''Mask comes before the face it covers''
A short stream of consciousness of a man who is drinking Absinthe to blur the lines between dominant and submissive identity.
No Trailers found.
A person living in Liberty City goes to work, have some food & gets back home.
Actions 1962–2003 (1 DVD-PAL) plus a CD containing recordings from the Burgtheater performance 2005. Hand-numbered first edition of 1000 copies. The packaging consists of a slip lid box with banderole, containing an 80 page book with photos and texts. On the DVD there is a 4-hour overview of all "Actions" of 1962–2003, as well as an interview from 2005. The 80-page book (German/English) with a text by Florian Schreiner and numerous photos explains the theoretical basis of Nitsch’s work. The CD contains recordings of the 122nd "Action" from the castle theatre Vienna (Burgtheater).
The insecure genderqueer Jae wants to make their mother proud by including her in their life. When their mother attempts to keep contact to a minimum, Jae confronts her in vain.
As Emilia and Maxine spy on their best friend's first date, they come to realize the chemistry might not be between the couple they anticipated.
Upon moving into a new apartment, a young woman finds herself surrounded by strange events. Curious about the reasons behind the occurrences, the young woman is sucked into memories and daydreams, remembrances and forgetfulness, places and non-places.
A photographer girl enters a street to take street photographs as usual and takes a few photos that she thinks are normal. When she washes the photos and hangs them, she sees that she is actually in one of the photos and goes in search of that person.
No overview available.
It took a hundred queer years for Lola Perla to be finally recognized by a government that never really took notice of the likes of her. But that’s okay, because along with the president’s anti-climactic, and in many ways, almost insincere recognition is a fat envelope containing Php100,000 (USD$2,000). For Perla, this is more than enough money to transcend her idea of a lifetime legacy. Today is the day Lola Perla confronts her long-standing personal covenant: to bail an ex-lover’s son out of jail. Meeting fifty-someting Nanding transforms into a reunion, then, a communion of her present self, with an old love.
Alain, the architect, lives secluded in his luxurious finca in the outback. He solely wears women's clothes und avoids any contact to people. When he's forced to break out, neither the outside world nor his inner world seem to be ready.
He's here and waiting. While time, history and ideas repeats themselves he watches the ages pass as usual. In the end, the left eye of Mars will return to him uninjured. A five-part experimental film about the antics of modern society and the struggle of our beloved "Mars"
A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?
The Road is a deeply personal experimental film by Jana Hammoudeh, chronicling her journey as a nomadic soul, always on the move yet never truly belonging. Shot across three separate road trips, the film blends visual poetry with intimate monologues in multiple languages, reflecting the fragmented nature of the protagonist’s life. The film’s segments—Leaving Amman, Scrambled Eggs, and Postcards to a Friend—explore themes of love, loss, and freedom. The first segment, set in Amman, presents a conflicted relationship with home, inspired by Charles Bukowski’s Let It Enfold You. The second, in French, revisits past romances, while the third, narrated in Kazakh and Urdu, contemplates departure and longing. Through dreamlike cinematography and raw reflections, The Road captures the bittersweet beauty of transient nature of life and self-discovery.
An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.
When Rock, a young Chicago punk, shares a romantic spark with the free-spirited Ty at a local show, she contemplates a desperate, dangerous measure to prove herself worthy of Ty’s traditionalist punk sensibility.
As a young woman walks home alone one night, a chance encounter with a missing dog incites the reclamation of her body and self — as she learns to bite as tough as her bark.
The myth of a goddess who rebels against traditional romance and falls in love with herself.
In this defiantly affirming queer tale, a gorgeously decked-out Australian calls out his date for chastising his "femme" qualities.
Christine Vachon’s story of a man haunted by the grotesque memory of having stepped on a dead animal's carcass is an artistic tour de force starring Michael Sean Edwards (the voice of Richard Carpenter in Todd Haynes’ Superstar) and a young Steve Buscemi.
While walking his dog, Eric bumps into the confident and carefree Ryan. Taking a nervous leap, Eric accepts Ryan’s invitation to walk through the city en route to a concert. In the next six blocks, the two men discover that intimacy through anonymity also exposes one another’s flaws and insecurities. Will they make it to the concert in one piece?
self