A mechanical machine displays a reel of objects with music box accompaniment.
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Recently orphaned, a young boy is taken in by his godmother who is shocked to realize that she can see the boy's imaginary friend: a flamboyant, French magician named Bogus.
After a carnival troupe saves his life, a man agrees to help its immortal leader collect five souls and win a bet with the devil.
Two angels, Damiel and Cassiel, glide through the streets of Berlin, observing the bustling population, providing invisible rays of hope to the distressed but never interacting with them. When Damiel falls in love with lonely trapeze artist Marion, the angel longs to experience life in the physical world, and finds — with some words of wisdom from actor Peter Falk — that it might be possible for him to take human form.
Throughout his life Edward Bloom has always been a man of big appetites, enormous passions and tall tales. In his later years, he remains a huge mystery to his son, William. Now, to get to know the real man, Will begins piecing together a true picture of his father from flashbacks of his amazing adventures.
A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.
When the gentle woodcarver Geppetto builds a marionette to be his substitute son, a benevolent fairy brings the toy to life. The puppet, named Pinocchio, is not yet a human boy. He must earn the right to be real by proving that he is brave, truthful, and unselfish.
An old Chinese man rides into the town of Abalone, Arizona and changes it forever, as the citizens see themselves reflected in the mirror of Lao's mysterious circus of mythical beasts.
Live performance, Bayerische Staatsoper, 2011. The Tales of Hoffmann (French: LES CONTES D'HOFFMANN) is an opéra fantastique by Jacques Offenbach that combines three short stories by E.T.A. Hoffmann into a haunting whole: a melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer. One of the questions this opera poses for any director is how to link the 'tales' of Hoffmann's three lost loves together and knit them satisfactorily into the Prologue and Epilogue. In this production, Richard Jones solves the puzzle by turning it into an autobiographical journey which ends with a grand meet-up of all the characters Hoffmann has encountered: for once, Hoffmann is not presented as a rollicking kind of drunken story-spinner, but rather a sad-eyed, sobered-up depressive, who reaches for the bottle only because his disastrous love life has gone wrong yet again.
An extraordinary young girl discovers her superpower and summons the remarkable courage, against all odds, to help others change their stories, whilst also taking charge of her own destiny. Standing up for what's right, she's met with miraculous results.
Oscar Diggs, a small-time circus illusionist and con-artist, is whisked from Kansas to the Land of Oz where the inhabitants assume he's the great wizard of prophecy, there to save Oz from the clutches of evil.
Vairitosky is an immortal artist. His act consists of dying in different ways, and then magically resurrected. The public is impatient, wants to see Vairitosky, who does not come into play. What will happen?
Join Philemon, a young Sicilian boy whose quest for adventure leads him into an otherworldly realm. This mystical domain, a vivid manifestation of his hopes, dreams, and fears, unfolds as he delves into its deeper, darker waters. As Philemon explores this fantastical world, he encounters a breathtaking array of aquatic performances that captivate and intrigue, each act revealing a new facet of this dream-like expedition.
A family must use a magical box of Animal Crackers to save a rundown circus from being taken over by their evil uncle Horatio P. Huntington.
Overcoming bullies and his own loser mentality, 10-year-old Bernie Dingledorf must destroy Dr. Chuckles’s diabolical Laugh Generator before it sends the world into uncontrollable fits of laughter.
A circus owner and a hunter's daughter go into an African jungle in order to capture a giant gorilla named Gorga just so that he can be used as an attraction for the former's circus.
A magician in a carnival--who actually can read minds and levitate people and objects--works with a superintelligent chimp named Alex, who can also talk. The magician and the chimp soon become the stars of the carnival, drawing in big crowds. However, the wild-animal trainer, who has been displaced by the team as the carnival's top act, decides to kidnap Alex and sell him to a medical laboratory for experimentation, thereby getting rid of his competition.
A melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer.
When 17-year-old Abigail stumbles upon her old piano, painful memories of her late father resurface. But when a mysterious entity tries to stop her from playing, she must make a difficult choice: continue avoiding the pain - or confront it head-on.
In a small American town, a diabolical circus arrives, granting wishes for the townsfolk, but twisted as only the esteemed Mr. Dark can make them. Can two young boys overcome the worst the devil himself can deal out?
"When I Grow Up" follows the imagination of a young boy's dreams for his future.
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