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On an isolated farm, a woman finds an injured and frightened woman in her old chicken coop. Moved by an inexplicable instinct, she decides to help her, without imagining that this silent encounter will awaken buried secrets. When tension finally gives way to trust, something dark approaches, bringing a truth that no one could have foreseen.
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Amid the 2019 drought in Brazil’s Northeast, Madalena loses her mother in a tragic event that changes her life. Alone, she joins a rebellion at the Grajaú farm in Canudos, where a community rises against government neglect. A violent State response turns their hope into sorrow. Later, journalist Júlia returns to uncover the truth, hearing from people like Lúcia, a grieving mother. As Júlia investigates, hidden stories emerge: Madalena's forbidden love with rebel João and Pedro's thirst for revenge after losing his father to political violence. Their paths cross in a tale of justice, pain, and redemption. Inspired by Ariano Suassuna, famed for "A Dog’s Will", this short film is a prelude to "A Pena e a Lei", created by 9th-grade students from Escola SESI Cambona, in Maceió, Brazil. It was screened at the SESI Festival of Art and Culture in July 2023, touching audiences with its emotional and socially conscious narrative.
A Latinx immigrant mother makes waves with a historic campaign to end the sharing of the Philadelphia police database with ICE.
A look into the rising underground vogue scene of Brasília
Deep in the forest a group of five friends wander around like a lion herd. Lost in their word games, they play and seduce each other while going back and forth into adulthood territory, in a desperate search to avoid their already written story.
Sofia encounters with an old friend from her childhood, Mar. Both girls become inseparable, until that bond becomes so strong that Mar starts to develop a dependency for Sofia.
Victoria falls in love with a girl with whom they cross paths. Judith finds something unique in her and they decide to create a relationship, although Victoria fears the conflict that will arise at home and its consequences.
Eleven-year-old Alexander and his family embark on a dream Spring Break vacation to Mexico City only to have all their plans go terribly wrong when they discover a cursed idol.
Val Garcia, a Mexican-American teen who is half human/half vampire, has had to keep her identity a secret from both worlds. But when her human best friend shows up at her monster-infested school, she has to confront her truth, her identity, and herself.
This film depicts the laborious and isolated existence of Emilia, a working class, urban, Latina housewife in the U.S. Emilia's detached attitude towards her husband and children suggests deep unhappiness and a fatalistic resignation. She vicariously experiences her dreams of romance and adventure through the female protagonist of her favorite soap opera. The film intermixes the fantasy world of the television program with the reality of the Emilia's daily life, exploring the profound sense of dissatisfaction and acute feelings of entrapment experienced by women within society's traditional roles. There is not much difference between Emilia's "real" life and her soap opera life in that the woman is confined in both environments.
In an evangelical house on the outskirts of a Brazilian megalopolis, a young trans man revisits his family after years. Gradually, what could be just a Sunday lunch turns into a suffocating plot of abuse and violence.
Waking up at a gaming table marked by silences and glances, a former couple tries to survive the game commanded by a sadistic Sheriff, where the last card can decide not only the winner, but also who survived.
The interview, held on January 4, 2001, was the last given by Professor Milton Santos, who died from cancer on June 24 of the same year. The geographer is gone, but his thoughts remains. Its political and cultural ideals inspire the debate on Brazilian society and the construction of a new world. His statement is a true testimony, a lesson that the world can be better. Based on geography, Milton Santos performs a reading of the contemporary world that reveals the different faces of the phenomenon of globalization. It is in the evidence of contradictions and paradoxes that constitute everyday life that Milton Santos sees the possibilities of building another reality. He innovates when, instead of standing against globalization, proposes and points out ways for another globalization.
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