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Márcio
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A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.
Filmmaker Herbert Alfonso and musician Glenn de Randamie travel to Ghana to do some research on polyrhythm and the West-African spirituality. However, their trip to The Motherland makes them realize that home is more than the place where they grew up. Years later, they recollect their faded memories and try to find the right words to describe their intense experience. What exactly made them feel at home and lost at the same time? What does being home actually mean for a black individual from Europe while visiting Africa? Only abstractions seem to persevere as this colourful and musically-charged collage serves to show how a life-changing experience can leave us with nothing but fragments of a truth that has yet to be discovered.
The world knows the image of the good Canadian. But what if there was a dark secret behind a national identity? THE GOOD CANADIAN exposes the truth behind the idea of a True North strong and free. In this unflinching and eye-opening documentary, directors Leena Minifie and David Paperny move us through the corridors of systemic inequity, from the Indian Act to residential schools, to modern-day family separation. Fusing shocking footage with detailed interviews with experts, advocates, whistleblowers and politicians, THE GOOD CANADIAN challenges national myth-making, while offering Canadians the chance to forge a new identity from the truth.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Recalling his childhood and relationship with his mother, a film student tries to understand the origin of his love for cinema and tragedies.
A record of what entertains the residents of Gardênia Azul, a neighborhood in the West Zone of Rio de Janeiro. On street corners, leisure activities in the community also reveal talents.
A young filmmaker maintains an epistolary conversation with his deceased grandmother while he rediscovers the space they both inhabited for more than a decade.
Filmed during lockdown 2020, ‘de Luz/Of Light’ explores fleeting perceptions and cyclic rituals of Portuguese coastal landscapes, specifically surrounding the Cabo Sardão Lighthouse in Beja, and constructs a complex audio-visual narrative through collaging together various natural rhythms (such as the sun and motion of the sea). This film is intended for screening with a 16:27 aspect ratio. The soundtrack was composed by sound artist Michelle Lewis-King.
We observe the daily routines of an elderly couple. Within the quiet flow of time, a longing for youth and irretrievable memories begin to surface. This piece reflects the sorrow hidden in the stillness of old age and the deep yearning for the past.
Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.
Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.
Over a dozen students at this school in Quebec were radicalised. To tackle the issue, a pilot project was launched to heal divides within the student body. It's a hybrid cultural model, made up of the many cultures of its students.
A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.
The rock-wild youth of the 1960s during the apparitions of their idols.
The incredible house of Pierre Loti (1850-1923) in Rochefort will reopen to the public in June 2025. This is an opportunity to look back on the romantic life of one of the most widely read and translated authors of his time. The writer-officer, who joined the navy at the age of 17, traveled around the world as his assignments took him. Through his literary work, he built a sensitive memory of the diversity of cultures at the turn of the 20th century, questioning the major geopolitical upheavals of his time. The film draws heavily on Loti's own words, combined with a collection of rare archives from the period.
A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.
A short anecdotal documentary about the nature of destruction, a debilitating deadlock of humanity.
Special Olympics athlete Jesse Lanterman prepares for her upcoming competition in her usual ways: working her salon job, bowling with friends, and searching for the juiciest strawberry in her garden. Filmed by the subject's cousin, this week-in-the-life short documentary offers an intimate profile that champions the tenderness of cousinly love.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
THE ARYANS is Mo Asumang's personal journey into the madness of racism during which she meets German neo-Nazis, the US leading racist, the notorious Tom Metzger and Ku Klux Klan members in the alarming twilight of the Midwest. In The ARYANS Mo questions the completely wrong interpretation of "Aryanism" - a phenomenon of the tall, blond and blue-eyed master race.
