In an attempt to represent reality, the boundary between life and art blurs between fragmentary images of someone and the praxis of an essay film.
An audio-visual experience through the perspective of an iPhone depicting a harmonious city during the day quickly descend into technological madness as night falls.
With her short red hair, expressive face, vitality, and playful acting style, Shirley MacLaine stands out in the Hollywood pantheon. Driven by a volcanic personality and iron discipline inherited from classical dance, she has constantly reinvented herself, from the girl next door to the eccentric old lady she plays on screen today, proving at 91 that there is a place for actresses of all ages. A refreshing portrait featuring film clips and archival footage, particularly those in which this talk show regular exercises her sharp wit.
Bandits, Bandits, Brazil, Munchausen, Twelve Monkeys, not to mention the crazy Monty Python saga... With their visual extravagance and ever-fresh originality, amplifying his vision of a humanity that is as disturbing as it is comical, his films have made history. In the same baroque, zany, but also tragic vein, Terry Gilliam's work and life merge into an adventure that borders on the epic.
The antithesis of the virile heroes of his era, James Dean shook up the representation of adolescence and masculinity in three films shot in 1955, the same year he died in a car accident at the age of 24—exactly seventy years ago: Rebel Without a Cause, East of Eden, and Giant. This meteoric rise made him an instant icon, frozen in eternal, rebellious youth, which still resonates strongly today.
A surprisingly intimate portrait of how the dream of running one’s own business can take on monstrous contours. Managed by the father of one of the singers, over the course of five years the girl band 5Angels had reached the gates of pop fame. But it is a path paved not only with the songs of Michal David, but also with the dogged determination of a man who loses any notion of where his role as manager ends and his role as parent begins. An emotionally moved Karel Gott, five angelic girls, and one overly involved father, thanks to whom the behind-the-scenes pre-Christmas atmosphere melts away just as rapidly as the fat should disappear from the belly. “A singer can’t be a lard bucket!”
At once a journey and a reckoning, this film follows 19 year old Koen's ascent of Mount Rinjani—often regarded as Indonesia’s toughest summit. What begins as a test of endurance gradually transforms into something more intimate: a dialogue between self and nature. Shot as a reflective video diary, the film holds not just the view from the summit, but the moments of insight and introspection discovered along the way.
For the first time in six years, Barbara Morgenstern, pioneer of German-style electronic intimate pop, works on a new album. Her laptop sits on a shoebox, in the privacy of her home she finds first lines and harmonies: “I like to be alone,” one song begins. One by one, musicians join her. Intuitive ideas take shape. A window has opened. Arrangements, rehearsals, recordings follow. Step by step, the music enters public space, images are produced, videos, narratives. Questions arise: New beginning or back to the roots? New Biedermeier or tough political comment? The bigger the band, the riskier the booking. The more crisis-ridden the environment, the more comforting the music-making.
This is the story of an ordinary man transformed by history. A simple baker from Besançon who became a political symbol of resistance. That of a France that knows how much it needs others to grow. Of working classes rejecting the siren calls of populism. He says: "I was nothing and I became a monster" to express the vertigo of his transformation. And so the baker entered politics, visited the United States in the footsteps of Martin Luther King, brought aid to the Ukrainians, and ran for legislative elections. Fearless. Fighting with all his heart. It is this inspiring, touching, and funny human epic that Pedro da Fonseca's camera followed closely, capturing his doubts, his hesitations, and his emotions.
When the lights dim and the stage is revealed, Meschke channels life through the strings of his puppets, triggering the spiritual connection between the creator and his alter-egos: the charismatic Don Quixote, the loving Penelope, the inquisitive Baptiste, or the mysterious Antigone. THE MAN WHO MADE ANGELS FLY is a poetic story about a master of his craft that has inspired audiences to reflect upon common issues of suffering and the mortal coil. Visionary and un-biographic, imaginary tribute to the puppeteer.
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A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?
At underground film of the 1st Popular Festival of Catalan Poetry filmed in the Proce Theater in Barcelona on May 25, 1970, in solidarity with political prisoners. The participating poets were: Agustí Bartra, Joan Oliver (Pere IV), Salvador Espriu, Joan Brossa, Francesc Vallverdú and Gabriel Ferrater.
Portrait of Augustinas Baltrušaitis, film and theatre director, as well as actor, who fell into obscurity and has now been relegated to the margins of society, as a result of specific political circumstances. Countdown is a film about the limits of memory, the effects of the implacable passage of time, and a hope that surpasses time.
In a time of resurgence of social protests, political radicalization and distrust of power, Arendt's thought has never been more relevant: A critical thinker according to some or a conservative according to others, this great figure of the intellectual world remains, in many ways, an enigma. Who was Hannah Arendt?
On February 6, 2023, an earthquake on the border of Turkey and Syria claims more than 55,000 lives. On this day, I am in an oncology center, 6 days since having my tumor removed, and in the afternoon my partner ends our relationships. Blending memory and theory, this autofiction documentary unfolds the relationships between love(s) and catastrophes.
How Montreal is transformed from winter to spring. Inspired by Berlin: Symphony of a great city, Printemps Now! is a cinematographic poem, an audiovisual symphony of the city of Montreal transitioning from winter to spring.
Documentary on the French graphic and visual artist and designer, editor, artistic director, and teacher who is known for his widely-used fonts.
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