After Burindh, a Thammasat university student has escaped from the 6th October massacre by jumping into the Chao Phraya river, he becomes a goby fish with golden skin, and voyages through the memories of his own.
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It was one of the great crimes of the Second World War: from 1941 to 1944, a total of 872 days, the siege and starvation of Leningrad by the German Wehrmacht on Hitler's orders lasted. Over a million people fell victim to the blockade, most of them dying of hunger. Countless of these starving people wrote diaries with the last of their strength, and cameramen filmed in the paralyzed city. Evidence from the hell of the siege, many of the film recordings, but above all the written memories on which this documentary on the occasion of the 80th anniversary of the liberation is based, remained under lock and key after the war. The voices of those who had suffered through this terrible time should not be heard by anyone, because they did not fit the pathos of the Leningrad heroic song that was officially sung. Most of the recordings come from women. The writers feared neither the enemy nor the Communist Party or Stalin, who often proved incompetent in providing for the population.
A young Polish filmmaker sets out to find out what happened to Mateusz Birkut, a bricklayer who became a propaganda hero in the 1950s but later fell out of favor and disappeared.
In April 1985, I started to make a film with my friend Kamioka as the main character. But even after three months, the whole film was still unknown. I started to work alone with the camera. One day, the rabbit he keeps at home gives birth to a stillborn baby. As he buries her under a tree in the garden, it made me think of his father, who died the year before. He is no longer with us, but only the gaze he left behind. And so I set off on a journey. In a town in the Hokuriku region, he met a woman who once appeared in one of his films. When I dozed off on the train to Tokyo, she appeared to me in a dream and tells me that I will soon find the exit. Back in Tokyo, I told Kamioka that I'm going to start filming again. I came back into the room, turned on the microphone and pressed the flame against the lens.
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A failed writer relives the past since he's unable to write something new. His search for inspiration will make him delve into his mind and face his internal conflict.
Charlie and Emi return to do a sketch that doesn't go as planned when reality gets in their way.
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
After seven years in prison, a female student in Tehran is hanged for murder. She had acted in self-defence against a rapist. For a pardon, she would have had to retract her testimony. This moving film reopens the case.
In 1952, Amédée took his own life by jumping into the Seine. No one knows the reason for this tragic act. His story comes to us in bits and pieces.
Nearly forty years after the moon landing the men on the mission reveal what really happened. On how close the mission came to disaster.
Haunted by the weight of an unfinished project, an architect battles insomnia by silencing distractions within his home. In the depths of silence, he confronts inner demons, leading to a haunting journey with a destructive outcome.
For many, the name Malvinas/Falklands evokes an absurd war between England and Argentina in 1982. For Julieta Vitullo, the protagonist of this film, this tragic history becomes deeply personal 25 years later when she suffers a loss associated with her search to uncover that past, unfolding into a life-affirming struggle for renewal and rebirth. This film tells the story of two trips, one made in 2006 and the other in 2010. In the space between one trip and the next, between past and present, between the public and the private, between what can and cannot be told, the movie reflects on the possibilities of conveying extreme life experiences, presenting landscapes and sounds that suggest subtle contours of that shape, 'The Exact Shape of the Islands.'
Emilio Pascual, a historical figure of Andalusian cinema from the early 1900s, appears in today's Malaga with the mission of bringing the first documentary filmed in Andalusia to its first screening.
After a documentary he made about the death of his mother bombs at a festival, Dylan is sent on a path of redemption by a fellow film buff.
Julio Medina decides to become a film director. With his savings and some borrowed money, and after having read a book on film directing, he shoots his first feature film. Then he will have to release the film, something that will not be easy for him. The odyssey to release his first film will turn into a real nightmare.
“Archeology” and “Archive” share the same roots. Both words come from “Arkhé”, the Greek word for “origin”. In the ruins of buildings, lost forever by earthquakes, as in the depth of the archives, we dig. What happened the morning of the big earthquake? The morning of September 19th 1985 is fading away in our memories. These recordings have never been seen. Unedited images of the catastrophe dug out by the archaeological adventure of an archivist that suffered with them. He dug and suffered until he could no longer see.
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