller artfully blends sophistication with horror, delivering a chilling yet elegant experience. The title, presented in Irish and reflective of much of the dialogue, is a shortened version of the original “Fremhacha,” meaning “roots.”
A gang of young thieves flee Paris during the violent aftermath of a political election, only to hole up at an Inn run by neo-Nazis.
