The Spectacular Dancer in five NEW bewildering and sensational dances (#233-237). [This is likely the first of the five from the 1897 Catalogue: Edison and International Photographic Films.]
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A documentary from Recife that follows the story of five friends, transforming memories into an audiovisual time capsule. Created as a graduation project in Design by Carlos Pontes (UFPE), the film unfolds as a collective letter seeking to eternalize not only memories, but also the intensity and restlessness of those who find in art, friendship, and acceptance a way of existing.
A Brazilian performance artist Vanesa Cardoso living in Newfoundland, Canada explores the figures of her Pochinko clown, discovering a desire to expose the comedy of our deepest vulnerabilities - the very ones that make us human. A creative journey through Richard Pochinko's seven masks and six directions, Vanessa reveals her clown while musing on the personal drive and struggles that inspire her art.
There are thousands of comedians in New York City, performing every night, working hard for laughs from the world's toughest audience. What happens to them when the city that never sleeps grinds to a halt? When the comedy clubs close and no one is laughing? "Back At It" is a chronicle of the tumultuous summer of 2020 in New York, through the eyes of a diverse group of comedians who hustle to keep their comedy alive and to stand out from the throng. It follows them as they take to the streets, rooftops, and parks to entertain a city ravaged by the Covid-19 pandemic. It asks how the art of standup changes when the traditional systems and established hierarchy no longer exist? Who will evolve and raise their voice?
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A group of young men waltz in pairs, balancing with a glass between their foreheads. In this captivating setting, director Albert Rask crafts a new code of conduct - an allegory reflecting the experience of growing up. A playful yet poignant exploration that reframes the burdens of responsibility, expectations and the rules of adulthood.
Vocation is a documentary on artists who knew from a very early age they wanted to be an artist. A decision that for them was instinctual and some may even say it is 'a calling' based on faith and perhaps even fate alone. Artists Andy Jones, Deepa Mehta, Marie Brassard, Christopher Pratt, Brad Peyton and Bif Naked are committed to creating work in theatre, literature, music, film and performance based on an innate desire to succeed while working in the precarious profession of art.
This concert film documents the debut Sydney solo shows of English singer, songwriter and multi-instrumentalist Thom Yorke, one of the most acclaimed musicians of his generation. Filmed against the iconic backdrop of the Sydney Opera House across two nights on the Forecourt in November 2024, this film covers all aspects of Yorke's career as a recording artist and Radiohead frontman, offering fans an intimate peek behind the curtain as he ties the many eclectic strands of his career together with his show-stopping falsetto and magnetic stage presence.
From the shadows of a Guatemalan neighbourhood scared into silence, two sisters lead a luminous rebellion—unleashing joy, art, and radical truth in a fight for survival.
"Miss Bixe Ultraviolência Queer," a short film approved under the Paulo Gustavo Federal Law, which aims to portray the transformation of a university party in the city of Ilha Solteira into a vibrant and revolutionary LGBT event. The project seeks to explore how the party became an essential gathering point for the local queer community, highlighting not only individual experiences but also the power of collectivity and art in building a space of resistance and celebration. The idea is to show how the transformation of this university party into a queer event is much more than a simple shift in audience; it is a reflection of the struggle for visibility, respect, and the freedom to be who you are, in an environment where art becomes a form of resistance and empowerment. The short film not only documents a story but also celebrates the existence and courage of people who, by coming together in a space like this, challenge norms and create new possibilities of belonging.
Canvas becomes a dynamic actor over the course of a 50 minute journey. The paths, far from being a simple cycling route, become brushes that paint the canvas against the terrain, carried along by stone, dirt, and mud paths or bathed in sunlight and rain.
Where do I go from here is a performance arthouse-style film exploring the nostalgia of the concept of home in terms of home as a feeling rather than the architectural structure. Inspired by multiple factors resonating the concept of home, including diaspora, belonging and longing, the artist questions the idea of home through and through, along with the constant search for the idea of "home".
In this dance film, choreographer Krisztina de Châtel returns to Hungary, her country of birth, together with her dancers and memories. In Budapest, bridges, squares, streets, and courtyards bring the hectic energy of the city to life. The dancers resist the pace of the metropolis with powerful, physical movements. In search of peace, the group moves to the countryside, where they are confronted with another, equally compelling force: the earth itself. The journey culminates in stomping, earthy movements in which control, resistance, and endurance are central. Stalen Neuzen is the result of an intensive collaboration between choreographer Krisztina de Châtel, director Erik van Zuylen, and designer Conrad van de Ven. The film shows De Châtel's work in a distinctly cinematic context and forms a poignant portrait in which the will to control and physical discipline becomes visible and tangible.
This documentary deals with the great injustice and pain caused by anti-personnel mines and demands the urgent need for all the countries involved to sign the demining protocols. The short begins with a 24-hour isolation carried out by the author in a hole/crater in the middle of the desert to empathy with the Saharawi people, from there progressively through their commitment and coexisting for getting close to the reality of the victims of antipersonnel mines and their everyday live. Denunciations and wishes of this people who have suffered a hard exile are verbalized. In parallel, the author is interviewing, listening, sharing and designing an ingenuity that he is building to exploit the mines. The melphas (costume of the Sahrawi woman) make up the sail that moves the wheels that trace with phosphate powder the path with the word FREE and end up exploiting the mine, to show the inhuman damage it cause. A call for peoples to sign demining protocols urgently.
Behind every electrifying performance lies a story of sacrifice and passion. Before the Spotlight journeys behind the scenes of the dynamic Dauntless Movement Crew, diving into the lives of three of its standout members, Sienna, Chris and Manu. In a tough industry defined by fierce competition, fleeting opportunities and constant audition cycles, these performers are faced with uncertainty. To challenge them further, the risk of financial instability is significant in a high demanding economy. Yet, their passion grows stronger, fuelled by the support from the community. But what makes the risk worth it?
Something is staring at me from the corners of my house.
Stage hand Harold falls in love with the leading lady of a visiting theatrical troupe.
Unfurl is a minimalist short film composed of six contemplative shots featuring different colored plastic bags placed before a dual-camera setup, presented in split-screen from two contrasting angles. Each sequence begins with Devereaux's hand compressing a bag, then releasing it — allowing the material to slowly expand. The initial release is rapid, but the motion soon settles into a meditative, near-slow-motion unfurling, drawing attention to the subtle behavior of shape, light, and texture. Inspired by a live performance Devereaux witnessed of avant-garde composer Takehisa Kosugi — specifically his act of wrapping a microphone in paper during a performance at the Getty Center's Rajikaru! conference — the film channels a similar spirit of experimental material interaction, silence, and focused perception. Unfurl invites viewers to observe slowness and transformation as a form of quiet performance.
A rising musical theatre star struggles with his changing voice during his gender transition. With the help of a singing coach, he learns to trust himself, reclaim his career, and reconnect with the people he loves.
